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Trevor Wye: Flute Secrets tells you everything you need to know about being a Flautist. This innovative volume presents indispensable guidance for all Flute players, from choosing the right instrument and tips on how to practise, to establishing a professional career and becoming a Flute teacher. In Flute Secrets renowned educator and master musician Trevor Wye shares a lifetime’s knowledge and experience, enriched with music examples, illustrations and diagrams. He covers the instrument, educational assistance, professional strategies, teaching strategies, aural skills, flute training and repairs, and everything in between. With over 200 pages of advice, this book makes the perfect gift for students, teachers or professionals.
Piano/Keyboard Methods/Series
Born in 1916, Henri Dutilleux is one of France‘s leading composers, enjoying an international reputation for his beautifully crafted works. This is the first translation into English of a series of interviews between Dutilleux and the French writer and journalist Claude Glayman which took place in 1996. Dutilleux discusses aspects of his life including his early training at the Paris Conservatoire, the German occupation of France and the time that he spent in the United States. The interviews reveal much about his music and his approach to composition, as well as the influences on his musical style. Originally published by Actes Sud in 1997, this English edition is the work of translator Roger Nichols, one of the UK‘s leading specialists on French music.
Michael Davidson - author of the highly acclaimed Mozart and the Pianist - casts new light on some of the most masterly sonatas written for the piano and on the uniqueness of these great compositions and their composers. Excepting the considerable literature on Beethoven, few studies are available which explore the interpretation of this much played repertoire. This study is not only a detailed look at fourteen sonatas; one can also learn more about other works by these composers and about aspects of 'style' - that magical quality which differentiates Haydn from Mozart, Beethoven from Schubert, Liszt from Brahms.