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Bach's three sonatas for viola da gamba and harpsichord (BWV 1027 in G major, BWV 1028 in D major, and BWV 1029 in G minor) have been arranged by Watson Forbes for viola and piano.
(Transcribed for Cello and Piano by Julius Klengel)
Expertly arranged sonatas for cello and piano (Transcribed for Cello and Piano by Julius Klengel).
"The three sonatas for viola da gamba and harpsichord, BWV 1027-1029, by Johann Sebastian Bach hold a significant place in Bach's oeuvre, and, by comparison to similar works of his contemporaries, in baroque music history. This paper sheds light on differing hypotheses on their origin and collates the most current and compelling scholarship on these sonatas. Long-perpetuated assumptions regarding their history are questioned, and each work's style and form are analyzed...This project serves as partial completion of a project that culminates in a recording of these sonatas arranged specifically for string trio: viola, violin, and cello. This paper also examines these works' histories--their extant scoring for other instruments (in the case of BWV 1027 in G major) by Bach and possible origins as works for other instruments--further underscoring the historical precedent of their arrangement for different instrumentations."--Introduction.
This edition of the Bach Cello Suites is appealing to both the scholar and the performer. The genesis of this edition was the alignment of the relevant manuscripts for easy comparison and study using a line-by-line layout. It has resulted in the ultimate scholarly approach to the study of these manuscripts and has led to many discoveries concerning notes, trills, dots, dynamics, and rhythm. In the scordatura version of "Suite No. 5," pitch names are given above the notes for the re-tuned top string, clarifying confusing elements in the notation. Fingerings and bowings in this edition reflect those used on the DVD set of Starkweather's performance of the suites (item number 730150). Reference to the manuscript edition makes it possible to visually assess the ambiguity of many of the slurs and to reach one's own conclusions.
A duet, for Flute, composed by Karl Stamitz.