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The world that shaped Europe's first national sculptor-celebrities, from Schadow to David d'Angers, from Flaxman to Gibson, from Canova to Thorvaldsen, was the city of Rome. Until around 1800, the Holy See effectively served as Europe's cultural capital, and Roman sculptors found themselves at the intersection of the Italian marble trade, Grand Tour expenditure, the cult of the classical male nude, and the Enlightenment republic of letters. Two sets of visitors to Rome, the David circle and the British traveler, have tended to dominate Rome's image as an open artistic hub, while the lively community of sculptors of mixed origins has not been awarded similar attention. Rome, Travel and the Sculpture Capital, c.1770?1825 is the first study to piece together the labyrinthine sculptors' world of Rome between 1770 and 1825. The volume sheds new light on the links connecting Neo-classicism, sculpture collecting, Enlightenment aesthetics, studio culture, and queer studies. The collection offers ideal introductory reading on sculpture and Rome around 1800, but its combination of provocative perspectives is sure to appeal to a readership interested in understanding a modernized Europe's overwhelmingly transnational desire for Neo-classical, Roman sculpture.
Also available as the third book in a five volume set (ISBN#0815329334)
Unlike other studies of the Grand Tour, this book deals not so much with the fully-fledged 18th-century phenomenon, but rather with the 16th and 17th centuries and the way in which the English became conscious of the Italian Renaissance and thereby discovered classical antiquity itself. Revised essays document the lives and travels of the personalities who contributed to establishing a convention which eventually came to dominate European culture. An epilogue pays tribute to Sir Harold Acton (1904-1994). Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
This is a bold reassessment of one of the pivotal points in British history. PJ O’Gorman analyses the sources for the period from Julius Caesar’s first forays into these islands to the invasion under the Emperor Claudius and the conclusions he reaches are nothing short of radical and call into question much of the accepted narrative of Roman invasion and conquest. The author starts by showing that Caesar’s initial cross-Channel adventures were motivated not so much by seeking the glory of taming primitive savages but to gain control of an economic powerhouse. His treatment of the period leading up to the Claudian invasion and the invasion itself is even more shocking. Most significantly he argues convincingly that two of the most important Roman sources underpinning the conventional narrative are in fact Renaissance fakes and that their acceptance has distorted the interpretation of modern archaeological evidence. Meanwhile he reinstates a discounted British source. The result is a startlingly different version of Britain’s early history.