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Exploring lives on the brink of disaster, R. J. Jacobs returns with another compulsively readable novel of suspense for fans of B. A. Paris and Mary Kubica. Do the mistakes of the past mark us as guilty for life? After a childhood marred by neglect, Jessie Duval's finally got it together. With an apartment in Nashville and a job with a catering company, she's thriving. But all that changes when Jessie works an event where celebrities will be in attendance--including the one person from her past she must avoid at all costs: singer Shelly James. Jessie doesn't hate Shelly. Quite the opposite. One summer, she followed Shelly's tour everywhere. Only, Shelly wasn't flattered; she was terrified by Jessie's devotion--especially after Jessie was arrested. But after a year of therapy, Jessie understands what happened. She's not the same person anymore. Jessie keeps her head down, but when Shelly is found dead, Jessie's troubled past comes tumbling out and she quickly becomes a suspect in the high-profile murder. As the police close in on her, ignoring other credible leads, Jessie realizes Shelly's murder will be pinned on her--the perfect scapegoat--unless she finds the real killer. And no one knows Shelly's life and inner circle better than her. But she will have to go deeper into the dark--if ever she wants to find her way out.
Jimmy hasn't seen his father in nine years.
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
Jimmy hasn't seen his father in nine years. But one day he comes back -- on the run from the law. Together, the two of them travel across the country -- where Jimmy's dad will find the man who can exonerate him of the crime for which he was convicted. Along the way, Jimmy discovers a lot about his father and himself -- and that while things can't always be fixed, sometimes they can be understood and forgiven.
Simple, subtle, and drolly funny, the Pumphrey brothers’ newest picture book is a layered exploration of the foolishness of making assumptions and the virtue of curiosity. When four swamp creatures looking to cross a river come upon a log that would allow for precisely that, they can’t believe their luck. But a questionable tail adjacent to that log gives them second thoughts. Opossum believes it’s a sneaky tail and that they must pass it quietly. Squirrel thinks it’s a scary tail that can be cowed by intimidation. Rabbit decides it’s a mean tail that deserves a taste of its own medicine. As the critters exhaust approaches one by one, Mouse, the smallest of the lot, observes their folly and adjusts accordingly. But is it the mouse or the tail that will defy expectations? Pairing their iconic illustration style with a wry irreverence, the Pumphrey brothers have crafted a delightful tale that reminds us to think before we act.
From the author of the critically acclaimed The Imaginary comes a powerful story about friendship in the vein of Roald Dahl and Neil Gaiman. A School Library Journal Best Book of 2017 A Wall Street Journal Best Book of 2017 Frank thought her summer couldn't get any worse--until big, weird, smelly Nick Underbridge rescues her from a bully, and she winds up at his house. Frank quickly realizes there's more to Nick than meets the eye. When she's at his house, she hears the strangest, most beautiful music, music which leads her to a mysterious, hidden door. Beyond the door are amazing creatures that she never even dreamed could be real. For the first time in forever, Frank feels happy . . . and she and Nick start to become friends. But Nick's incredible secrets are also accompanied by great danger. Frank must figure out how to help her new friend, the same way that he has helped her. Paired with gorgeous black-and-white illustrations from Levi Pinfold, acclaimed author A. F. Harrold weaves a powerful story about unlikely friendship, strange magic, and keeping the shadows at bay.
On rebel planet Elysium, a man is executed on live video streamed by religious extremists. Nothing terribly original so far for Elysium. Only this time, the man doesn't die. When security expert Asher Perez is sent to find him, dark secrets about the rebel colony are exposed. Something dark is stirring in the shadows. Something that has been watching humanity since the dawn of history.
A chilling, twisting thriller for readers of In a Dark, Dark Wood Emily manages her bipolar disorder well enough to work as a moderately successful child psychologist, and is building a serious relationship with her boyfriend Paolo. When he wants to take her on an overnight sailing trip, Emily knows her medication, generous amounts of wine, and her attraction to Paolo will help her deal with her aversion to the water and forget the fact that she can’t swim. But after a romantic night, Emily wakes up on the sailboat, completely alone, drifting through the waves. Her world is tuned upside down as she becomes a person of interest while grieving Paolo, never getting answers or closure to what happened to him. He was a strong swimmer, and she cannot believe he simply drowned. With her personal and professional life in shambles, Emily attempts to find out the truth and clear her name, discovering a deeper and more dangerous plot than she ever suspected. Fueled by her own mania, Emily questions her own judgment every step of the way.
Structured like a sonata, this heartbreaking debut novel hits all the right notes. Dominique is a high school junior from gritty Trenton, barely getting by. Ben is a musical prodigy from the Upper East Side, a rising star at a top conservatory. When Dom’s class is taken to hear a concert at Carnegie Hall, she spots Ben in the front row, playing violin like his life depends on it — and she is transfixed. Posing as an NYU student, Dom sneaks back to New York City to track him down. Soon, the two are desperately in love, each seeing something in the other to complete them. But Ben’s genius, which Dominique so admires, conceals his struggle with mental illness — and the challenges of her own life may make it impossible for her to save him from himself.