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This book is a combined revised reprint of two books by the late Sanmugam Arumugam. The two books are Ancient Hindu Temples of Sri Lanka, Second Edition 1982, and More Hindu Temples of Sri Lanka, 1991. These two books have long been out of print. Ancient Hindu Temples describes 52 Temples, including the oldest Hindu Temple still existing in Sri Lanka which is Siva Devale No. 2 in Polonnaruva. More Hindu Temples goes on to describe 54 additional temples, some ancient and some relatively recent. Many of the temples are illustrated by photographs. The contents of both of the above books have been merged in this single Volume. Sanmugam Arumugam was a Chartered Civil Engineer and a graduate of Kings College, London. He worked in the Irrigation Department in Sri Lanka for 32 years, retiring as a Deputy Director in 1965. He then worked as a Director of the Water Resources Board for six years. He was President of the Institution of Engineers, Sri Lanka in 1966-67. He was the author of several technical papers and books including the monumental 461 page book, Water Resources of Ceylon 1969, which remains a standard reference resource on the subject to this day. After his retirement he turned his attention to writing about Hindu Temples. Apart from the two books reprinted in this volume, his published works include The Lord of Thiruketheeswaram, 1980, Koneswaram 1986, Lombok and its Temples 1990, and Stone Sculptures in Colombo Hindu Temple 1990. His final work was Dictionary of Biography of the Tamils of Ceylon 1997, which includes the profiles of over 775 Ceylon Tamils. He passed away in the year 2000, at the age of 94 years, working on his word processor right up to the very end.
Hinduism, the Truth is not a sect of a faith or a man-made religion. The Cosmic Truth of Hinduism is non denominational and universal and its founder is unknown. However, ancient Rishis and Saints have nurtured and revived it into what it is today. Hinduisms basic concept is unique with its link to Cosmic Energy , its traditions and culture is also linked to nature. A diagram explaining the distribution of Cosmic energy is explained, is given in this book. Lord Shiva is the Cosmic dancer. It is depicted that Brahma is the creator, Vishnu the Preserver and Shiva is in charge of evolution, for easy understanding by the people. This book deals with speculations about the origin of Hinduism and its association with nature. The design and energy of the Hindu temple and how the energy is associated with the power of Yantras, and Chakras in the human body, mantras and their connection with sound waves, Solar system, and Time. Idol / Deity worship and rituals etc. The book covers the five Ishwarams temples of Shiva, Sakthi, Karthigeya, Vishnu, Kannagi in Sri Lanka, worshipped by Hindus and Buddhists. Hinduism had its origin in the Indus valley civilization. The word Hindu is derived from the Indus river and dates back to over 5,000 years or more. This book also touches the link between the Hinduism and Buddhism. Kannagi (Pathini) and her worship by Sri Lankan Tamils and Singhalese is also explained in the book.
This travel and pilgrimage guidebook is meant primarily for Buddhists or those interested in Buddhism who wish to explore Sri Lanka’s rich cultural and spiritual heritage. Drawing on his extensive knowledge of the island, the author weaves together archaeological findings, art history and the stories and legends of the Buddhist tradition to bring to life thirty-three places of religious significance.
The peoples of Sri Lanka have participated in far-flung trading networks, religious formations, and Asian and European empires for millennia. This interdisciplinary volume sets out to draw Sri Lanka into the field of Asian and Global History by showing how the latest wave of scholarship has explored the island as a ‘crossroads’, a place defined by its openness to movement across the Indian Ocean.Experts in the history, archaeology, literature and art of the island from c.500 BCE to c.1850 CE use Lankan material to explore a number of pressing scholarly debates. They address these matters from their varied disciplinary perspectives and diverse array of sources, critically assessing concepts such as ethnicity, cosmopolitanism and localisation, and elucidating the subtle ways in which the foreign may be resisted and embraced at the same time. The individual chapters, and the volume as a whole, are a welcome addition to the history and historiography of Sri Lanka, as well as studies of the Indian Ocean region, kingship, colonialism, imperialism, and early modernity.
Temples to the Buddha and the Gods analyzes the patronage of diverse image houses built in the transnational Drāviḍa tradition of architecture in Sri Lanka—an architectural tradition that has been adopted across the Indian Ocean, from the premodern to the contemporary. Although the Drāviḍa tradition is generally associated with Hindu temple architecture, in Sri Lanka it was deployed to build temples to the Buddha as well as to Hindu and Buddhist deities. Framed along ethno-religious binaries, it is seen as “foreign” or “provincial” in previous studies of Sri Lanka’s art histories. In contrast, this book argues that temples constructed in the Drāviḍa architectural tradition in the medieval and the early modern periods in Sri Lanka should be understood as part of the larger transnational architectural tradition. Sujatha Arundathi Meegama brings together different types of image houses built by various patrons (e.g., monarchs, monks, ministers, and merchants) that were previously considered in isolation and rarely included in the Sri Lankan art historical canon. Examining a range of evidence—architecture, inscriptions, and poetry—and synthesizing disparate scholarship on the religious cultures and the art histories of Sri Lanka, the author illustrates that there was a strong presence of shared architectural traditions, shared patterns of patronage, and shared religious practices among the diverse communities on this island. Generally, scholarship on South Asian architecture focuses on the role of rulers and other secular or religious elites as agents of religious architecture; in addition to these actors, this study highlights the roles of architects who specialized in the Drāviḍa tradition and those who experimented with it in stone, brick, and timber in different time periods. Revealing the centrality of this architectural tradition, Temples to the Buddha and the Gods offers a new perspective that contextualizes the cultural tradition of Sri Lanka and its place in the interconnected world of the Indian Ocean.
Pattini-goddess, virgin, wife and mother; folk deity of Sinhala Buddhists and Jains; and assimilated goddess of the Hindu pantheon-has been worshiped in Sri Lanks and South India for fifteen hundred years or more, as she still is today. This long-awaited book is the culmination of Gananath Obeyesekere's comprehensive study of the Pattini cult and its historical, sociological, and psychoanalytical role in the culture of South Asia. A well-known anthropologist and a native of Sri Lanka, Obeyesekere displays his impeccable scholarship and a stunning range of theoretical perspectives in this work, the most detailed analysis of a single religious complex in South Asian ethnography (and possibly in all of anthropology). Since 1955 Obeyesekere has observed and participated in modern performances of the rituals of worship, healing, and propitiation in the Pattini cult, particularly the postharvest ritual known as the gammaduva. He presents detailed texts of the gammaduva, placing them in their historical and mythic traditions. Using the texts, he formulates a cultural analysis of the Buddhist pantheon and a critique of empiricist notions of South Asian historiography. Obeyesekere shows that some seemingly historical figures of South India and Sri Lanka are mythic characters and that their historical significance can best be understood by an anthropological analysis of myth rather than through a reification of myth in history. The concurrent Hindu worship of Pattini with its myths and rituals is described in detail. Obeyesekere documents the Sanskritization of Pattini, the changing physical structures of the goddess's shrines from the 1930s to the present, the assumption by Brahman priests of ritual functions formerly carried out by folk priest, and the sociocultural causes of these changes. He traces, too, the origins and diffusion of the cult throughout its entire history, as well as its survival today. Of psychological interest is the problematic status of Pattini as virgin, wife, and mother and her relationship with her god-husband Palanga and his courtesan Madevi. Obeyesekere discusses the psychodynamics of this relationship in detail and explains its role in Hindu-Buddhist socialization and family structure. Further, he uses this analysis to account for local variations in the performance and structure of the ritual. The ritual of the killing and resurrection of Pattini's husband and her role as mater dolorosa will interest scholars of comparative religion.
Revised and enlarged version of the Temples of Siva in Sri Lanka.
The Sri Lankan ethnic conflict that has occurred largely between Sinhala Buddhists and Tamil Hindus is marked by a degree of religious tolerance that sees both communities worshiping together. This study describes one important site of such worship, the ancient Hindu temple complex of Munnesvaram. Standing adjacent to one of Sri Lanka's historical western ports, the fortunes of the Munnesvaram temples have waxed and waned through the years of turbulence, violence and social change that have been the country's lot since the advent of European colonialism in the Indian Ocean. Bastin recounts the story of these temples and analyses how the Hindu temple is reproduced as a center of worship amidst conflict and competition.
Little Attention Has Hitherto Been Given To The Role Of Timber Construction In Sri Lanka S Ancient Architecture, And Its Photo-Coverage Has Not Until Now Appeared In One Place. The Buildings Described Here Are Mostly Close To Folk Architecture But They Comprise An Important Part Of The Ancient Building Tradition Of Monsoon Asia An Immense Area That Includes Parts Of India, Nepal, Burma, Bali, And Japan, As Well As Sri Lanka Itself. Buddhist Monastic Architecture In Sri Lanka Makes A Permanent Contribution To South Asian Studies.The Authors Search Out The Ancient Picturesque Temples In The Central Hills. Guided By The Well-Known Scholar, Professor Seneviratna, The Book Centers On Colour Photographs Taken By Architect Polk During An Eight Month Sojourn In 1980-81. Both Archaeological And Architectural Expertise Thus Combine, And Added To This Is The Research Into The Writings Of Early Travelers, Researched By Emily Polk, Poet And Painter, Who Has Put The Threads Of History Of Those Adventurous Days Into A Dramatic Form.This Collaboration Is The Result Of Their Common Interest In The Ancient Architecture Of South Asia, And Is Written Hoping That Continuities From Past To Future May Be Maintained In These Troubled Present Times.In Sri Lanka There Are Forests Where Modern Ways Have Not Overwhelmed Tradition And Where The Old Wood Buildings Still Flicker In The Magic Of The Trees. Here Is The Drama Of The Land And Its People: The Stream ;Of Pure Notes From An Invisible Flautist, The First Glimpse Of Adam S Peak, The Romantic Narrative Of The Sacred Tooth Kept Secret For 900 Years Before Emerging In Serendib. And Then Kandy, Where High On The Island The Winds From The Bay Of Bengal And The Indian Ocean Are On A Collision Course And The Sensation Of Colours, Movements And Light Is Electrifying. So, We Believe, Is This Book.
Developing a framework to study "what makes a region," Amitav Acharya investigates the origins and evolution of Southeast Asian regionalism and international relations. He views the Association of Southeast Asian Nations (ASEAN) "from the bottom up" as not only a U.S.-inspired ally in the Cold War struggle against communism but also an organization that reflects indigenous traditions. Although Acharya deploys the notion of "imagined community" to examine the changes, especially since the Cold War, in the significance of ASEAN dealings for a regional identity, he insists that "imagination" is itself not a neutral but rather a culturally variable concept. The regional imagination in Southeast Asia imagines a community of nations different from NAFTA or NATO, the OAU, or the European Union. In this new edition of a book first published as The Quest for Identity in 2000, Acharya updates developments in the region through the first decade of the new century: the aftermath of the financial crisis of 1997, security affairs after September 2001, the long-term impact of the 2004 tsunami, and the substantial changes wrought by the rise of China as a regional and global actor. Acharya argues in this important book for the crucial importance of regionalism in a different part of the world.