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Create beautiful hand lettering with the first book dedicated entirely to the use and mastery of modern brush pens. Drawing gorgeous letters, words and phrases with a brush pen doesn’t have to be difficult! Brush Pen Lettering will show you how to create your own unique style. To help you on your lettering journey, this comprehensive how-to guide includes: • DIY projects • Tips and Tricks • Color Photographs • Inspiring Ideas • Step-by-step instructions • Practice exercises
The complete works of Paterson's literary works of the period 1901-1941.
Nothing tells a story better than the story-songs of country music. A Guitar and A Pen presents, for the first time, the literary work of some of the best storytellers in the world: the songwriters who cut and polish tales down to sparkling three-minute gems. A blend of humor and poignancy, these tales range from Kris Kristofferson's charming tale of how an explicit natural rock formation causes chaos in a small farming town, to the domestic drama of a Kentucky family with six daughters, to Charlie Daniels' character-driven fable of money and unhappiness, to Gary Nicholson's riveting tale of an albino African American singer/songwriter who inspired him to be a musician. A celebration of music and storytelling, other contributors include Hal Ketchum, Janis Ian, Mark D. Sanders, Tom T. Hall, Marshall Chapman, and Robert Hicks, among many other notable Nashville luminaries.
A selection of Banjo Paterson's favourites for children, including TThe Man from Snowy River', TClancy of the Overflow', TA Bush Christening', TMulga Bill's Bicycle' and TThe Road to Gundagai'. Colourful illustrations accompany each page of verse. One of the TAustralian Picturemac' series.
Spanning over 1,000 separate performances, The Music of Bill Monroe presents a complete chronological list of all of Bill Monroe’s commercially released sound and visual recordings. Each chapter begins with a narrative describing Monroe’s life and career at that point, bringing in producers, sidemen, and others as they become part of the story. The narratives read like a “who’s who” of bluegrass, connecting Monroe to the music’s larger history and containing many fascinating stories. The second part of each chapter presents the discography. Information here includes the session’s place, date, time, and producer; master/matrix numbers, song/tune titles, composer credits, personnel, instruments, and vocals; and catalog/release numbers and reissue data. The only complete bio-discography of this American musical icon, The Music of Bill Monroe is the starting point for any study of Monroe’s contributions as a composer, interpreter, and performer.
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.
Song lyrics and poems based on Rachel's books and poems Tears of a Clown I am Pierrot, don't call me a clown, I bear the rose of a broken heart, I lost my love to my rival, So I cry, No, I do not lie, Or will I lay down my rose, my heart. My tears are my heart's lost blood, I will die of grief before I lay down my rose, My heart will die. I am Pierrot, don't call me a clown, I bear the rose of a broken heart, I lost my love to my rival, So I cry, No, I do not lie, Or will I lay down my rose, my heart. My tears are my heart's lost blood, I will die of grief before I lay down my rose, My heart will die.