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Through the eyes of a Red-winged blackbird, children explore a very real yet dreamlike landscape teeming with texture, color, and light - slip on your rubber boots, let's visit a marsh!
The Redwing Blackbird's Song is a book of hope and inspiration for all those who aspire to lead. Dr. Susan Phillips Speece, has written a warm, funny and at times heart warming account of growing up in the Midwest, but with a passion for becoming a scientist. The author's reflections on the little girl growing up in a sleepy suburb of Chicago, venturing out on her own to explore her environment, reveals the character of the woman she will become. She shares the struggles of a young woman to balance family and career and the abject fear one faces when one is stalked. Dr. Phillips Speece is a down-to-earth woman who knows how to laugh. She also breaks the stereotypic mold of scientist. Even the pointed attempt of a college professor to have her leave his course did not deter the author from reaching her goal. Inspired by her own mother and her paternal grandmother, Dr. Phillips Speece realized the importance of reaching out to others while still keeping her goals in sight. The Redwing Blackbird's Song is enriched by Dr. Phillips Speece's photography.
In 1905, representatives from dozens of radical labor groups came together in Chicago to form One Big Union—the Industrial Workers of the World (IWW), known as the Wobblies. The union was a big presence in the labor movement, leading strikes, walkouts, and rallies across the nation. And everywhere its members went, they sang. Their songs were sung in mining camps and textile mills, hobo jungles and flop houses, and anywhere workers might be recruited to the Wobblies’ cause. The songs were published in a pocketsize tome called the Little Red Songbook, which was so successful that it’s been published continuously since 1909. In The Big Red Songbook, the editors have gathered songs from over three dozen editions, plus additional songs, rare artwork, personal recollections, discographies, and more into one big all-embracing book. IWW poets/composers strove to nurture revolutionary consciousness. Each piece, whether topical, hortatory, elegiac, or comic served to educate, agitate, and emancipate workers. A handful of Wobbly numbers have become classics, still sung by labor groups and folk singers. They include Joe Hill’s sardonic “The Preacher and the Slave” (sometimes known by its famous phrase “Pie in the Sky”) and Ralph Chaplin’s “Solidarity Forever.” Songs lost or found, sacred or irreverent, touted or neglected, serious or zany, singable or not, are here. The Wobblies and their friends have been singing for a century. May this comprehensive gathering simultaneously celebrate past battles and chart future goals. In addition to the 250+ songs, writings are included from Archie Green, Franklin Rosemont, David Roediger, Salvatore Salerno, Judy Branfman, Richard Brazier, James Connell, Carlos Cortez, Bill Friedland, Virginia Martin, Harry McClintock, Fred Thompson, Adam Machado, and many more.
NEW YORK TIMES BESTSELLER • Pierce Brown’s relentlessly entertaining debut channels the excitement of The Hunger Games by Suzanne Collins and Ender’s Game by Orson Scott Card. “Red Rising ascends above a crowded dys­topian field.”—USA Today ONE OF THE BEST BOOKS OF THE YEAR—Entertainment Weekly, BuzzFeed, Shelf Awareness “I live for the dream that my children will be born free,” she says. “That they will be what they like. That they will own the land their father gave them.” “I live for you,” I say sadly. Eo kisses my cheek. “Then you must live for more.” Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he toils willingly, trusting that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and lush wilds spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity’s overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society’s ruling class. There, he will stop at nothing to bring down his enemies . . . even if it means he has to become one of them to do so. Praise for Red Rising “[A] spectacular adventure . . . one heart-pounding ride . . . Pierce Brown’s dizzyingly good debut novel evokes The Hunger Games, Lord of the Flies, and Ender’s Game. . . . [Red Rising] has everything it needs to become meteoric.”—Entertainment Weekly “Ender, Katniss, and now Darrow.”—Scott Sigler “Red Rising is a sophisticated vision. . . . Brown will find a devoted audience.”—Richmond Times-Dispatch Don’t miss any of Pierce Brown’s Red Rising Saga: RED RISING • GOLDEN SON • MORNING STAR • IRON GOLD • DARK AGE • LIGHT BRINGER
The epic biography Starring Red Wing! brings the exciting career, dedicated activism, and noteworthy legacy of Ho-Chunk actress Lilian Margaret St. Cyr vividly to life. Known to film audiences as "Princess Red Wing," St. Cyr emerged as the most popular Native American actress in the pre-Hollywood and early studio-system era in the United States. Today St. Cyr is known for her portrayal of Naturich in Cecile B. DeMille's The Squaw Man (1914); although DeMille claimed to have "discovered the little Indian girl," the viewing public had already long adored her as a petite, daredevil Indian heroine. She befriended and worked with icons such as Mary Pickford, Jewell Carmen, Tom Mix, Max Sennett, and William Selig. Born on the Winnebago Reservation in 1884 and orphaned in 1888, she spent ten years in Indian boarding schools before graduating from the Carlisle Indian Industrial School in 1902. She married James Young Johnson, and in 1907 the couple reinvented themselves as the stage personas "Princess Red Wing" and "Young Deer," performing in Wild West shows around New York and beginning their film careers. As their popularity grew, St. Cyr and Johnson decamped from the East Coast and helped establish the second motion picture company in Southern California, where Red Wing became a Native American leading lady in westerns until her career waned in 1917. After returning to the reservation to work as a housekeeper, she took her show on a two-year tour to educate the public about Native culture and lived out her life in New York, performing, educating, and crafting regalia. Starring Red Wing! is a sweeping narrative of St. Cyr's evolution as America's first Native American film star, from her childhood and performance career to her days as a respected elder of the multi-tribal New York City Indian Community.
A story of courage, perseverance, and patriotism behind the 75th Ranger Regiment's rescue mission following one of the deadliest Special Ops incidents in Afghanistan—a grueling search for twelve Navy SEAL casualties and eight downed Night Stalkers . . . but just one lone survivor On June 28th, 2005, a four-man Navy SEAL reconnaissance team under Operation Red Wings was ambushed in northeastern Afghanistan—as depicted in the book and film Lone Survivor. A quick reaction force was dispatched. Turbine 33, carrying eight Navy SEALs and eight members of the 160th Special Operations Aviation Regiment, was struck by a rocket propelled grenade—careening the dual rotor Chinook toward the rugged peak of Sawtalo Sar. The result was the single deadliest incident in Special Operations history at the time. Commanders called on the largest element of US Special Forces, the 75th Ranger Regiment. The rescue mission: Operation Red Wings II. Author Tony Brooks gives a first-hand account of the daring recovery of Turbine 33 and the subsequent search for the remaining compromised Navy SEAL recon team—one of whom was Marcus Luttrell, the lone survivor. The Rangers were up against lack of intel, treacherous terrain, violent weather, and an enemy that was raised to fight. Tony Brooks lived—and many of his fellow Rangers died—by the axiom, “Leave No Man Behind.” He is the first to tell the story other books and films have omitted, one of overcoming overwhelming odds to accomplish a mission: to bring every American soldier home.
"Nearly sixty years of life, with all of its diversities and social pleasure, its joys and sorrows, successes and failures, a whole changing theatre cast of characters, some still loved and on the stage, others long since slipped into the darkened wings, and I remain most entranced by the simple glories of a fruit tree and a songbird. Why should it be so?" In this lush collection of essays Tim Bowling picks up the common questions, and beauties, of life and examines them closely. From questions of love and money, to the search for solitude in a clamouring world, to poetry and the place of art today, Bowling writes beautifully and thoughtfully on what it means to be alive now. And in the end, we come back to the moon, the trees, the salmon that swim to the sea and the call of the red-winged blackbird, which his mother imitated to call him inside at night, as a child.
If you've ever wanted to know the "correct" words to "Roll Me Over," or wondered where the melody of "Sweet Betsy from Pike" came from, this book can answer your questions. Extensively revised and including forty more songs than its predecessor, this new edition of The Erotic Muse is a unique scholarly collection of bawdy or forbidden American folksongs. Ed Cray presents the full texts of some 125 songs, with melodies for most of them and detailed annotations for all. His lively commentary places the songs in historical, social, and, where appropriate, psychological context.
The Shang Han Lun has been a primary treatment theory and practice source for nearly two millenia. Its author, Zhang Zhong Jing, has been named the “Chinese Hippocrates” to highlight the depth and breadth of his contribution to traditional Chinese drug therapy. This edition features the Chinese text, Pinyin transliteration, and an English translation of the entire Song Dynasty text, the content and textual order most used in Asia. Just as in Chinese language editions, it is fully supplemented with notes and commentaries. The notes describe the clinical symptoms Zhang Zhong Jing associated with the Chinese terms. For example, modern interpretations of a “moderate” pulse often refer to the speed of its beats. The same term, when used in the Shang Han Lun, refers to a pulse that is loose, soft, and harmonious. Such notes provide practitioners with the clinical observations necessary to properly apply the information. The commentaries further enhance the text’s clinical utility by explaining the theoretical and practical foundations behind the lines of text. Because entire bodies of theory and practice can be associated with the terms and expressions used in canonical works like the Shang Han Lun, commentaries have become a standard means of knowledge acquisition for Asian students. The commentaries in this edition serve exactly the same purpose, greatly enhancing its utility. The introductory matter explains the background of the text, the conceptual structure of its contents, and the problems of exegesis. The appendices are designed to assist those studying Chinese and the glossary and the full Pinyin-English index make this an easily accessed reference.
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change. In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and the creatures who sing them. Music is the shivering urgency and exuberance of life ongoing. In a time of terrible silencing, Moore asks, who will forgive us if we do not save nature's songs?