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From the author of Feeding Christine and These Dreams comes a delightful story of family, love, and life's many unexpected pleasures. At age thirty-one, Delilah needs a plan. Still living with her parents on their Key West estate, with no career to speak of and a dull relationship with a self-involved artist, she is beginning to feel as if life is sailing swiftly past her. Her sister is living the perfect life with the perfect husband, her father con-tinues to make money off the stock market, and her mother continues to spend it on the latest social cause. Delilah would love to save the world as well -- if only it weren't such an overwhelming task. She longs for inspiration. Little does she know that it will soon come in the shape of Carla, -- a former tiger tamer and Delilah's long-lost biological grandmother. Long-lost, that is, until now. When Delilah's mother unwittingly discovers the identity of the woman who put her up for adoption years ago, Delilah is enlisted to visit Carla at her dilapidated farmhouse in rural New York. The first meeting does not go well. Aside from her constant gruff commands and occasional meddling in Delilah's love life, Carla barely says a word to her newly discovered granddaughter, who is more like her than either of them would care to admit. Slowly, however, the two are drawn together by the beauty of the land, by the good friends around them, and by a love as unpredictable as life itself. Soon Delilah discovers that saving the world requires the courage to be saved and that truly embracing life means accepting its uncertainty. "Because love was always unpredictable. And slightly out of control." With her trademark humor and warmth, Barbara Chepaitis tells a wonderful story about one woman's stumble upon happiness in the most unlikely of places. She creates characters that are "genuinely human" (Publishers Weekly) and in so doing reflects our ability to love the world and each other despite our many flaws and failures. Smart, funny, and true, Something Unpredictable is a gem of a novel and one to be dearly treasured.
On choreography: "Choreography is a negotiation with the patterns your body is thinking" On rules: "Try breaking the rules on a need to break the rules basis" A Choreographer’s Handbook invites the reader to investigate how and why to make a dance performance. In an inspiring and unusually empowering sequence of stories, ideas and paradoxes, internationally renowned dancer, choreographer and teacher Jonathan Burrows explains how it’s possible to navigate a course through this complex process. It is a stunning reflection on a personal practice and professional journey, and draws upon five years’ of workshop discussions, led by Burrows. Burrows’ open and honest prose gives the reader access to a range of exercises, meditations, principles and ideas on choreography that allow artists and dance-makers to find their own aesthetic process. It is a book for anyone interested in making performance, at whatever level and in whichever style.
This book combines theoretical enquiry with practical implementation offering a unique perspective on the use of computers related to architectureal form and design.
In hyperdrawing: beyond the lines of contemporary art, authors and artists come together to explore the potential of what drawing in contemporary art theory and practice might become. In this follow-up to 2007's drawing now: between the lines of contemporary art, Phil Sawdon and Russell Marshall, two of the current directors of TRACEY, curate contemporary drawing within fine art practice from 2006 through to 2010. Four essays and images from 33 international artists collectively explore the boundaries of the hyperdrawing space, investigating in essence what lies beyond drawing - images that use traditional materials or subjects whilst also pushing beyond the traditional, employing sound, light, time, space and technology. Over and above traditional views and practices, the authors and artists in this book recognise and embrace the opportunities inherent in the essential ambiguity of drawing. Practitioners of hyperreal works, 2D3D4D pieces and installations that push beyond photorealism all find their place within this new conception of hyperdrawing as techne, a productive space no longer limited by spatial boundaries.Artists including Catherine Bertola, Layla Curtis, Garrett Phelan, Suzanne Treister and Ulrich Vogl alongside the essays of Emma Cocker, Siun Hanrahan and Marsha Meskimmon provide a contemporary view in both visual and written form of how ambiguity can be used as a strategic approach in drawing research and practice. A gallery in book form, hyperdrawing takes drawing beyond the interaction of pencil and paper and traces contemporary adventures in multiple dimensions and alternate realities.
Ever since seventeen-year-old Ann Bennett was diagnosed with a life-threatening heart condition two years ago, her family has been pulling apart. Ann and her two younger siblings fight constantly, as do their parents. When the doctors announce that Ann's only hope of survival is a heart transplant by the end of the summer, the Bennetts decide to wait for news of a donor at a family vacation home on the Oregon coast, near Haystack Rock. But rather than healing their differences, the time away only widens the rifts between them. That is, until they learn about The Winner's Game, a game their great grandparents invented to save their marriage decades ago. It doesn't work immediately, it takes some time to figure out the right way to play, but little by little things start to change. It seems everything might be okay, until the day tragedy strikes, and they are confronted with what it really means to love -- and to be a family.
In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.
Why have people from different cultures and eras formulated myths and stories with similar structures? What does this similarity tell us about the mind, morality, and structure of the world itself? From the author of 12 Rules for Life: An Antidote to Chaos comes a provocative hypothesis that explores the connection between what modern neuropsychology tells us about the brain and what rituals, myths, and religious stories have long narrated. A cutting-edge work that brings together neuropsychology, cognitive science, and Freudian and Jungian approaches to mythology and narrative, Maps of Meaning presents a rich theory that makes the wisdom and meaning of myth accessible to the critical modern mind.
Challenging dominant discourses in the field of early childhood education, this book provides an accessible introduction to some of the alternative narratives and diverse perspectives that are increasingly to be heard in this field, as well as discussing the importance of paradigm, politics and ethics. Peter Moss draws on material published in the groundbreaking Contesting Early Childhood series to introduce readers to thinking that questions the mainstream approach to early childhood education and to offer rich examples to illustrate how this thinking is being put to work in practice. Key topics addressed include: dominant discourses in today’s early childhood education – and what is meant by ‘dominant discourse’ why politics and ethics are the starting points for early childhood education Reggio Emilia as an example of an alternative narrative the relevance to early childhood education of thinkers such as Michel Foucault and Gilles Deleuze and of theoretical positions such as posthumanism. An enlightening read for students and practitioners, as well as policymakers, academics and parents, this book is intended for anyone who wants to think more about early childhood education and delve deeper into new perspectives and debates in this field.
The Four Pillars of Jungian Psychoanalysis is a work that describes the methods that in combination sets this form of psychotherapy apart from all the others. The first chapter describes how the theory of individuation serves as an assessment tool for the analyst and guides the process toward the client’s further psychological development. The second chapter, on the analytic relationship, discusses the depth psychological understanding of the healing effect of the therapeutic encounter. Working with dreams and active imagination comprise the other two chapters. In both of these chapters, there is detailed discussions of how these methods are used in Jungian psychoanalysis and to what purpose. It is the combination of “the four pillars” that makes Jungian psychoanalysis unique.
Another year, another workshop. Here are the proceedings of the seventh Cambridge International Workshop on Security Protocols. All very well, you may think, but can there really still be anything genuinely new to say? Is it not just the same old things a tiny bit better? Well, perhaps surprisingly, this year we discoveredsome radically new things beginning to happen. The reasons in retrospect are not far to seek: advances in technology, changes in the system context, and new types of consumer devices and applications have combined to expose new security requirements. This has led not only to new protocols and models, but also to known protocols being deployedindelicate newways,withpreviousfragilitiesofwatermarkingand- tual authentication, for example, becoming desirable features. At the workshop we identi?ed several of these developments and began to map out some lines of enquiry. This volume brings you a selection of deliberately disputatious position - pers, followed by not-quite-verbatim transcripts of the discussions which they provoked. As always, our purpose in making these proceedings available to you is the hope that they will move your thinking in an unexpected direction. If you ?nd your attention caught by something here, if it makes you pause to re?ect, or to think “why, that is justso wrong”,then good. We’re waiting for your mail.