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This is another book in a series of jazz scrapbooks that gives recognition to musicians who should not be forgotten and were personally known to the author. Browse the first book in the seires: Some Jazz Friends .
A celebrated jazz writer offers fascinating portraits of friends he's known during a lifetime in jazz For more than half a century, jazz writer and lyricist Gene Lees has been the friend of many in the world of jazz music. In this delightful book he offers minibiographies of fifteen of these friends--some of them jazz greats, some lesser-known figures, and some up-and-comers. Combining conversations and memoirs with critical commentary, Lees's insightful and intimate profiles will captivate jazz fans, performers, and historians alike. The subjects of the book range from the versatile orchestrator and arranger Claus Ogerman to legendary jazz broadcaster Willis Conover, from the gifted young Chinese violinist Yue Deng to undersung pianist Junior Mance. Lees writes about these figures both as musicians and as human beings, and he writes out of a conviction that jazz as an art form represents the highest values of American culture. Inviting us into the lives of these unique individuals, Lees offers an affectionate view of the jazz community that only an insider could provide.
Get your child to learn about the importance of family and friends with this fun and colorful book for young children! This fun little book about a little unicorn named Jazz will mix the best of two worlds, it will teach your child about the importance of being unique and being happy by being yourself and at the same time provide for a fun read that your child will almost certainly enjoy. Meet the many friendly characters that will befriend and help Jazz on her way to discovering her talent for singing, and that everyone might feel like a "stranger" at one point or another. This book was especially designed to be educational and the words used have been especially chosen to improve the vocabulary of your child, so don't miss out on the opportunity to improve your child's vocabulary while at the same time teaching your child valuable life lessons through a funny, relatable unicorn that will definitely bring a smile to your child! Be sure to listen to the original UNCORN JAZZ FRIENDSHIP SONG found on YouTube! . "This book represents the importance of family and friends with a focus on finding strength in being unique." ~Suzanne Funk B.E.D., M. Ed. Review by the Happy Mindset, Podcast Host, Denis Murphy: "EMBRACE WHO YOU ARE!" Lisa has a wonderful way of helping the reader to connect with who they are and embrace their quirks and ambitions. Unicorn Jazz will help children to internalize important messages such as the value of real friendship and not being afraid to show the world who they are. The illustrations in this book are really great - simple, colorful and make the story come to life! EDITORIAL REVIEWS: Lisa Caprelli's Unicorn Jazz carries with it a timelessly serene message of hope for our upcoming generations. An Amazonian Wonder-Woman tale in the form of a harmonious unicorn fable, Unicorn Jazz depicts the features that warm and empower the essence of our natural fibers as we grow effortlessly, though not entirely without moments of fear and strain, through our childhood stages of psychological self-development. -P. Knowman Lisa Caprelli shares the working of her creative mind and joyfully brings readers into the colorful, happy and empowering world of 'Unicorn Jazz'. Her heart is evident in every page and the take-away message of kindness, acceptance and celebrating our uniqueness is presented in a way that adults can model from and teach, and children can engage to and listen. In my practice with families, I have seen how necessary compassion, acceptance and self-pride development are to building a healthy sense of self-esteem and self-worth, finding a sense of safety in self and others, and using this strong foundation to explore relationships and the world around them. Unicorn Jazz teaches these concepts at a fundamental age. I highly recommend checking out Unicorn Jazz for you and the developing children in your lives. . -Dr. Stacey Zlotnick © 2018 Happy Lifestyle Online www.UnicornJazz.comFollow on Instagram.com/UnicornJazzBrand
Authors Pete Clute and Jim Goggin invite you to trip down their memory lane and visit smoke-filled clubs bursting with the strains of wailing saxes, bebop piano, jazz hot and cool, and amazing riffs of virtuoso. Get the lowdown on the San Francisco jazz greats they have known as well as non-musicians who made significant contributions to the world of jazz, among them Turk Murphy, Burt Bales, Jack Crook, and Edna Fischer Hayes. With nearly four hundred photographs and accompanying personal narratives, Pete Clute and Jim Goggin remember an unforgettable time in jazz history.
From Geisel Honor-winning author/illustrator Salina Yoon comes a lush, heartwarming audio eBook about unbreakable friendship and celebrating what makes you unique. Dennis is an ordinary boy who expresses himself in extraordinary ways. Some children do show-and-tell. Dennis mimes his. Some children climb trees. Dennis is happy to BE a tree . . . But being a mime can be lonely. It isn't until Dennis meets a girl named Joy that he discovers the power of friendship--and how special he truly is! From the beloved author/illustrator of the Penguin and Bear series comes a heartwarming story of self-acceptance, courage, and unbreakable friendship for anyone who has ever felt "different." Don't miss these other books from Salina Yoon! The Penguin series Penguin and Pinecone Penguin on Vacation Penguin in Love Penguin and Pumpkin Penguin's Big Adventure Penguin's Christmas Wish The Bear series Found Stormy Night Bear's Big Day The Duck, Duck, Porcupine series Duck, Duck, Porcupine My Kite is Stuck! And Other Stories That's My Book! And Other Stories Be a Friend
Gene Lees, author of the highly acclaimed Singers and the Song, offers, in Meet Me at Jim and Andy's, another tightly integrated collection of essays about post-War American music. This time he focuses on major jazz instrumentalists and bandleaders. Jim and Andy's, on 48th Street just west of Sixth Avenue, was one of four New York musicians' haunts in the 1960s--the others being Joe Harbor's Spotlight, Charlie's, and Junior's. "For almost every musician I knew," Lees writes, "[it was] a home-away-from-home, restaurant, watering hole, telephone answering service, informal savings (and loan) bank, and storage place for musical instruments." In a vivid series of portraits, we meet its clientele, an unforgettable gallery of individualists who happen to have been major artists--among them Duke Ellington, Artie Shaw, Woody Herman, Art Farmer, Billy Taylor, Gerry Mulligan, and Paul Desmond. We share their laughter and meet their friends, such as the late actress Judy Holliday, their wives, even their children (as in the tragic story of Frank Rosolino). We learn about their loves, loyalties, infidelities, and struggles with fame and, sometimes alcohol and drug addiction. The magnificent pianist Bill Evans, describing to Lees his heroin addiction, says, "It's like death and transfiguration. Every day you wake in pain like death, and then you go out and score, and that is transfiguration. Each day becomes all of life in microcosm." Himself a noted songwriter, Lees writes about these musicians with vividness and intimacy. Far from being the inarticulate jazz musicians of legend, they turn out to be eloquent indeed, and the inventors of a colorful slang that has passed into the American language. And of course there was the music. A perceptive critic with enormous respect for the music he writes about, Lees notes the importance and special appeal of each artist's work, as in this comment about Artie Shaw's clarinet: "A fish, it has been said, is unaware of water, and Shaw's music so permeated the very air that it was only too easy to overlook just how good a player and how inventive and significant an improviser he was."
Since the 1930s and ̕40s, jazz has stood tall in American popular music, drawing into its embrace not only great horn players, percussionists, guitarists, bassists, and pianists, but also some of the greatest singers in America’s musical history. Jazz has laid the groundwork for important innovations in modern singing, opening up entirely new ways of delivering songs through what would eventually become jazz standards—songs that formed the basis of the American Songbook. In So You Want to Sing Jazz, singer and professor of voice Jan Shapiro gives a guided tour through the art and science of the jazz vocal style. Throughout, Shapiro hones in on what makes jazz singing distinctive, suggesting along the way how other types of singers can make use of jazz. She looks at such key matters in jazz singing as the role of improvisation, the place of specific singers who influenced and even defined vocal jazz as we know it today, and the unique way in which jazz incorporates vibrato, conversational delivery, rhythmic phrasing, and melodic embellishment and improvisation. The book includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne. In So You Want to Sing Jazz, singers and voice teachers finally have the go-to resource they need for singing vocal jazz. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Jazz features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn
When a jazz-loving kitten named Nicky meets a great trumpet player, he learns how to play jazz and word travels fast - soon all the top musicians want to play with him. This is a charming story illustrated with photographs of Nicky with Jazz greats Roy Eldridge, Lionel Hampton, Lena Horne, Quincy Jones and Gerry Mulligan. Children and adults alike will delight in Nicky's journey from curious kitten to acclaimed jazz cat. The book also teaches readers about the magic of jazz, the value of friends and the power of imagination and originality.