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A brief description of the history and goals of two improvizational comedy groups, the Compass and Second City, accompanies interviews with past members from Mike Nichols to Gilda Radner
A brief description of the history and goals of two improvizational comedy groups, the Compass and Second City, accompanies interviews with past members from Mike Nichols to Gilda Radner
Miss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: “Miss May does not exist.” Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.
With gentle humor and quirkiness, this sympathetic book demonstrates how to say goodbye to a beloved pet and give it a proper sendoff. “[The End of Something Wonderful is] really good. It’s funny and sardonic and it gets to be touching at the end.” —Betsy Bird, School Library Journal Children love their pets very much—and when the animals die, that loss can be hard to process. The End of Something Wonderful helps kids handle their feelings when they’re hurting and can’t find all the right words. In a warm, understanding, sometimes funny way, it guides children as they plan a backyard funeral to say goodbye, from choosing a box and a burial spot to giving a eulogy and wiping away tears. Most of all, it reassures them that it’s not the end of everything . . . and that Something Wonderful can always happen again.
Let New York Times bestselling author Judith McNaught who “is in a class by herself” (USA TODAY) sweep you off your feet and into another time with her sensual, passionate, and spellbinding historical romance classics, featuring her “unique magic” (RT Book Reviews). “Judith McNaught not only spins dreams but makes them come true” (RT Book Reviews) in this sensual and moving tale of a tempestuous marriage facing its ultimate test. Alexandra Lawrence, an innocent country girl, and Jordan Townsende, the rich and powerful Duke of Hawthorne, have always had a stormy relationship. But when she is swept into the endlessly fascinating world of London society, free-spirited Alexandra becomes ensnared in a tangled web of jealousy, revenge, and overwhelming passion. But behind her husband’s cold, haughty mask, there lives a tender, vital, sensual man...the man Alexandra married. Now, she will fight for his very life and the rapturous bond they alone can share.
Can you really write a play that lasts a minute? The one minute play offers a unique challenge to actors, directors and writers: how do you create a whole world, where actors have room to perform and where audiences have a true experience all in 60 seconds? One Minute Plays: A Practical Guide to Tiny Theatre demystifies the super-short-form play, demonstrating that this rich, accessible format offers great energy and variety not only to audiences but to everyone involved in its creation and performance. This handbook includes: An anthology of 200 one-minute plays selected from the annual Gone in 60 Seconds festival. A toolbox of exercises, methodologies and techniques for educators, practitioners and workshop leaders at all levels. Tips and advice on the demands of storytelling, inclusivity and creative challenges. Detailed practical information about creating your own minute festival, including play selection, running order, staging and marketing. Drawing on a wealth of experience, Steve Ansell and Rose Burnett Bonczek present an invaluable guide for anyone intrigued by the art of creating, producing and performing a one minute play.
The Compass began in a storefront theater near the U. of Chicago campus in the summer of 1955 and lasted only a few years before its players--including Paul Sills, Elaine May, Mike Nichols, Barbara Harris, Severn Darden, and Shelley Berman--moved on. Coleman recreates the time, the place, the personalities, and the neurotic magic whereby the Campus made theater history in America. Annotation copyrighted by Book News, Inc., Portland, OR.
A legend of improvisational theater, Del Close is best known for discovering and cultivating the talents of John Belushi, Chris Farley, Bill Murray, Mike Meyers, and countless other comedy giants. He was resident director of Chicago's famed Second City and "house metaphysician" for "Saturday Night Live," a talent in his own right, and one of the brightest and wackiest theater gurus ever. Jeff Griggs was a student of Close's at the ImprovOlympic in Chicago when he was asked to help the aging mentor (often in ill health) by driving him around the city on his weekly errands. The two developed a volatile friendship that shocked, angered, and amused both of them—and produced this hilarious and ultimately endearing chronicle of Close's last years. With all the elements of a picaresque novel, Guru captures Close at his zaniest but also shows him in theatrical situations that confirm his genius in conceptualizing and directing improvisational theater. Between comic episodes, Jeff Griggs gives the reader the essentials of Close's biography: his childhood in Kansas, early years as an actor, countercultural exploits in the 1960s (he toured with Ken Kesey and the Merry Pranksters and designed light shows for the Grateful Dead), years with the Compass Players and then with Second City, and continuing experimentation with every drug imaginable, which pretty much cost him his health and ultimately his life. He was comedian, director, teacher, writer, actor, poet, fire-eater, junkie, and philosopher. "Being a really good actor does not necessarily guarantee that you will be a very good improviser," Close liked to say. "Being an actual, complete, hopeless, wretched geek in real life doesn't disqualify you from being a solid improviser, either." He approached improv the same way he conducted his life—in bizarre, dark, and dangerous fashion. Guru captures it.
One the most meaningful and inspiring gifts any couple could wish for. If you believe life was meant to be shared, here are priceless stories, ideas, insights, questions and adventures that will touch your heart and lift your relationship to new heights. The perfect gift to celebrate a new romance, weddings, anniversaries or Valentines Day
How do we reclaim our innate enchantment with the world? And how can we turn our natural curiosity into a deep, abiding love for knowledge? Frank Oppenheimer, the younger brother of the physicist J. Robert Oppenheimer, was captivated by these questions, and used his own intellectual inquisitiveness to found the Exploratorium, a powerfully influential museum of human awareness in San Francisco, that encourages play, creativity, and discovery—all in the name of understanding. In this elegant biography, K. C. Cole investigates the man behind the museum with sharp insight and deep sympathy. The Oppenheimers were a family with great wealth and education, and Frank, like his older brother, pursued a career in physics. But while Robert was unceasingly ambitious, and eventually came to be known for his work on the atomic bomb, Frank’s path as a scientist was much less conventional. His brief fling with the Communist Party cost him his position at the University of Minnesota, and he subsequently spent a decade ranching in Colorado before returning to teaching. Once back in the lab, however, Frank found himself moved to create something to make the world meaningful after the bombing of Hiroshima and Nagasaki. He was inspired by European science museums, and he developed a dream of teaching Americans about science through participatory museums. Thus was born the magical world of the Exploratorium, forever revolutionizing not only the way we experience museums, but also science education for years to come. Cole has brought this charismatic and dynamic figure to life with vibrant prose and rich insight into Oppenheimer as both a scientist and an individual.