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How does a young woman's life unfold when she walks in on her husband not once, but twice, in bed with other women? While Emma Aspen White wants to have a meaningful life and career, she has long known that her collegiate aspiration is a Mrs. Degree. She believes that she has achieved that with her first love, Dr. Marc White. However, when that marriage ends, Emma's journey over the next forty-some years, provides plenty of drama. Born in 1955 in Des Moines, Iowa, Emma begins her story at age thirteen when she decides to spend her freshman year of high school at Rosedale, a boarding school in Massachusetts. She concludes her narrative in June 2021 when, at almost sixty-six years old, she is contemplating her life and her competency as a mother, a grandmother, and a friend. During these many years, Emma recounts the times she has with the four great loves of her life: her ex-husband Marc; Scott Olson, the man who helps her rear her son; her former professor, the libidinous poet Garnett de Vere; and Michael FitzRobert, the self-made millionaire with whom she hopes to spend the rest of her life. In addition to recounting her time with these four men as well as other romantic escapades, Emma also shares her relationships to her parents, Henry and Elizabeth Aspen; her counselors, Dr. Agatha Harbrace and Dr. Leah Friedmann; and her three closest friends: her rich Rosedale roommate Penny Porter; her high school friend, the feisty feminist Ginny Wheelock; and her sorority sister, Sara Keatson Woodley. However, the prime relationship Emma has is with her adopted son Peter, a relationship that, over forty years, generates both happiness and heartache. As the eventual owner of a real estate agency, Emma is an upper-middle class white woman who spends most of her life in Iowa. Perhaps what makes Emma so likeable is that she is inordinately beautiful, fairly honest about her character flaws, smart, compassionate, and hopeful. But she does make mistakes. In October 2007, at their 30th college reunion, Emma is alone with Marc, and both of them--naked!-- reveal so much about themselves in a dramatic scene. The next time they are alone occurs in 2021 when, as grandparents, they are in the Illinois kitchen of their son Peter and his wife Ellie. And once again, so much is revealed. In June 2021, Emma meets a young woman, Pamela Jennison, while in the New York apartment of her old friend Penny. As Emma talks with Penny's niece Pamela, Emma demonstrates some of her strongest traits--her abilities to glean information about another human being, to empathize, to celebrate the commonalities of the human condition. Her former lover Garnett, the poet fond of alliteration, who had considered Emma his muse, had nicknamed her his "Glamorous Gleaner." At the end of Emma and Pamela's conversation, there is a surprise, a surprise that even Emma did not see coming!
Are you too busy? Are you always running behind? Is your calendar loaded with more than you can possibly accomplish? Is it driving you crazy? You’re not alone. CrazyBusy–the modern phenomenon of brain overload–is a national epidemic. Without intending it or understanding how it happened, we’ve plunged ourselves into a mad rush of activity, expecting our brains to keep track of more than they comfortably or effectively can. In fact, as Attention Deficit Disorder expert and bestselling author Edward M. Hallowell, M.D., argues in this groundbreaking new book, this brain overload has reached the point where our entire society is suffering from culturally induced ADD. CrazyBusy is not just a by-product of high-speed, globalized modern life–it has become its defining feature. BlackBerries, cell phones, and e-mail 24/7. Longer work days, escalating demands, and higher expectations at home. It all adds up to a state of constant frenzy that is sapping us of creativity, humanity, mental well-being, and the ability to focus on what truly matters. But as Dr. Hallowell argues, being crazybusy can also be an opportunity. Just as ADD can, if properly managed, become a source of ingenuity and inspiration, so the impulse to be busy can be turned to our advantage once we get in touch with our needs and take charge of how we really want to spend our time. Through quick exercises (perfect for busy people), focused advice on everything from lifestyle to time management, and examples chosen from his extensive clinical experience, Hallowell goes step-by-step through the process of unsnarling frantic lives. With CrazyBusy, we can teach ourselves to move from the F-state–frenzied, flailing, fearful, forgetful, furious–to the C-state–cool, calm, clear, consistent, curious, courteous. Dr. Hallowell has helped more than a million readers free themselves of the distractions and compulsions of ADD. Now in CrazyBusy, he offers the same sound, sane, and accessible guidance for anyone suffering from the harried pace of modern life. If you find yourself pulled into a million different directions, here at last is the opportunity to stop being busy, start being happy, and still get things done.
Excerpts from the longer works of Walt Whitman, a nineteenth- century poet whose words celebrated man and nature.
Mervyn Morris was appointed Poet Laureate of Jamaica in 2014. He has had an abiding impact on the literature of the Caribbean as poet, essayist and teacher. Peelin Orange, with its mix of Englishes (Standard, Jamaican Creole – patois – and a combination of the two), and its variety of forms, from free verse to metred and rhymed measures, represents half a century of invention and re-invention. Morris knows how universals can inhere in the local, the incarnation in a Caribbean setting. With his light, intense musicality, he speaks to and for a community. His wit, his love of people and places, his anarchic 'Afro-Saxon' spirit, ensure that his poems are full of surprise in language, image and in the turns of sense they make.
Richard Gaskin offers an original defence of literary humanism, according to which works of imaginative literature have an objective meaning which is fixed at the time of production and not subject to individual readers' responses. He shows that the appreciation of literature is a cognitive activity fully on a par with scientific investigation.
Beginning with John Keats and tracing a line of influence through Alfred Lord Tennyson and Gerard Manley Hopkins, Betsy Tontiplaphol draws on established narratives of the nineteenth century's social and literary developments to describe the relationship between poetics and luxury in an age when imperial trade and domestic consumerism reached a fevered pitch. The "luscious poem," as Tontiplaphol defines it, is a subset of the luxurious, a category that suggests richness in combination with enclosure and intimacy. For Keats, Tontiplaphol suggests, the psychological virtues of luscious experience generated a new poetics, one that combined his Romantic predecessors' sense of the ameliorative power of poetry with his own revaluation of space, both physical and prosodic. Her approach blends cultural context with close attention to the formal and affective qualities of poetry as she describes the efforts of Keats and his equally”though differently”anxious Victorian inheritors to develop textual spaces as luscious as the ones their language describes. For all three poets, that effort entailed rediscovering and reinterpreting the list, or catalogue, and each chapter's textual and formal analyses are offered in counterpoint to careful examination of the century's luscious materialities. Her book is at once a study of influence, a socio-historical critique, and a form-focused assessment of three century-defining voices.
First published in 1972, this volume contains contemporary British periodical reviews of Shelley, Keats and London Radical Writers, including William Godwin, Leigh Hunt and Mary Shelley, in publications from the Analytical Review to the General Weekly Register. Introductions to each periodical provide brief sketches of each publication as well as names, dates and bibliographical information. Headnotes offer bibliographical data of the reviews and suggested approaches to studying them. This book will be of interest to those studying the Romantics and English literature.