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An occult thief takes on a sinister society threatening to tear the fabric of this world apart, in this daring noir-thriller from the bestselling world of Arkham Horror Countess Alessandra Zorzi, reformed thief and acquirer of occult artifacts, faces her greatest challenge yet as she searches for an elusive artist in possession of the powerful Zanthu Tablet; the only thing that can stop the strange psychic malaise afflicting Alessandra’s assistant, Pepper. The countess’s quest takes her to the crooked heart of Venice, where an eerie organization is planning a grand performance that will engulf the city in chaos. As Pepper slips into an inescapable alien world, Alessandra must defeat powerful forces to save her friend. One wrong move could bring the curtain down on them all.
Cassilda's Song is a collection of weird fiction and horror stories based on the King in Yellow Mythos created by Robert W. Chambers--entirely authored by women.
"[This collection] features all new tales in tribute to the creations of Robert W. Chambers"--P. [4] of cover.
"In the Court of the Dragon" by Robert W. Chambers is a chilling tale about a man who attends a church service, only to be pursued by a menacing organist. As he flees through the streets, the sense of dread intensifies. The boundaries between reality and nightmare blur as the protagonist confronts an overwhelming, inexplicable terror, leading to a haunting conclusion that questions the nature of existence itself.
AN IGNYTE AWARD WINNER FOR BEST COMICS TEAM! "Where Black Stars Rise boldly pushes the limits of what a comic can do. ...It's a gorgeous work. I loved it." —Trung Le Nguyen, author of The Magic Fish Nadia Shammas and Marie Enger's Where Black Stars Rise is an eldritch horror graphic novel that explores mental illness and diaspora, set in modern-day Brooklyn. Dr. Amal Robardin, a Lebanese immigrant and a therapist in training, finds herself out of her depth when her first client, Yasmin, a schizophrenic, is visited by a nightly malevolent presence that seems all too real. Yasmin becomes obsessed with Robert Chambers’ classic horror story collection The King in Yellow. Messages she finds in the book lead Yasmin to disappear, seeking answers she can’t find in therapy. Amal attempts to retrace her patient’s last steps—and accidentally slips through dimensions, ending up in Carcosa, realm of the King in Yellow. Determined to find her way out, Amal enlists the help of a mysterious guide. Can Amal save Yasmin? Or are they both trapped forever? “Strange is the night where black stars rise, and strange moons circle through the skies. But stranger still is lost Carcosa...” —From The King in Yellow by Robert W. Chambers At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Celebrate the 20th anniversary of Atlantean Publishing with this revised and expanded edition of our King In Yellow anthology. Together with Carrion Blue 555, this collaborative release adds to the original line-up a dozen new tales of Hastur and the Hyades, Cassilda and Camilla. Avert your gaze from dim Carcosa, and trust not the hands of a living god.
"The Demoiselle d'Ys" by Robert W. Chambers is a chilling tale of the supernatural, woven into the haunting atmosphere of France. The story follows the narrator as he becomes enchanted—and disturbed—by a mysterious woman in a french mansion. Her elusive beauty and strange connection to a legendary curse draw him into a web of suspense and unease, exploring themes of obsession, otherworldly allure, and the spectral remnants of the past.
The King in Yellow is a book of short stories by the American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895.
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."