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With peerless talent and unrivalled international presence, few stars shone brighter in the heady firmament of the Jazz Age than Josephine Baker and Paul Robeson. Electric, charismatic, and unforgettable, both ignited the modern imaginations of cosmopolitan centers across Europe. Unabashedly themselves, they inspired poets, architects, novelists, and filmmakers across London, Paris, Berlin, and Vienna with their indomitable artistic energy. But Some of These Days extends beyond pure dual biography to recreate the rich community of artists who interacted with-and were influenced by-Baker and Robeson. James Donald highlights how the sense of excitement and artistic renewal ushered in with the 'New Negro Movement' reverberated far beyond Harlem. Throughout this chronicle, Donald underscores the relationship of African American aesthetics to the modernist movement that flourished from the 1920s until the end of World War II. Vivid portraits of artists like T. S. Eliot, HD, Carl Van Vechten, Marlene Dietrich, Jean Gabin, and Adolf Loos, among others, animate the study. Traversing countries and artforms, Some of These Days illustrates the immense cross-cultural collaboration of film, song, dance, and literature that coalesced to create modernist culture-where the new rhythms of the machine age were gleefully embraced, allowing art to consider the new possibilities of cosmopolitanism in a modern world. Engagingly written and lavishly illustrated, Some of These Days recovers not just the romance, excitement, and uncertainty of Baker and Robeson's storied rise to stardom but also the political and cultural legacy of the movement that they embodied.
Sophie Tucker appeared in only seven American stage musicals and appeared only twice on Broadway but, then, it was difficult to cast her in a show. A buxom and ebullient performer, she--and her audiences--quickly found that playing herself was most effective. This is a biography of a vaudeville and cabaret performer who saw herself as one of the first liberated women and one of the last "red hot mamas." It tells the story of her birth as her mother traveled to Boston from Russia, her childhood in Boston, and her first public performance at Poli's Vaudeville Theatre at the age of 13. It also tells the story of her troubled marriage to Louis Tuck and the birth of their son, her meeting with Willie Howard, a vaudeville veteran who encouraged her to go to New York and pursue a stage career, her discovery by Flo Ziegfeld (of the Ziegfeld Follies), and her rise to headliner status under the guidance of her agent William Morris. She was best known for appearing on stage with just a piano player, and openly discussing her life and Jewish upbringing.
Bruno the cat recounts six interesting days in his life, from a peculiar day when he joins a fish underwater to an almost perfect day when he makes a list of what would constitute a perfect day and tries to follow it.