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A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
(Southern Music). Firmly established as one of the most performed alto saxophone solos on contest and festival lists throughout the world.
(Instrumental Folio). Instrumentalists will love these collections of 130 popular solos, including: Another One Bites the Dust * Any Dream Will Do * Bad Day * Beauty and the Beast * Breaking Free * Clocks * Edelweiss * God Bless the U.S.A. * Heart and Soul * I Will Remember You * Imagine * Na Na Hey Hey Kiss Him Goodbye * Satin Doll * United We Stand * You Raise Me Up * and more.
The Chester Alto-Saxophone Anthology presents 15 popular works for Alto-Sax with Piano accompaniment. The selected works are taken from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. As well as the joint piano and Alto-Saxophone score, a dedicated Alto-Sax score is included along with performance notes by Amy Dickson. The tracks included are: - Gush [Hans Abrahamsen] - Chant D'amour [Isaac Albéniz] - Orchestral Suite No. 2, BWV 1067 [J. S. Bach] - Three Piece Suite [Richard Rodney Bennett] - Pulcinella, Op. 53 No. 1 [Eugène Bozza] - Barcarolle (from Sylvia) [Léo Delibes] - Suite Francaise [Pierre Max Dubois] - Chanson De Matin Op.15 No.2 [Edward Elgar] - No. 1 from Melodies for Saxophone [Philip Glass] - Allegro, Largo et Finale, Op. 1 No. 12 [G. F. Handel] - San Antonio (Sonata for Alto Saxophone and Piano) [John Harbison] - Tango And Charleston [Trevor Hold] - Histoires [Jacques Ibert] - Canzonetta, Op. 19 [Gabriel Pierné] - Sonatine Sportive, Op. 63 [Alexander Tcherepnin]
Southern Music
The Piano in Chamber Ensemble describes more than 3,200 compositions, from duos to octets, by more than 1,600 composers. It is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and their teachers will find a wealth of chamber works from all periods.
Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer. Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer. Alec Wilder is a rare example of a composer who established a reputation both as a prolific composer of concertos, sonatas, and operas, and as a popular songwriter [including the hit "I'll Be Around"]. He was fearsomely articulate and had a wide and varied circle of friends ranging from Graham Greene to Frank Sinatra and Stan Getz. Letters I Never Mailed, hailed at its first publication [in 1975, by Little, Brown], tells the story of Wilder's musical and personal life through unsent "letters" addressed to various friends. In it, he shares his insights -- and sometimes salty opinions -- on composing, musical life, and the tension between art and commercialism. Thisnew, scholarly edition leaves Wilder's original text intact but decodes the mysteries of the original through an annotated index that identifies the letters' addressees, a biographical essay by David Demsey, and photographs by renowned photographer and lifelong friend of Wilder, Louis Ouzer. David Demsey is Professor of Music and coordinator of jazz studies at William Paterson University and an active jazz and classical saxophonist. He is co-author of Alec Wilder: A Bio-Bibliography [Greenwood Press] and has contributed to The Oxford Companion to Jazz.
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.