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An epic narrative of the Old West told through the vivid, outsized life of cowboy, detective, and chronicler Charlie Siringo No figure in the Old West lived or shaped its history more fully than Charlie Siringo, as Nathan Ward reveals in his colorful portrait of this epic era and one of its primary protagonists. Born in Matagorda, Texas in 1855, Charlie went on his first cattle drive at age twelve and spent two decades living his boyhood dream as a cowboy. As the dangerous, lucrative “beeves” business boomed, Siringo drove longhorn steers north to the burgeoning Midwest Plains states’ cattle and railroad towns, inevitably crossing paths with such legendary figures as Billy the Kid, Bat Masterson, and Shanghai Pierce. In his early thirties he joined the Pinkerton Detective Agency’s Denver office, using a variety of aliases to investigate violent labor disputes and infiltrate outlaw gangs such as Butch Cassidy’s train robbing Wild Bunch. As brave as he was clever, he was often saved by his cowboy training as he traveled to places the law had not yet reached. Siringo’s bestselling, landmark 1885 autobiography, A Texas Cowboy, helped make the lowly cowboy a heroic symbol of the American West. His later memoir, A Cowboy Detective, influenced early hard-boiled crime novelists for whom the detective story was really the cowboy story in an urban setting. Sadly sued into debt by the Pinkertons determined to prevent their sources and methods from being revealed, Siringo eventually sold his beloved New Mexico ranch and moved to Los Angeles, where he advised Hollywood filmmakers, and especially actor William S. Hart, on their early 1920s Westerns, watching the frontier history he had known first-hand turned into romantic legend on the screen. In old age, Charlie Siringo was called “Ulysses of the Wild West” for the long journey he took across the western frontier. Son of the Old West brings him and his legendary world vividly to life.
The word cowboy conjures up vivid images of rugged men on saddled horses—men lassoing cattle, riding bulls, or brandishing guns in a shoot-out. White men, as Hollywood remembers them. What is woefully missing from these scenes is their counterparts: the black cowboys who made up one-fourth of the wranglers and rodeo riders. This book tells their story. When the Civil War ended, black men left the Old South in large numbers to seek a living in the Old West—industrious men resolved to carve out a life for themselves on the wild, roaming plains. Some had experience working cattle from their time as slaves; others simply sought a freedom they had never known before. The lucky travelled on horseback; the rest, by foot. Over dirt roads they went from Alabama and South Carolina to present-day Texas and California up north through Kansas to Montana. The Old West was a land of opportunity for these adventurous wranglers and future rodeo champions. A long overdue testament to the courage and skill of black cowboys, Black Cowboys of the Old West finally gives these courageous men their rightful place in history. Praise for an earlier book by the same author: “Whether you are a history enthusiast or a lover of adventure stories, African American Women of the Old Westpresents the reader with fascinating accounts of ten extraordinary, generally unrecognized, African Americans. Tricia Martineau Wagner takes these remarkable women from the footnotes of history and brings them to life.” —Ed Diaz, President of the Association for African American Historical Research and Preservation
Cowboys, desperados, prospectors, and pioneers abound in this big book of coloring fun. Packed with captivating details, it features 118 full-page illustrations of dramatic historical events and real-life characters.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY In the tradition of Tobias Wolff, James Ellroy, and Mary Karr, a stunning memoir of a mother-son relationship that is also the searing, unflinching account of a murder and its aftermath Tombstone, Arizona, September 2001. Debbie St. Germain’s death, apparently at the hands of her fifth husband, is a passing curiosity. “A real-life old West murder mystery,” the local TV announcers intone, while barroom gossips snicker cruelly. But for her twenty-year-old son, Justin St. Germain, the tragedy marks the line that separates his world into before and after. Distancing himself from the legendary town of his childhood, Justin makes another life a world away in San Francisco and achieves all the surface successes that would have filled his mother with pride. Yet years later he’s still sleeping with a loaded rifle under his bed. Ultimately, he is pulled back to the desert landscape of his childhood on a search to make sense of the unfathomable. What made his mother, a onetime army paratrooper, the type of woman who would stand up to any man except the men she was in love with? What led her to move from place to place, man to man, job to job, until finally she found herself in a desperate and deteriorating situation, living on an isolated patch of desert with an unstable ex-cop? Justin’s journey takes him back to the ghost town of Wyatt Earp, to the trailers he and Debbie shared, to the string of stepfathers who were a constant, sometimes threatening presence in his life, to a harsh world on the margins full of men and women all struggling to define what family means. He decides to confront people from his past and delve into the police records in an attempt to make sense of his mother’s life and death. All the while he tries to be the type of man she would have wanted him to be. Praise for Son of a Gun “[A] spectacular memoir . . . calls to mind two others of the past decade: J. R. Moehringer’s Tender Bar and Nick Flynn’s Another Bull____ Night in Suck City. All three are about boys becoming men in a broken world. . . . [What] might have been . . . in the hands of a lesser writer, the book’s main point . . . [is] amplified from a tale of personal loss and grief into a parable for our time and our nation. . . . If the brilliance of Son of a Gun lies in its restraint, its importance lies in the generosity of the author’s insights.”—Alexandra Fuller, The New York Times Book Review “[A] gritty, enthralling new memoir . . . St. Germain has created a work of austere, luminous beauty. . . . In his understated, eloquent way, St. Germain makes you feel the heat, taste the dust, see those shimmering streets. By the end of the book, you know his mother, even though you never met her. And like the author, you will mourn her forever.”—NPR “If St. Germain had stopped at examining his mother’s psycho-social risk factors and how her murder affected him, this would still be a fine, moving memoir. But it’s his further probing—into the culture of guns, violence, and manhood that informed their lives in his hometown, Tombstone, Ariz.—that transforms the book, elevating the stakes from personal pain to larger, important questions of what ails our society.”—The Boston Globe “A visceral, compelling portrait of [St. Germain’s] mother and the violent culture that claimed her.”—Entertainment Weekly
Adventures on the trail as Teddy Abbott learns how to be a wrangler.
For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.
Black-and-white drawings portray famous men and women of the Wild West.
A brilliantly illuminating portrait of the twenty-first-century West—a book as vast, diverse, and unexpected as the land and the people, from one of our foremost chroniclers of migration The economic boom—and the devastation left in its wake—has been writ nowhere as large as on the West, the most iconic of American landscapes. Over the last decade the West has undergone a political and demographic upheaval comparable only to the opening of the frontier. Now, in Desert America, a work of powerful reportage and memoir, Rubén Martínez, acclaimed author of Crossing Over, evokes a new world of extremes: outrageous wealth and devastating poverty, sublime beauty and ecological ruin. In northern New Mexico, an epidemic of drug addiction flourishes in the shadow of some of the country's richest zip codes; in Joshua Tree, California, gentrification displaces people and history. In Marfa, Texas, an exclusive enclave triggers a race war near the banks of the Rio Grande. And on the Tohono O'odham reservation, Native Americans hunt down Mexican migrants crossing the most desolate stretch of the border. With each desert story, Martínez explores his own encounter with the West and his love for this most contested region. In the process, he reveals that the great frontier is now a harbinger of the vast disparities that are redefining the very idea of America.
"From Lewis and Clark's epic 1803 expedition to the showmanship of Buffalo Bill, the story of the American West is epic in scope, full of amazing tales of tragedy and triumph ... Illustrated with ... photographs and ... maps, [this book] is [a] ... history of a time and place that forever lives in legend"--
Dramatic story of shoulder arms, hand guns, and other weapons also describes the men who used them. Detailed descriptions and illustrations of the Kentucky and Sharps rifle, Colt revolver, and much more. 499 black-and-white illustrations.