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2010 CHOICE Outstanding Academic Title Why would someone choose bondage over individual freedom? What type of freedom can be found in choosing conditions of enslavement? In Something Akin to Freedom, winner of the 2008 SUNY Press Dissertation/First Book Prize in African American Studies, Stephanie Li explores literary texts where African American women decide to remain in or enter into conditions of bondage, sacrificing individual autonomy to achieve other goals. In fresh readings of stories by Harriet Jacobs, Hannah Crafts, Gayl Jones, Louisa Picquet, and Toni Morrison, Li argues that amid shifting positions of power and through acts of creative agency, the women in these narratives make seemingly anti-intuitive choices that are simultaneously limiting and liberating. She explores how the appeal of the freedom of the North is constrained by the potential for isolation and destabilization for women rooted in strong social networks in the South. By introducing reproduction, mother-child relationships, and community into discourses concerning resistance, Li expands our understanding of individual liberation to include the courage to express personal desire and the freedom to love.
In Firing Back, six-term Congressman Todd Akin describes in eye-opening detail what it is like to be an unapologetic conservative in a town dominated by media bullies, back-room bosses, and liberals of either party. Although he tried to be a loyal Republican, Akin's first allegiance was always to the Constitution and his conservative principles. When the Bush administration lobbied him to approve its progressive legislative initiatives, No Child Left Behind and the Medicare prescription drug benefit, Akin refused. In the process, he made some serious enemies. Those enemies got their revenge after Akin made an awkward comment about rape. Although he had just won a hard-fought Republican primary in Missouri for US Senate, party bosses tried to coerce him to yield the nomination to their preferred candidate. When Akin refused, the bosses turned their back on him and let Democrat Claire McCaskill win. In Firing Back, Akin tells the story of how the Republican leadership not only threw him under the bus but also ran over him a few times for good measure. Not one of them explained what it was about Akin's remarks that so deeply offended them. Akin names names and takes numbers in Firing Back, but this book is much more than a tell-all. It is a battle-tested guide to Republicans and conservatives to help them find their courage, reclaim their integrity, and, by doing so, help preserve America's faith and freedom.
Possibly the first novel written by a black woman slave, this work is both a historically important literary event and a gripping autobiographical story in its own right. When her master is betrothed to a woman who conceals a tragic secret, Hannah Crafts, a young slave on a wealthy North Carolina plantation, runs away in a bid for her freedom up North. Pursued by slave hunters, imprisoned by a mysterious and cruel captor, held by sympathetic strangers, and forced to serve a demanding new mistress, she finally makes her way to freedom in New Jersey. Her compelling story provides a fascinating view of American life in the mid-1800s and the literary conventions of the time. Written in the 1850's by a runaway slave, THE BONDSWOMAN'S NARRATIVE is a provocative literary landmark and a significant historical event that will captivate a diverse audience.
Who are computer hackers? What is free software? And what does the emergence of a community dedicated to the production of free and open source software--and to hacking as a technical, aesthetic, and moral project--reveal about the values of contemporary liberalism? Exploring the rise and political significance of the free and open source software (F/OSS) movement in the United States and Europe, Coding Freedom details the ethics behind hackers' devotion to F/OSS, the social codes that guide its production, and the political struggles through which hackers question the scope and direction of copyright and patent law. In telling the story of the F/OSS movement, the book unfolds a broader narrative involving computing, the politics of access, and intellectual property. E. Gabriella Coleman tracks the ways in which hackers collaborate and examines passionate manifestos, hacker humor, free software project governance, and festive hacker conferences. Looking at the ways that hackers sustain their productive freedom, Coleman shows that these activists, driven by a commitment to their work, reformulate key ideals including free speech, transparency, and meritocracy, and refuse restrictive intellectual protections. Coleman demonstrates how hacking, so often marginalized or misunderstood, sheds light on the continuing relevance of liberalism in online collaboration.
Regulating Sex is an anthology that presents debates over the role of the state in constructing and controlling erotic practice, intimacy, and identity. The purpose of this edited volume is to address sexual dilemmas in law and the state in substantive areas such as same-sex domestic partnerships, sexual economies, and childhood sexuality via a series of spirited dialogues between socio-legal scholars from diverse disciplinary, national, and political perspectives.
This "soul stirring" novel by the New York Times bestselling author of Room (O Magazine) is one of the New York Post's best books of the year. Noah Selvaggio is a retired chemistry professor and widower living on the Upper West Side, but born in the South of France. He is days away from his first visit back to Nice since he was a child, bringing with him a handful of puzzling photos he's discovered from his mother's wartime years. But he receives a call from social services: Noah is the closest available relative of an eleven-year-old great-nephew he's never met, who urgently needs someone to look after him. Out of a feeling of obligation, Noah agrees to take Michael along on his trip. Much has changed in this famously charming seaside mecca, still haunted by memories of the Nazi occupation. The unlikely duo, suffering from jet lag and culture shock, bicker about everything from steak frites to screen time. But Noah gradually comes to appreciate the boy's truculent wit, and Michael's ease with tech and sharp eye help Noah unearth troubling details about their family's past. Both come to grasp the risks people in all eras have run for their loved ones, and find they are more akin than they knew. Written with all the tenderness and psychological intensity that made Room an international bestseller, Akin is a funny, heart-wrenching tale of an old man and a boy, born two generations apart, who unpick their painful story and start to write a new one together. "What begins as a larky story of unlikely male bonding turns into an off-center but far richer novel about the unheralded, imperfect heroism of two women." -- New York Times
After discerning the social and historical factors surrounding its first appearance in the 1960s, Neo-Slave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent cultural debates that arose during the sixties."--BOOK JACKET.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
"Why," asks Nick Bromell, "should the political thought of white Americans remain the only theory to which Americans of all ethnicities turn when constructing and reconstructing their understanding of democracy? Must Americans remain locked in an apartheid of experience and perception even after whites have become a minority population in this nation? Hasn't the 2012 presidential election made clear that the time has come to build not just on the votes of citizens of color, but on the varieties of democratic thought their experience has engendered?" In his answers to these questions, Bromell brings to light an underappreciated stream of democratic reflection by black writers and activists from David Walker to Malcolm X. Bromell argues that these thinkers urge Americans to fundamentally re-imagine the nature of their democracy and recognize that indignation can be a powerful and productive democratic emotion; that dignity is just as important to democracy as equality and liberty; that national citizenship can be infused with a sense of responsibility to the world; and that faith can actually promote rather than threaten democratic pluralism. A literary critic and intellectual historian, Bromell draws on a wide range of fiction, essays, speeches, and oral histories, deftly synthesizing recent work in U.S. history, literary and cultural studies, and political theory. Like the figures he discusses, he puts this thought to work in the present moment, this "now." Black democratic insights, he shows, are strikingly relevant to the challenges facing US democracy today, and they provide the basis for a new, post-liberal public philosophy with which to turn back the rise of radical conservatism. Historian Robin D.G. Kelley writes: "In this work of enormous breadth, depth, and imagination, Nick Bromell makes what may be the most original contribution to political theory in the past decade. In this age of alleged color blindness, Bromell has the vision and the chutzpah to turn to African American thought-ideas born of struggle, anchored in questions of dignity, human relationships, and faith-in order to revitalize American democracy. "
Provides portraits and cameos of over sixty women who were influential in the Civil Rights Movement, and argues that the political activity of women has been the driving force in major reform movements throughout history.