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Mozart's well-known F major Sonata is nicely presented in this Masterworks Edition complete with performance helps, instructions on ornamentation, and notes within the score that show differences between the "Autograph Edition" and the "First Edition," with an especially lengthy portion of the 2nd movement showing the notation from both versions on separate staves.
These Opera Guides are ideal com-panions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original.This famous opera ends, after the hero is dragged down to hell, with a warning that evil shall not go unpunished. 'Hardly', as Michael F. Robinson notes, 'one's usual idea of a "e;comic"e; subject!' So this guide opens with a brief look at what is actually comic about it. David Wyn Jones gives an overall view of the score: he shows how the musical keys are arranged so that the dramatic momentum over two long acts is maintained and discusses orchestration and dramatic pacing in the most important scenes. Christopher Raeburn contributes a lively portrait of the 'libertine librettist' who, after his Vienna triumphs, was hounded out of London for his debts and eventually died in New York - 'revered as the father of Italian studies in America'. The full original text is given, with a pointed modern translation.
Mozart's orchestral-inspired Sonata in D Major, K. 311 contains elaborate pianistic treatment and an exciting sonata-rondo finale with a cadenza worthy of one of Mozart's concertos. The flashy third movement is full of many contrasts involving dynamics, mood and texture. Throughout the sonata, the left hand becomes a true partner in all aspects of the composition, and thematic material is spread over different registers of the keyboard.
Collection of essays in a single volume for nonspecialists with information about each of Mozart's compositions, where, when, and why it was written, what it is like, and what special significance it may have within the composer's oeuvre.
This carefully graded, pedagogical performance edition contains 12 outstanding classical sonatas by Haydn, Mozart and Beethoven. Each sonata appears in its original form and comes complete with performance notes and clearly presented editorial markings.
Musicians have long treasured the Mozart sonatas for their symmetry and perfection. This volume presents single movements as well as complete sonatas (K. 282, 283, 545 and 570) for study by the advancing pianist. The sonatas provide ample opportunity for developing control, technical facility, a singing style, and balance and voicing. The preface gives Dr. Hinson's helpful suggestions on pedaling, ornamentation, articulation and dynamics, as well as a suggested order of study. Careful editing allows the teacher and student to make informed choices in interpreting these masterpieces.
This edition of Mozart's Sonata in F major, K 332, reproduces the original music text based on autographs and the earliest editions. It also contains editor's fingerings, some articulation signs, added only by a comparison with authentic Mozart's indications in similar passages or phrases, and suggested dynamic marks, which are provided in small print. For advanced students and professional pianists.
Piano part: Sonata in F major (TWV41:F2) by Georg Philipp Telemann, rev. Angelo Piazzini for Eb/F Tuba and Piano. Tuba part available in series. E-book published by Glissato Edizioni Musicali - www.glissato.it
Tuba part: Sonata in F major (TWV41:F2) by Georg Philipp Telemann, rev. Angelo Piazzini for Eb/F Tuba and Piano. Piano part available in series. E-book published by Glissato Edizioni Musicali - www.glissato.it