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This volume collects twenty of Lawrence Kramer’s seminal writings on art song (especially Lieder), opera, and word-music relationships. All examine the formative role of culture in musical meaning and performance, and all seek to demonstrate the complexity and nuance that arise when words and music interact. The diverse topics include words and music, music and poetry, subjectivity, the sublime, mourning, sexuality, decadence, orientalism, the body, war, Romanticism, modernity, and cultural change. Several of the earlier essays have been revised for this volume, which also contains a preface by the author and a foreword by Richard Leppert. The volume should be essential reading for scholars, students, performing musicians, and other music-lovers interested in musicology, word-music relationships, cultural studies, aesthetics, and intermediality.
An all-in-one resource that helps both the music director and pastor plan the worship services for each Sunday and holy day of the year, The United Methodist Music and Worship Planner 2020-2021 is lectionary-based and places at your fingertips: Weekly pages in spiral-bound format that help you plan the entire worship year, from September through August. Eight or more suggested hymns for each service keyed to United Methodist worship resources: The United Methodist Hymnal, The Faith We Sing, Worship & Song, The United Methodist Book of Worship, and The Africana Hymnal. Complete lectionary text of the Old Testament, Psalm, Epistle, and Gospel readings using the Common English Bible translation. Reproducible worship planning forms. Resources for holidays and special days. Suggestions for prayers, solos, anthems, visuals, and much more. Also available with Common English Bible (CEB) texts
Using a framework based on J. L. Austin’s understanding of performative speech and Angela Esterhammer’s work on how things are done with words in Milton’s and Blake’s poetry, this study provides an extended close reading of the speech acts of characters in Blake’s epic poem Milton. With the exception of what we learn about in the part of the poem known as the Bard’s Song, Blake’s Milton is dedicated to providing an incredibly detailed account of the numerous facets of the instant of time immediately prior to apocalypse, an instant in which Milton is the protagonist, and Blake himself a participant. This study explores how in the poem sacred history proceeds towards and through the instant by means of the speech act. This extended commentary is intended for not just Blake scholars but also the common reader who wishes to approach Blake’s brief epic for the first time. For scholars, this monograph offers a full account of a crucial but previously unexplored theme in the scholarship about Milton. For the common reader, it offers a comprehensive introduction to what Northrop Frye called ‘one of the most gigantic imaginative achievements in English poetry’.