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There’s magic in the forest and it sings . . . Truman Starkey heard it once, there in the ancient rain forest. A song that could raise the dead, a song that could bend time to its will. A song that might finally solve the puzzle of what Truman has lost—his ability to compose music. But every magic needs fuel, and this magic, this song, demands a soul, a heart, or the most dangerous drug ever invented: Moss. Kat Gregory is a bar singer who hopes there’s no such thing as destiny, because if she can’t change hers, someone’s going to die. She knows. It's happened before. Kat must risk her mind and soul on Moss, and on a man she’s never met. Joel Hines knows he can thwart his destiny if he can just bring his mother back from the dead. To do it, he needs more of the Moss that has warped him into a mage of terrifying power. That means hunting down Kat. He’ll torture and kill anyone who gets in his way. What Truman doesn’t know is that the mysterious song in the rain found him for a reason. His true destiny is to compose the music that will defeat the mage. If only Kat can find him. If only Hines doesn’t find them first. If only Truman trusts in destiny . . .
Rain is elemental, mysterious, precious, destructive. It is the subject of countless poems and paintings; the top of the weather report; the source of the world's water. Yet this is the first book to tell the story of rain. Cynthia Barnett's Rain begins four billion years ago with the torrents that filled the oceans, and builds to the storms of climate change. It weaves together science—the true shape of a raindrop, the mysteries of frog and fish rains—with the human story of our ambition to control rain, from ancient rain dances to the 2,203 miles of levees that attempt to straitjacket the Mississippi River. It offers a glimpse of our "founding forecaster," Thomas Jefferson, who measured every drizzle long before modern meteorology. Two centuries later, rainy skies would help inspire Morrissey’s mopes and Kurt Cobain’s grunge. Rain is also a travelogue, taking readers to Scotland to tell the surprising story of the mackintosh raincoat, and to India, where villagers extract the scent of rain from the monsoon-drenched earth and turn it into perfume. Now, after thousands of years spent praying for rain or worshiping it; burning witches at the stake to stop rain or sacrificing small children to bring it; mocking rain with irrigated agriculture and cities built in floodplains; even trying to blast rain out of the sky with mortars meant for war, humanity has finally managed to change the rain. Only not in ways we intended. As climate change upends rainfall patterns and unleashes increasingly severe storms and drought, Barnett shows rain to be a unifying force in a fractured world. Too much and not nearly enough, rain is a conversation we share, and this is a book for everyone who has ever experienced it.
The author of the New York Times bestseller This Is Your Brain on Music reveals music’s role in the evolution of human culture in this thought-provoking book that “will leave you awestruck” (The New York Times). Daniel J. Levitin's astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history. Here he identifies six fundamental song functions or types—friendship, joy, comfort, religion, knowledge, and love—then shows how each in its own way has enabled the social bonding necessary for human culture and society to evolve. He shows, in effect, how these “six songs” work in our brains to preserve the emotional history of our lives and species. Dr. Levitin combines cutting-edge scientific research from his music cognition lab at McGill University and work in an array of related fields; his own sometimes hilarious experiences in the music business; and illuminating interviews with musicians such as Sting and David Byrne, as well as conductors, anthropologists, and evolutionary biologists. The World in Six Songs is, ultimately, a revolution in our understanding of how human nature evolved—right up to the iPod.
A dream of many years has come to fruition. For many years, growing up, I was encouraged to be a writer by my mother. She told me to experience life and one day I will have the heart to write a great book. I began sailing the Chesapeake Bay in my sixteen foot Hobie cat when I was a preteen. As I gained experience, I grew braver and ventured across the bay and into some of the major rivers that flowed into it. One day, about midday, I was sailing up the York river and I met a young Mattiponi boy about my same age. I offered to take him for a ride on my cat and a friendship developed. When I graduated from high school, I attended a small college in North Carolina. The Vietnam war was developing so I felt it was my duty to join the service. I became a Navy photographer. When my tour of duty was completed, I decided to return to college and get my degree. I graduated with a BS in elementary education 4-7. I enjoyed my career of 28 years of teaching but I hadn't met my goal to write a book. Having taught about the Woodland Powhatan Indians throughout the years, I focused my research and learned about and visited close local tribe sights and museums. I retired from teaching to write my book. After many reams of paper and constant editing and revising, my two plus years of writing finally became hopeful reality. We all have watched Apache raids in movies and on tv and read James F. Cooper's Last of the Mohicans but what about a story about Indian life before the invasion of the alien British Colonists. Who were the Tidewater Woodland Powhatan Indians and what is their story? Michael Crist
There is no movie musical more fun than Singin' in the Rain, and few that remain as fresh over the years. . . . It is a transcendent experience, and no one who loves movies can afford to miss it.—Roger Ebert America's most popular film critic is hardly alone in singing the praises of Singin' in the Rain. This quintessential American film-made in Hollywood's Golden Age, showcasing the genius of Gene Kelly, and featuring what Ebert calls "the most joyous musical sequence ever filmed"-has inspired love and admiration from fellow critics, film scholars, and movie buffs worldwide for more than half a century. Indeed, its reputation continues to grow: the American Film Institute now ranks it number 1 on its list of the Greatest Movie Musicals of All Time and number 5 on its list of the Greatest American Films of All Time. Echoing the enthusiasm of the film's most devoted fans, Earl Hess and Pratibha Dabholkar embrace and illuminate both the film and its reputation. Combining lucid prose with meticulous scholarship, they provide for the first time the complete inside story of how this classic movie was made, marketed, and received. They re-create the actual movie-making experience, on the set and behind the scenes, and chronicle every step in production from original concept through casting, scripting, rehearsals, filming, scoring, and editing. They then trace its distribution, critical reception, and enduring reputation. The book is brimming with human interest, bursting with anecdotes and quotes by and about the film's stars and makers. Here are Gene Kelly and Donald O'Connor at the top of their form, along with Debbie Reynolds and Cyd Charisse in their breakthrough roles. Here, too, are fascinating tidbits-about censorship troubles, continuity flaws, stunt doubles for Kelly, voice doubles for cast members, the dubbing of taps, and genealogy of all the songs. Hess and Dabholkar also provide in-depth analyses of each of the major song-and-dance performances, including details of everything from the dynamics of "Gotta Dance!" to the physical challenges of the remarkable title number. Based on exhaustive research in oral histories, studio production records, letters, memoirs, and interviews, their book is factually impeccable, compulsively readable, and indispensable for anyone who loves movies at their absolute best.
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
"Novelistic, perfectly plotted and quite possibly the best pop-star autobiography yet written." - The Wall Street Journal Jimmy Webb’s words have been sung to his music by a rich and deep roster of pop artists, including Glen Campbell, Art Garfunkel, Frank Sinatra, Donna Summer and Linda Ronstadt. He’s the only artist ever to win Grammy Awards for music, lyrics, and orchestration, and his chart-topping career has, so far, lasted fifty years, most recently with a Kanye West rap hit and a new classical nocturne. Now, in his first memoir, Webb delivers a snapshot of his life from 1955 to 1970, from simple and sere Oklahoma to fast and fantastical Los Angeles, from the crucible of his family to the top of his longed-for profession. Webb was a preacher’s son whose father climbed off a tractor to receive his epiphany, and Jimmy, barely out of his teen age years, sank down into the driver’s seat of a Cobra to speed to Las Vegas to meet with Elvis. Classics such as “Up, Up and Away”, “By the Time I Get to Phoenix”, “Wichita Lineman”, “Galveston”, “The Worst that Could Happen”, “All I Know”, and “MacArthur Park” were all recorded by some of the most important voices in pop before Webb’s twenty-fifth birthday: he thought it was easy. The sixties were a supernova, and Webb was at their center, whipsawed from the proverbial humble beginnings into a moneyed and manic international world of beautiful women, drugs, cars and planes. That stew almost took him down—but Webb survived, his passion for music and work among his lifelines. The Cake and The Rain is a surprising and unusual book: Webb’s talent as a writer and storyteller is here on every page. His book is rich with a sense of time and place, and with the voices of characters, vanished and living, famous and not, but all intimately involved with him in his youth, when life seemed nothing more than a party and Webb the eternal guest of honor.
The classic film musical Singin' in the Rain combines a streamlined 1920s storyline with vivid characters, memorable wisecracks and comedy, romance, riveting dancing, beautiful musical arrangements, gorgeous sets, props, and costumes, and virtuosic camera work. This guide traces the film's genesis and analyzes the music and dance that make Singin' in the Rain Gene Kelly's best-known work.
One of the first European bestsellers upon its 1774 publication, this classic of Romantic literature is written mostly in the form of letters in which the hero recounts his unrequited love for a married woman.
"When blood of Storm and blood of Rain, flow as one to mend their pain; darkness shall die and truth be regained, in shards of glass now broken and stained." In the epic tradition of fantasy classics, comes The Bloodline Chronicles. Rain Storm, takes you on a thrill ride through the battlefield of the mind, where the war between who we are and who we desire to be continually rages. Benjared Rain is a young man with a dark secret, threatened to be revealed with the coming of an estranged prophetess, and the sacred treasure she places within his hands. Ever aided by the angelic warrior, Mishael, and pursued by Galaina, an ancient demon, it will take the faith of an agnostic, the love of a harlot, and the naked truth of a broken heart to stand firm against the darkness seeking to devour their souls. Roy Dale Handshoe is an aspiring new author, residing in the hills of eastern Kentucky. He holds a Bachelor's degree in Business Administration from Alice Lloyd College, and is currently pursuing future endeavors to glorify God with his passion for writing and filming. Mr. Handshoe considers his writing as a form of worship, a way to pour himself out and be real before the God who made him. It is his prayer that through his novels, many will discover the delivering power of God that changed his own life.