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Con una introducción del ganador del Premio Pulitzer, Viet Thanh Nguyen, En algún lugar somos humano es una antología de cuarenta y cuatro ensayos y poemas atrevidos, importantes y revolucionarios escritos por inmigrantes, refugiados y Dreamers, incluidos escritores galardonados, artistas y activistas, que iluminan la realidad del día a día de un indocumentado. Hoy en día, existe un efusivo debate sobre el tema de la inmigración en los Estados Unidos, pero se pierde de vista lo más importante: que los migrantes y refugiados viviendo precariamente en este país son madres y padres, hermanos y hermanas, hijos e hijas; individuos impulsados por la esperanza y el miedo que se juegan la vida con la promesa del sueño americano. Sus historias, sin embargo, caen a menudo en el olvido. En estos tiempos de inquietudes, agitación política e incertidumbre, esta antología de ensayos, poesía y arte intenta transformar la xenófoba y estereotipada perspectiva colectiva que tenemos sobre los inmigrantes y refugiados en una basada en la justicia y humanidad. Les autores de esta colección alterarán la visión que tienen de sí mismes y de sus respectivas comunidades a través de la narración y el arte para así declarar orgullosamente que, tanto aquí como en cualquier otro lugar, todos somos humanos a pesar de la militarización de las fronteras, la detención masiva y la legislación draconiana y antiinmigrante en los Estados Unidos. En algún lugar somos humanos revela cómo la alegría, la esperanza, el duelo y la perseverancia nos ayudan a florecer en los terrenos más áridos y en las condiciones más extremas.
"A Long Petal of the Sea meets Luis Alberto Urrea's The House of Broken Angels in this epic historical romance about a Mexican woman and an Irish-American soldier who fall in love in the thick of the Mexican-American War"--
This captivating tale is told in two parts. The first presents Lidia Jorge's version of a traditional story about a series of supposed incidents set in Beira, Mozambique. The events take place in the final years of Portugal's colonial African wars as an undisclosed narrator describes the military wedding of a young Portuguese ensign and an equally young bride. The wedding is followed by the mass poisoning of hundreds of native Africans and the arrival of a rain of locusts. The story ends grimly with the groom's suicide. Evita Lopo, the unnamed bride from the first part, narrates the remainder of the story. Twenty years have gone by and she reviews the past and questions the unidentified narrator's rendering of events in the first section. Evita's reminiscences destroy the credibility of the earlier story, and she supplies the reader with a great deal of information that the author of the previous account had suppressed or to which he or she merely alluded. It becomes apparent that betrayal and guilt have motivated all of the characters' actions.
""Wide-ranging yet consistently affecting, these pieces offer a crucial and inspired survey of the immigrant experience in America."" –Publishers Weekly "[These contributions] touch on so many different facets of the immigrant experience that readers will find much to ponder... [and] experience how creative writing enriches our understanding of each other and our lives." –Booklist Introduction by Pulitzer Prize–winning author Viet Thanh Nguyen A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today. In the overheated debate about immigration, we often lose sight of the humanity at the heart of this complex issue. The immigrants and refugees living precariously in the United States are mothers and fathers, children, neighbors, and friends. Individuals propelled by hope and fear, they gamble their lives on the promise of America, yet their voices are rarely heard. This anthology of essays, poetry, and art seeks to shift the immigration debate—now shaped by rancorous stereotypes and xenophobia—towards one rooted in humanity and justice. Through their storytelling and art, the contributors to this thought-provoking book remind us that they are human still. Transcending their current immigration status, they offer nuanced portraits of their existence before and after migration, the factors behind their choices, the pain of leaving their homeland and beginning anew in a strange country, and their collective hunger for a future not defined by borders. Created entirely by undocumented or formerly undocumented migrants, Somewhere We Are Human is a journey of memory and yearning from people newly arrived to America, those who have been here for decades, and those who have ultimately chosen to leave or were deported. Touching on themes of race, class, gender, nationality, sexuality, politics, and parenthood, Somewhere We Are Human reveals how joy, hope, mourning, and perseverance can take root in the toughest soil and bloom in the harshest conditions.
Grande puts a human face on the epic story about those who make it across the border into America, those who never make it across, and those who are left behind.
¡Anda! Curso elemental, 1/e is the first Elementary Spanish book conceptualized from the outset to meet the needs of today's language teachers and learners. In the last few years, classroom contact hours have been reduced drastically, class sizes have increased and students' lives have become busier than ever. Instructors don't have time to cover everything that they feel is needed and more is being asked of them with fewer resources. At the same time, language teachers want to spend as much time exposing students to Hispanic culture and practicing communication as they do with grammar. But, there simply isn't enough time or resources. The result: Many instructors end up galloping through their elementary Spanish text, omitting interesting cultural lessons, to try to give students the broadest grammatical exposure possible. Now they have a new option: ¡Anda! This Books á la Carte Edition is an unbound, three-hole punched version of the textbook and provides students the opportunity to personalize their book by incorporating their own notes and taking only the portion of the book they need to class — all at an affordable price.
John Banville’s stunning powers of mimicry are brilliantly on display in this engrossing novel, the darkly compelling confession of an improbable murderer. Freddie Montgomery is a highly cultured man, a husband and father living the life of a dissolute exile on a Mediterranean island. When a debt comes due and his wife and child are held as collateral, he returns to Ireland to secure funds. That pursuit leads to murder. And here is his attempt to present evidence, not of his innocence, but of his life, of the events that lead to the murder he committed because he could. Like a hero out of Nabokov or Camus, Montgomery is a chillingly articulate, self-aware, and amoral being, whose humanity is painfully on display.
When I look back over my long and tempestuous life, I can see that much of what happened to me—my triumphs and most of my misfortunes—was due to my passionate relationships with men. I was a woman who considered herself their equal—and in many ways their superior—but it seemed that I depended on them, while seeking to be the dominant partner—an attitude which could hardly be expected to bring about a harmonious existence. Eleanor of Aquitaine was revered for her superior intellect, extraordinary courage, and fierce loyalty. She was equally famous for her turbulent relationships, which included marriages to the kings of both France and England. As a child, Eleanor reveled in her beloved grandfather’s Courts of Love, where troubadours sang of romantic devotion and passion filled the air. In 1137, at the age of fifteen, Eleanor became Duchess of Aquitaine, the richest province in Europe. A union with Louis VII allowed her to ascend the French throne, yet he was a tepid and possessive man and no match for a young woman raised in the Courts of Love. When Eleanor met the magnetic Henry II, the first Plantagenet King of England, their stormy pairing set great change in motion—and produced many sons and daughters, two of whom would one day reign in their own right. In this majestic and sweeping story, set against a backdrop of medieval politics, intrigue, and strife, Jean Plaidy weaves a tapestry of love, passion, betrayal, and heartbreak—and reveals the life of a most remarkable woman whose iron will and political savvy enabled her to hold her own against the most powerful men of her time.
Combining the haunting power of Toni Morrison’s Beloved with the evocative atmosphere of Phillippa Gregory’s A Respectable Trade, Dahlma Llanos-Figueroa’s groundbreaking novel illuminates a little discussed aspect of history—the Puerto Rican Atlantic Slave Trade—witnessed through the experiences of Pola, an African captive used as a breeder to bear more slaves. A Woman of Endurance, set in nineteenth-century Puerto Rican plantation society, follows Pola, a deeply spiritual African woman who is captured and later sold for the purpose of breeding future slaves. The resulting babies are taken from her as soon as they are born. Pola loses the faith that has guided her and becomes embittered and defensive. The dehumanizing violence of her life almost destroys her. But this is not a novel of defeat but rather one of survival, regeneration, and reclamation of common humanity. Readers are invited to join Pola in her journey to healing. From the sadistic barbarity of her first experiences, she moves on to receive compassion and support from a revitalizing new community. Along the way, she learns to recognize and embrace the many faces of love—a mother’s love, a daughter’s love, a sister’s love, a love of community, and the self-love that she must recover before she can offer herself to another. It is ultimately, a novel of the triumph of the human spirit even under the most brutal of conditions.
Since its U.S. debut a quarter-century ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx. Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe. Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably. This classic is now further honored by Isabel Allende's inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.