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I was counting down the months until the end of my deployment. My days were spent working on military vehicles, and I spent my nights playing video games that would distract me until I could leave Staff Sergeant Garrett Reid behind. That was when I met him: Kai Bannon, a fellow gamer with a famous stream channel. I never expected to become fixated on someone who'd initially been a rival. And I'd never expected someone who oozed charm to notice me-a guy known for his brutal honesty and scowl. I hadn't planned for our online friendship to turn into something that kept me up at night-hours of chatting evolving into filthy webcam sessions. But it did. And now I can't stop thinking about him. In my mind, our real life meeting is perfect. We kiss, we fall into bed, and it's love at first sight. Except, like most things in my life, it doesn't go as planned. *Strong Signal is a standalone, full-length novel with no cliffhanger*
One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.
It's possible to be an experimental humanist.
A collection of extraordinary essays by one of the seminal Russian poets of the twentieth century Gennady Aygi’s longtime translator and friend Peter France has compiled this moving collection of tributes dedicated to some of the writers and artists who sustained him while living in the Moscow “underground.” Written in a quiet intensely expressive poetic style, Aygi’s inventive essays blend autobiography with literary criticism, social commentary, nature writing, and enlightening homage. He addresses such literary masters as Pasternak, Kafka, Mayakovsky, Celan, and Tomas Tranströmer, along with other writers from the Russian avant-garde and his native Chuvashia. Related poems by Aygi are also threaded between the essays. Reminiscent of Mandelstam’s elliptical travel musings and Kafka’s intensely spiritual jottings in his notebooks, Time of Gratitude glows with the love and humanity of a sacred vocation. “These leaves of paper," Aygi says, 'are swept up by the whirlwind of festivity; everything whirls—from Earth to Heaven—and perhaps the Universe too begins to swirl. Everything flows together in the rainbow colors and lights of the infinite world of Poetry.'
Saddle up for a life-defining, death-defying adventure. Joseph Johnson has lost just about everyone he's ever loved. He lost his pa in an accident. He lost his ma and his little sister to sickness. And now, he's lost his pony-fast, fierce, beautiful Sarah, taken away by a man who had no right to take her.Joseph can sure enough get her back, though. The odds are stacked against him, but he isn't about to give up. He will face down deadly animals, dangerous men, and the fury of nature itself on his quest to be reunited with the only family he has left.Because Joseph Johnson may have lost just about everything. But he hasn't lost hope. And he hasn't lost the fire in his belly that says he's getting his Sarah back-no matter what.The critically acclaimed author of The Honest Truth returns with a poignant, hopeful, and action-packed story about hearts that won't be tamed... and spirits that refuse to be broken.
A multifaceted collection by Jeffrey Yang, whose poetry is “flexible, expansive, sonorously clever” (The Millions). In Jeffrey Yang’s vision for this brilliant new collection, the essence of poetry can be broken down into line and light. Dispersed across these poems are luminous centers, points of a constellation tracing lines of energy through art, myth, and history. These interconnections create vast and dynamic reverberations. As Yang asks in one poem, “What vitality binds a universe?” One long series explores through shadow and play the ancient Malay kingdom of Langkasuka, a legendary nexus of creativity, commerce, and spiritual life, threatened over time by violence, climate, and environmental degradation. The title poem is a study of time, night turning to dawn, revealing the lines and lights of an art installation on an island in the Hudson River, flowing into another poem about Grand Central Terminal’s atrium of stars, flowing upriver into a poem that describes a cemetery for a state prison. Another extended sequence is a collaboration investigating memory and loss, composed of Yang’s poems, Japanese translations by Hiroaki Sato, and drawings made with ink derived from tea leaves by the artist Kazumi Tanaka. The collection ends with moving elegies for poets, translators, and artists whose works have informed this one. Altogether, Line and Light illuminates the ways that ancestry holds and makes possible the act of making art.
'If you have lost your identity along life’s journey, know that the steps leading back to destiny’s path are illuminated by the Holy Spirit’s light and love. A Beautiful Kind of Broken addresses the pain caused by abusive churches and misguided ministry communities—an experience many have known but have never dealt with in a healthy-closure way. This book confronts, discusses, and provides healing answers to crucial life issues including: • Identity. • Spiritual abuse. • Rejection. • Forgiveness. Seeking and finding your identity in Christ and welcoming the Holy Spirit as your Divine Counselor is the first step to returning to your God-given destiny of an abundant and joyful life. If you have felt the sting of rejection and spiritual abuse, A Beautiful Kind of Broken provides practical information on healing and total forgiveness. Written for those in leadership, as well as all those who submit to leadership, A Beautiful Kind of Broken brings hope and restoration to people of all walks of life, building a solid foundation for the church and ministry community.'
Asian American literature is one of the most recent forms of ethnic literature and is already becoming one of the most prominent, given the large number of writers, the growing ethnic population from the region, the general receptivity of this body of work, and the quality of the authors. In recent decades, there has been an exponential growth in their output and much Asian American literature has now achieved new levels of popular success and critical acclaim. Nurtured by rich and long literary traditions from the vast continent of Asia, this literature is poised between the ancient and the modern, between the East and West, and between the oral and the written. The Historical Dictionary of Asian American Literature and Theater covers the activities in this burgeoning field. First, its history is traced year by year from 1887 to the present, in a chronology, and the introduction provides a good overview. The most important section is the dictionary, with over 600 substantial and cross-referenced entries on authors, books, and genres as well as more general ones describing the historical background, cultural features, techniques and major theatres and clubs. More reading can be found through an extensive bibliography with general works and those on specific authors. The book is thus a good place to get started, or to expanded one’s horizons, about a branch of American literature that can only grow in importance.
Waveform champions the diversity of women?s approaches to the structure of the essay, today a site of invention and innovation, with experiments in col-lage, fragments, segmentation, braids, triptychs, and diptychs.
Writing about poetry follows models provided either by academic scholarship or literary journalism, each with its pitfalls. The former distances the reader from the poem and effaces the critic’s personality. In literary journalism, the critic is front and center, but the discussion is introductory and prioritizes value judgments. In either case, entrenched practices and patterns of privilege limit one’s perspective. The situation worsens when it comes to minoritized poets and poets from the Global South, where the focus is on restrictive notions of identity: the stylistic innovations of literary works get ousted by prefabricated historical narratives. In Worlds Woven Together, the critic, poet, and scholar Vidyan Ravinthiran searches for alternatives, pursuing close, imaginative readings of a variety of writers. His essays are open-ended, attentive, and curious, unabashedly passionate and subjective yet keenly analytical and investigative. Discussing neglected authors and those well-known in the West, Ravinthiran sees politics as inseparable from literary form and is fascinated by the relation of the creative consciousness to the violences of history. The book features essays on writers including Mir Taqi Mir, Ana Blandiana, A. K. Ramanujan, Marianne Moore, Eunice de Souza, Czeslaw Milosz, Ted Hughes, Rae Armantrout, Arvind Krishna Mehrotra, Galway Kinnell, Dawn Lundy Martin, and Vahni Capildeo. Revealing serendipitous connections—between poems and cultures, between lines of verse and the lives we lead—Worlds Woven Together is for all readers fascinated by the mechanics and politics of poetry.