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Sonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.
The 30 Sonatas of Sebastián de Albero (1722-1756), who worked for the Spanish court in Madrid along with Italian-born Domenico Scarlatti and fellow-Spaniard Antonio Soler, is a remarkable contribution to the vital Iberian keyboard literature of the 18th century. Lively, colorful, melancholy - with the Spanish-style harmonic and melodic inflections, irregular phrases, dissonances, and ingenious modulations characteristic of the best work of his contemporaries - Albero's 30 Sonatas displays his distinctive personality. While enriching the repertoire of pianists and harpsichordists, Albero's work affords new insights into the vivid and expressive music of the Iberian keyboard tradition, as well as many hours of delightful music for performance and practice. The 30 Sonatas are newly edited from the manuscript source, clearly typeset and formatted for optimal page turns, and prefaced with a biographical and editorial introduction in English, Spanish, French, and German.
(PWM). The most famous and popular edition of Chopin's works prepared by I. J. Paderewski, L. Bronarski and J. Turczynski. The edition has been based primarily on Chopin's autograph manuscripts, copies approved by him and first editions. The principal aim of the Editorial Committee has been to establish a text which fully reveals Chopin's thoughts and corresponds to his intentions as closely as possible. The full version of this edition includes 21 volumes.
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
Dr. Lawrence Golan's edition of Bach's masterpieces for solo violin combines the authenticity and accuracy of a Scholarly Urtext Edition with the practicality and helpfulness of a Performing Edition. A facsimile of Bach's autograph manuscript was used in the preparation of this edition and the composer's intentions have been preserved to the last detail. of particular note is the fact that all stems have been beamed together as they appear in the autograph manuscript. This is of great importance when making interpretive decisions regarding dotted rhythms. Helpful fingering and bowing suggestions are provided by the editor, but are clearly distinguished from Bach's original notation, allowing the performer the freedom to accept or reject any given suggestion. the volume comes complete with Dr. Golan's essay Performing Bach: Dotted Rhythms and Trills in the Sonatas and Partitas for Solo Violin, which also includes scholarly discussions of vibrato, fingerings, bowing styles, and ritardandos in Baroque music. the inclusion of this comprehensive study of Baroque performance practices makes this edition a must for any violinist interested in performing the Bach Sonatas and Partitas in an historically informed manner.
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.
This collection includes a preface by Alexander Lipsky. Contents: * Sonata No. 1 in C Major * Sonata No. 2 in G Major * Sonata No. 3 in C Major * Sonata No. 4 in F Major * Sonata No. 5 in C Major * Sonata No. 6 in F Major * Sonata No. 7 in F Major * Sonata No. 8 in B-Flat Major * Sonata No. 9 in A Major * Sonata No. 10 in B-Flat Major * Sonata No. 11 in C Major * Sonata No. 12 in B-Flat Major * Sonata No. 13 in D Major * Sonata No. 14 in D Major * Sonata No. 15 in D Major * Sonata No. 16 in A Minor * Sonata No. 17 in F Major * Fantasia and Sonata No. 18 in C Minor * Sonata No. 19 in E-Flat Major * Sonata No. 20 in B-Flat Major