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For the first time in English comes a remarkable literary discovery. In 1928, Turkish author Ali Riza Seyfioglu pirated Bram Stoker's Dracula, rewriting it with new material, patriotic overtones, and Islam. A rare example of a "bootleg" novel, it's also the first adaptation to plainly identify Dracula as the historical warlord Vlad the Impaler. When a modern Istanbul is threatened by the invasion of an ancient vampire, three veterans of the Turkish War of Independence are thrust into a conflict with their nation's hereditary enemy. Seyfioglu boldly reworks Stoker's classic tale, retelling it from the unique perspective of a people once routed by the real-life Dracula. Dracula in Istanbul: The Unauthorized Version of the Gothic Classic also includes a foreword by Anno Dracula author Kim Newman, an introduction by Turkish translation scholar Sehnaz Tahir Gurcaglar, an afterword on the 1953 movie adaptation by film scholar Iain Robert Smith, and several rare photos from the film. From movie and vampire buffs to literary scholars, there's enough here to delight all the children of the night.
Drama Hamilton Deane and John L. Balderston, from Bram Stoker's novel Characters: 6 male, 2 female 3 Interior Scenes An enormously successful revival of this classic opened on Broadway in 1977 fifty years after the original production. This is one of the great mystery thrillers and is generally considered among the best of its kind. Lucy Seward, whose father is the doctor in charge of an English sanitorium, has been attacked by some mysterious illness. Dr. Van Helsing,
From the author of the acclaimed English Gothic: A Century of Horror Cinema, American Gothic presents an in-depth survey of the early years of the American horror film--ranging from the birth of cinema and the silent era to the mid-1950s. Jonathan Rigby examines a great many of the seminal films, including Cat People, Creature from the Black Lagoon, Dracula, The Fly, Frankenstein, Freaks, House of Wax, The Invisible Man, and She. He also looks at the actors and directors--Lon Chaney, Boris Karloff, Bela Lugosi, and Vincent Price, to name but a few. For fans and students of the horror classics, American Gothic is an essential work. This is the genre as it flourished from Univeral's early-thirties cycle and which culminated in Alfred Hitchcock's 1960 masterpiece Psycho, a film which forever changed and expanded the possibilities of horror cinema.
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
Meet “the first lady of sword-and-sorcery, Jirel of Joiry . . . in all her ferocious mailed glory and defiance” in these classic tales from a sci-fi pioneer (Tor.com). Originally published in the legendary magazine Weird Tales in 1934, C. L. Moore’s Jirel of Joiry is fantasy’s first true strong female protagonist, as well as one of the most striking and memorable characters to come out of the golden age of science fiction and fantasy. Published alongside landmark stories by H. P. Lovecraft and Robert E. Howard, the six classic stories included in this volume prove that C. L. Moore’s Jirel is a rival to Conan the Barbarian and Elric of Melniboné, making Black God’s Kiss an essential addition to any fantasy library. “I was looking for tales of dire conflict, hot-blooded honor and impetuosity, leadership and courage—all the qualities that my culture told me were reserved for males . . . what a joy it was to run across Jirel, who at some levels of my soul I longed desperately to be.” —Suzy McKee Charnas, Hugo and Nebula Award–winning author
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
This book tells his full story and pays tribute with a biography chapter, the lowdown on The Brute Man's production and theatrical release, artist George Chastain's tribute to other "brute men" of the movies, and more.
Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. A History of Horror explores how the horror film fits into the Hollywood studio system and how its enormous success in American and European culture expanded globally over time. Dixon examines key periods in the horror film-in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror, supported by rare stills from classic films, brings over fifty timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences.
This revised and updated edition of A History of Horrors traces the life and 'spirit' of Hammer, from its fledgling days in the late 1940s through its successes of the 1950s and '60s to its decline and eventual liquidation in the late 1970s. With the exclusive participation of all of the personnel who were key to Hammer's success, Denis Meikle paints a vivid and fascinating picture of the rise and fall of a film empire, offering new and revealing insights into 'the truth behind the legend.' Much has been written about Hammer's films, but this is the only book to tell the story of the company itself from the perspective of those who ran it in its heyday and who helped to turn it into a universal byword for terror on the screen.