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For many centuries the islands of Haiti and Boriken had been home to the Taino people, the peace-loving inhabitants of the Greater Antilles whose carefree society led Columbus to believe that he had stumbled across the earthly paradise that stirred the imagination of most fifteenth-century Europeans - until he and the Spanish conquistadors initiated the most terrible genocide our planet has ever witnessed. This is the story of the epic encounter between two alien civilizations in the lands that the Spanish renamed Espanola and Puerto Rico, between a unique culture that would soon vanish from the earth - though its legacy lives on throughout the Caribbean - and a crusading nation whose lust for gold and missionary zeal brought the fires of hell to a new world that was as old as its own.
Ages 4 to 8 years. This storybook is a lyrical and beautifully illustrated account of a day in the life of a Ta-no boy living 500 years ago on the island of Puerto Rico. It gives a child's-eye account of the strong bonds that these ancient people had with the natural world and one another. From poetic descriptions of the morning gathering of the crops to the magic of storytelling by the evening fire with Mother and Father, young readers will discover the rewards of a life lived close to the earth. Children will find additional pleasure in the antics of Tahite, a colourful pet parrot, and in vivid illustrations of the island's inhabitants, from the smallest coqui frog to the mightiest ceiba tree. As readers become enthralled with the workings of the ancient Ta-no culture, a philosophy of strength of community, respect for resources, and the value of friendship will inspire them to enjoy and protect the natural world that surrounds them.
"JosÉ [Barreiro] writes the true story in TaÍno—the Native view of what Columbus brought. Across the Americas, invasion, and resistance, the TaÍno story repeated many times over." – Chief Oren Lyons (Joagquisho), Turtle Clan, Onondaga Nation The story of what really happened when Columbus arrived in the "New World," as told by the TaÍno people who were impacted In 1532, an elderly TaÍno man named GuaikÁn sits down to write his story—an in-depth account of what happened when Columbus landed on Caribbean shores in 1492. As a boy, GuaikÁn was adopted by Columbus, uniquely positioning him to tell the story of Columbus's "discovery," directing our gaze where it rightfully belongs—on the Indigenous people for whom this land had long been home. Revised and updated by author JosÉ Barreiro (himself a descendant of the TaÍno people) with new information and a new introduction, this richly imagined novel updates GuaikÁn's carefully crafted narrative, chronicling what happened to the TaÍno people when Columbus arrived and how their lives and culture were ruptured. Through GuaikÁn's story, Barreiro penetrates the veil that still clouds the "discovery" of the Americas and in turn gives
Keegan and Carlson, combined, have spent over 45 years conducting archaeological research in the Caribbean, directing projects in Trinidad, Grenada, St. Lucia, Puerto Rico, the Dominican Republic, Haiti, Cuba, Jamaica, Grand Cayman, the Turks & Caicos Islands, and throughout the Bahamas. Walking hundreds of miles of beaches, working without shade in the Caribbean sun, diving in refreshing and pristine waters, and studying the people and natural environment around them has given them insights into the lifeways of the people who lived in the Caribbean before the arrival of Christopher Columbus. Sadly, harsh treatment extinguished the culture that we today call Taíno or Arawak. In an effort to repay their debt to the past and the present, the authors have focused on the relationship between the Taínos of the past (revealed through archaeological investigations) and the present natural history of the islands. Bringing the past to life and highlighting commonalities between past and present, they emphasize Taíno words and beliefs about their worldview and culture.
"Alida, the daughter of a Taíno chief, lives in paradise. One day, she is startled by a boy from the opposing tribe, the Carib. Meeting daily in a hidden place, Alida and the boy, Taroo, soon become friends--and then their friendship blossoms into something more. What will happen if someone discovers their forbidden love? A retelling of the Taíno legend of how the hummingbird came to be, this story brings an ancient culture--and a youg love--to colorful life."--Page [4] of cover.
Explore the rich heritage, contemporary culture, and society of the Virgin Islands by delving into its wonderful music. Dale Francis, a resident of the Virgin Islands whose ancestry there dates back to the early 1700s, examines what Africans, Europeans, and Tainos contributed to Virgin Islands quelbe. He also chronicles key genres that were played between 1672 and 2012. As you immerse yourself into a fascinating blend of African and European music traditions, you'll learn about the anthropology of the music, what it tells us about power dynamics, the relationship between the music and religion, and deeper meanings hidden in the music. You'll also discover the ancient secret in the bamboula art form, the power of cariso, freedom in the quelbe, and learn how the music of the Virgin Islands continues to retain traditional elements despite contemporary influences. Your appreciation for life will reach new heights as you explore the social, economic, and political dynamics of mankind through the musical heritage of the Virgin Islands in The Quelbe Commentary.
This is the most advanced book written on the subject of the Taino language. It is authored by Professor Richard Porrata Doria, Ph.D., and is the adopted contemporary language of the Descendants of Puerto Rico's First Nation. It teaches the reader the fundamentals of the Taino language, its syntax, and sets the proper standard on how to formulate the language in logical and systematical order. Professor Porrata gives instructions throughout the book through teaching sessions and domains that he developed, which instructs the student how to correctly use Taino prefixes, suffixes, connotations, etc.. His easy to learn teaching methods show the student how to properly construct Taino sentences such as questions and answers and other expressions in Taino; a language that was once thought to be extinct but that Professor Porrata has proven it to have been only sleeping. The book is cram backed with illustrations and Taino sentences. He also teaches the reader of independent study the process of verbing and word blending to bring Taino words back into existence. A retired associate professor from the University of Puerto Rico's Multilingual and Cultural Institute, a US Army language instructor, including 120 credit hours of Native American linguistics from the University of Oregon, and his numerous books written on the Taino language reflects that Dr. Porrata is in the tradition of keeping the Taino language alive. This book is a must for anyone interested in learning how to speak, read, and write in the Taino language.
Most pop songs are short-lived. They appear suddenly and, if they catch on, seem to be everywhere at once before disappearing again into obscurity. Yet some songs resonate more deeply—often in ways that reflect broader historical and cultural changes. In Footsteps in the Dark, George Lipsitz illuminates these secret meanings, offering imaginative interpretations of a wide range of popular music genres from jazz to salsa to rock. Sweeping changes that only remotely register in official narratives, Lipsitz argues, can appear in vivid relief within popular music, especially when these changes occur outside mainstream white culture. Using a wealth of revealing examples, he discusses such topics as the emergence of an African American techno music subculture in Detroit as a contradictory case of digital capitalism and the prominence of banda, merengue, and salsa music in the 1990s as an expression of changing Mexican, Dominican, and Puerto Rican nationalisms. Approaching race and popular music from another direction, he analyzes the Ken Burns PBS series Jazz as a largely uncritical celebration of American nationalism that obscures the civil rights era’s challenge to racial inequality, and he takes on the infamous campaigns to censor hip-hop and the radical black voice in the early 1990s. Teeming with astute observations and brilliant insights about race and racism, deindustrialization, and urban renewal and their connections to music, Footsteps in the Dark puts forth an alternate history of post–cold war America and shows why in an era given to easy answers and clichd versions of history, pop songs matter more than ever. George Lipsitz is professor of black studies and sociology at the University of California, Santa Barbara. Among his many books are Life in the Struggle, Dangerous Crossroads, and American Studies in a Moment of Danger (Minnesota, 2001).
Song of the Caiman Spiritual Beliefs of the CiBoNey Peoples "Connect with the ancestors and there Florida and Caribbean descendents" For more information please contact: Ciboney Tribe of Florida www.ciboneytribe.org [email protected]