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Sonata no. 5 in c minor, opus 10 no. 1, URTEXT with Fingerings. For advanced students and professional pianists
This volume was first published in 1927, on the centenary of Beethoven’s death, as part of the Masters of Music series. The author was an established biographer of organ composers, such as The Organ Works of Bach. Attributing Beethoven’s disagreeable demeanour to his childhood, the author embarks on a passionate defence of Beethoven’s essential nobility of character, hoping to assuage the then-prevalent anti-Beethoven chill and to encourage readers to discover Beethoven anew. The volume covers an overview of Beethoven’s life, followed by his personality and an assessment of his works in an exploration of the most important characteristics of Beethoven’s works and their influence on his successors.
A detailed study of the life of one of the most important and influential musical figures of the nineteenth century.
"A well-written textbook by a learned musician practicing his craft. The analyses are clearly argued, and Wen projects a reassuring sense of authenticity in his approach to tonal music analysis. The book will be of interest to many musicians, especially those focused on Schenkerian theory and analysis. I believe the book will be a welcome addition to the range of teaching manuals on the subject." — Music Theory OnlineMusic theorist Eric Wen presents in-depth analyses of seven masterworks from the common-practice period of Western art music: Bach: Air from Orchestral Suite No. 3 in D, BWV 1068 Mendelssohn: Andante con moto tranquillo from Piano Trio No. 1 in D minor, Op. 49 Schubert: Nacht und Traüme, D. 827 Haydn: Adagio — Vivace assai from Symphony No. 94 in G, Hob. I:94 Mozart: Molto Allegro from Symphony No. 40 in G minor, K. 550 Beethoven: Marcia funebre: Adagio assai from Symphony No. 3 in E-flat, Op. 55 Brahms: Un poco presto e con sentimento from Violin Sonata No. 3 in D minor, Op. 108 Wen employs the analytic approach developed by Heinrich Schenker, a method that uses musical notation to clarify and illuminate a work's structural hierarchies. Copiously illustrated with analytic musical examples that elucidate the tonal organization of each of the seven works, this study also explores aspects of form, rhythmic organization, and programmatic meaning. This volume will be of particular interest to musicologists and professional musicians, and it will also appeal to listeners keen to probe the rich complexities of these masterpieces.