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A beautiful, poetic translation of the Book of Psalms, Songs Ascending includes textual commentary and insights into the translation process, illuminating the choices of the original composers and the choices facing us in the 21st century as we try to make each psalm our own. The spiritual commentary asks: To what events, struggles, and triumphs in our lives might this psalm speak? How might this psalm articulate an aspect of our own sacred existence, or how might it help us celebrate a special day in our lives? How might it provide comfort when we are bereft and most in need of consolation, or how might it help us provide comfort for someone else? Songs Ascending explores all this and more, engaging the reader in dialogue that will inform and inspire.
A beautiful, poetic translation of the Book of Psalms, Songs Ascending includes textual commentary and insights into the translation process, illuminating the choices of the original composers and the choices facing us in the 21st century as we try to make each psalm our own. The spiritual commentary asks: To what events, struggles, and triumphs in our lives might this psalm speak? How might this psalm articulate an aspect of our own sacred existence, or how might it help us celebrate a special day in our lives? How might it provide comfort when we are bereft and most in need of consolation, or how might it help us provide comfort for someone else? Songs Ascending explores all this and more, engaging the reader in dialogue that will inform and inspire. "For Richard Levy, the force of the Psalms comes from their spiritual intentions; and he re-enforces this priority with rich commentary and postscripts that help the reader actually USE the Psalms in some meaningful way. Songs Ascending may be the high point in Richard Levy's career--a career filled with high points." - Rabbi William Cutter, PhD, Steinberg Emeritus Professor of Human Relations at HUC-JIR Los Angeles "With its clear and engaging English translation, the insightful commentary, and thought provoking spiritual applications, Songs Ascending offers something for everyone, from lay person, to rabbi, to biblical scholar alike. And for that, I give it a "two thumbs up," or as we say in Hebrew: kol hakavod!" - Professor Kristine Henriksen Garroway, Visiting Assistant Professor of Hebrew Bible at HUC-JIR Los Angeles
"A new, poetic translation of the Book of Psalms faces the Masoretic Hebrew text. A running textual commentary takes us inside the translation process. A second, spiritual commentary connects each psalm to the events, struggles, and triumphs in our spiritual lives"--
Originally from Newport, Gwent, for the last eighteen years Richard King has lived in the hill farming country of Radnosrshire, Powys. He is the author of Original Rockers, which was shortlisted for the Gordon Burn Prize, and How Soon Is Now?, both published by Faber.
God is to be worshipped. I knew that, but I did not know how. I asked the Lord one day how He wanted me to worship Him, and He gave me Worship Songs. Every day, we would meet, and He would give me a song--sometimes two, sometimes more. It was amazing how the Holy Spirit was speaking, and as He was speaking, I was writing His every word. The Lord gave me two hundred songs. Not only did God want me to hear and sing these songs but He wanted His words manifested in my life. Worship Songs are songs conveying God's love and plan for me while processing, delivering, and teaching me how to trust, to worship, to praise, and to thank Him, in every situation. They are songs of my surrendering, my releasing all care, my humbling myself, and my giving all place to the Father, the Son, and the Holy Spirit. Worship Songs are songs of my getting to know Who the Father, the Son, and the Holy Spirit are. They are songs that we are singing to one another--God's heart to my heart, my heart to God's heart, with God bringing out of my heart words that I did not know were there. Writing Worship Songs allowed me to experience God's comfort, care, encouragement, assurance, mercy, and grace, like never before. He lifted me and lifted me and lifted me up, with His presence, with His Word, with His Spirit, with His worship songs, with everything He knew I needed. He worked a wonderful work in me. Worship Songs are divine messages, commitments, promises, direction, and purpose. These songs are God-breathed, rooted, and grounded in love, set apart to bring about change in my life and the lives of readers.
In the early days of ethology, most of the major developments were in the realm of ideas and in the framework in which animal behavior was studied. Much of the evidence was anecdotal, much of the thinking intuitive. As the subject developed, theories had to be tested, language had to become more public than it had been, and quantitative descriptions had to replace the preliminary qualitative accounts. That is the way a science develops; hard headed analysis follows soft-headed synthesis. There are limits, though, to the usefulness of this trend. The requirement to be quantitative can mean that easy measures are chosen at the expense of representing the complexly patterned nature of a phenomenon. All too easily the process of data collec tion becomes a trivial exercise in describing the obvious or the irrelevant. Editors and their referees require authors to maintain high standards of evidence and avoid undue speculation-in short, to maintain professional respectability. In the main, this process is admirable and necessary, but somewhere along the line perspective is lost and a body of knowledge, with all the preconceptions and intellectual baggage that comes with it, becomes formally established. New ideas are treated as though they were subversive agents-as indeed they often are.
Excursions in World Music is a comprehensive introductory textbook to the musics of the world, creating a panoramic experience for students by engaging the many cultures around the globe, and highlighting the sheer diversity to be experienced in the world of music. At the same time, the text illustrates the often profound ways through which a deeper exploration of these many different communities can reveal overlaps, shared horizons, and common concerns in spite of, and because of, this very diversity. The new eighth edition features six brand new chapters, including chapters on Japan, Sub-Saharan Africa, China and Taiwan, Europe, Maritime Southeast Asia, and Indigenous Peoples. General updates have been made to other chapters, replacing visuals and updating charts/statistics. Another major addition to the eighth edition is the publication of a companion Reader, entitled Critical Issues in World Music. Each chapter in the Reader is designed to introduce students to a theoretical concept or thematic area within ethnomusicology and illustrate its possibilities by pointing to case studies drawn from at least three chapters in Excursions in World Music. Chapters include the following topics: Music, Gender, and Sexuality; Music and Ritual; Coloniality and "World Music"; Music and Space; Music and Diaspora; Communication, Technology, Media; Musical Labor, Musical Value; and Music and Memory. Instructors can use this resource as a primary or secondary path through the materials, either assigning chapters from the textbook and then digging deeper by exploring a chapter from the Reader, or starting with a Reader chapter and then moving into the musical specifics offered in the textbook chapters. Having available both an area studies and a thematic approach to the materials offers important flexibility to instructors and also provides students with additional means of engaging with the musics of the world. A companion website with a new test bank and fully updated instructor’s manual is available for instructors. Numerous resources are posted for students, including streamed audio listening, additional resources (such as links to YouTube videos or websites), a musical fundamentals essay (introducing concepts such as meter, melody, harmony, form, etc.), interactive quizzes, and flashcards.
In the twenties, thirties, and forties, now-legendary American songwriters and lyricists created a repertoire of popular songs, songs that have captured the hearts of generations of music lovers. George Gershwin, Richard Rodgers, Cole Porter, Jerome Kern, Harold Arlen, Hoagy Carmichael and many others, along with such lyricists as Ira Gershwin, Lorenz Hart, and Dorothy Fields, produced extraordinary songs of signal importance to the American musical heritage. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin’s “Fascinating Rhythm” (1924) to Irving Berlin’s “Steppin’ Out with My Baby” (1947), guiding readers and listeners toward a deeper appreciation of this vital and engaging music. Forte writes for the general reader, assuming no background other than a familiarity with basic music notation. Each song is discussed individually and includes complete lyrics and simple leadsheet notation. Forte discusses the songs’ distinctive musical features and their sophisticated, often touching and witty lyrics. Readers can follow the music while they listen to the accompanying compact disc, which was specially recorded for this volume by baritone Richard Lalli and pianist-arranger Gary Chapman, with Allen Forte, pianist-arranger for “Embraceable You” and “Come Rain or Come Shine”. Learn about these favorite songs and more: “How Long Has This Been Going On?” “What Is This Thing Called Love?” “Embraceable You” “Autumn in New York” “I’ve Got You Under My Skin” “The Nearness of You” “That Old Black Magic” “Come Rain or Come Shine”