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Building on the strength of Keith Walker’s acclaimed ThePoems of John Wilmot, Earl of Rochester (1984), leading scholarNicholas Fisher presents a thoroughly revised and updated editionof the work of one the greatest Restoration wits. Includes the text of Lucina’s Rape, Rochester’sadaptation of Fletcher’s revenge tragedy Valentinian,in a text that readily identifies Rochester’s revisions Presents the poems in versions that were current duringRochester’s lifetime, allowing the reader to experience thepoems as Rochester’s contemporaries did Incorporates insights and discoveries made over the lasttwenty-five years and texts of manuscripts that previously wereunavailable for study
John Wilmot, 2nd Earl of Rochester, was a poet and courtier of King Charles II's Restoration court, whose rakish lifestyle, biting satires and obscene verses established his name as one of the greatest wits of his time. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This volume presents the complete works of Rochester, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Rochester's life and works * Concise introduction to the poet and his works * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Rare poems often missed out of collections * Easily locate the poems you want to read * Includes Rochester's rare play LUCINA’S RAPE * Features two bonus biographies, including Gilbert Burnet’s seminal study – immerse yourself in Rochester's literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry Collections BRIEF INTRODUCTION: EARL OF ROCHESTER The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Play LUCINA’S RAPE The Biographies THE LIFE OF THE EARL OF ROCHESTER by Dr. Johnson SOME ACCOUNT OF THE LIFE AND DEATH OF JOHN WILMOT, EARL OF ROCHESTER by Gilbert Burnet Please visit www.delphiclassics.com to browse through our range of exciting titles
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary repsonses to a writer's work, enabling student and researcher to read the material themselves.
This is Volume VI of nine in collection on Historical Sociology. Originally published in 1948, volume includes the writings of John Dryden, Alexander Pope and Joseph Addison from 1660 to 1744.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Richardson's novels reveal the conflict of human passion in all its aspects - love, lust, and suffering. This conflict is considered and critically analysed in fourteen essays, all originally published in Eighteenth-Century Fiction.
Atheists generated widespread anxieties between the Reformation and the Enlightenment. In response to such anxieties a distinct genre of religious apologetics emerged in England between 1580 and 1720. By examining the form and the content of the confutation of atheism, Anti-Atheism in Early Modern England demonstrates the prevalence of patterned assumptions and arguments about who an atheist was and what an atheist was supposed to believe, outlines and analyzes the major arguments against atheists, and traces the important changes and challenges to this apologetic discourse in the early Enlightenment.
This study re-interprets English history and national identity in the century after the civil war.
A survey of Restoration poetry, from the forms in which it was disseminated to studies of important texts. This book explores the complex ways in which authors, publishers, and readers contributed to the making of Restoration poetry. The essays in Part I map some principal aspects of Restoration poetic culture: how poetic canons were established through both print and manuscript; how censorship operated within the manuscript transmission of erotic and politically sensitive poems; the poetic functions of authorial anonymity; the work of allusion and intertextualreference; the translation and adaptation of classical poetry; and the poetic representations of Charles II. Part II turns to individual poets, and charts the making of Dryden's canon; the ways in which Mac Flecknoe operates through intertextual allusions; the relationship of the variant texts of Marvell's "To his Coy Mistress"; and the treatment of Rochester's canon and text by his modern editors. The discussions are complemented by illustrationsdrawn from both printed books and manuscripts. PAUL HAMMOND is Professor of Seventeenth-Century Literature at the University of Leeds.