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Presents 260 of the rural South's best stories collected over a twenty year period, with their roots in Anglo-Saxon, African-American, and Native American traditions
Have you ever read a suspense novel so good you had to stop and think to yourself, “How did the author come up with this idea? Their characters? Is some of this story real?” For over five years, Mark Rubinstein, physician, psychiatrist, and mystery and thriller writer, had the chance to ask the most well-known authors in the field just these kinds of questions in interviews for the Huffington Post. Collected here are interviews with forty-seven accomplished authors, including Michael Connelly, Ken Follett, Meg Gardiner, Dennis Lehane, Laura Lippman, and Don Winslow. These are their personal stories in their own words, much of the material never before published. How do these writers’ life experiences color their art? Find out their thoughts, their inspirations, their candid opinions. Learn more about your favorite authors, how they work and who they truly are.
In recent decades, Native American literature has experienced a resurgence in prominence and popularity. Beginning with the 1969 publication of N. Scott Momaday's Pulitzer Prize–winning novel House Made of Dawn, and continuing with the work of Paula Gunn Allen, Linda Hogan, Louise Erdrich, and Craig Lesley, American Indian writers have become an increasingly visible part of the literary landscape. In this collection of thirty varied and powerful short stories, almost all being published here for the first time, emerging talents carry on the tradition of their storytelling ancestors.
How did a Venice Beach T-shirt vendor become television's most successful producer? How did an entrepreneur who started in a garage create the most iconic product launches in business history? How did a timid pastor's son overcome a paralyzing fear of public speaking to captivate sold-out crowds at Yankee Stadium, twice? How did a human rights attorney earn TED's longest standing ovation, and how did a Facebook executive launch a movement to encourage millions of women to "lean in"? They told brilliant stories. In The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch on and Others Don't, keynote speaker, bestselling author, and communication expert Carmine Gallo reveals the keys to telling powerful stories that inspire, motivate, educate, build brands, launch movements, and change lives. The New York Times has called a well-told story "a strategic tool with irresistible power" - the proof lies in the success stories of 50 icons, leaders, and legends featured in The Storyteller's Secret: entrepreneurs like Richard Branson, Sara Blakely, Elon Musk, Steve Jobs, and Sheryl Sandberg; spellbinding speakers like Dr. Martin Luther King, Jr., Bryan Stevenson, and Malala Yousafzai; and business leaders behind famous brands such as Starbucks, Southwest Airlines, Wynn Resorts, Whole Foods, and Pixar. Whether your goal is to educate, fundraise, inspire teams, build an award-winning culture, or to deliver memorable presentations, a story is your most valuable asset and your competitive advantage. In The Storyteller's Secret, Gallo explains why the brain is hardwired to love stories - especially rags-to-riches stories - and how the latest science can help you craft a persuasive narrative that wins hearts and minds. "The art of storytelling can be used to drive change," says billionaire entrepreneur Richard Branson. And since the next decade will see the most change our civilization has ever known, your story will radically transform your business, your life, and the lives of those you touch. Ideas that catch on are wrapped in story. Your story can change the world. Isn't it time you shared yours?
Stories reflect culture, and American stories reflect American culture is Livia Polanyi's provocative thesis in Telling the American Story. Combining linguistic and cultural analyses, Polanyi provides thoughtful insights into many features of conversational stories that have either been put aside or omitted from formal analysis within cognitive science. She also brings to life stories as cultural artifacts in which every evaluation, presupposition, point, perspective, and interpretation is a reflection of popular culture.Examining the structure of autobiographical stories, Polanyi pays close attention to the storyteller's own evaluation of the events he or she is narrating -- why it is being told, and what the audience is to learn by it. This leads to an extended discussion of the ways in which narrative structure is embedded in conversation. Polanyi shows how in negotiating a story and negotiating the point of a story, false starts and repairs can be used to further the narrative.Polanyi then analyzes several personal American stories such as "Fainting on the Subway" and "Eating on the New York Thruway" -- for the propositions they express about American culture and draws these propositions together in a broad compendium, or grammar, of cultural assumptions. These chapters in particular provide perhaps the earliest and best efforts at making explicit the commonsense knowledge that underlies discourse and every other human activity.The book concludes with the creation of "The American story," a text made up of sentences each of which can be seen as a compressed form of a myriad of "real" stories told in American conversation. Livia Polanyi is with Bolt, Beranek and Newman. A Bradford Book.
Guide to becoming a better storyteller, with advice from more than fifty of America's best-known storytellers, who answer questions about such issues as creating original stories, controlling stage fright, marketing and setting fees, and using storytelling in the library and classroom.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life. From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves. With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties. Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.
Whether woven, crocheted, bejewelled, feathered, dyed or painted, wearable art is meant to be animated by the human body. This work presents the work of 60 artists who have combined craft and art with the glamour of haute couture. 170 garments - each the product of intensive labour - are featured.
A provocative scholar delivers the first book on the new science of storytelling: the latest thinking on why we tell stories and what stories reveal about human nature.
Storyteller blends original short stories and poetry influenced by the traditional oral tales that Leslie Marmon Silko heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities. Storyteller illustrates how one can frame collective cultural identity in contemporary literary forms, as well as illuminates the importance of myth, oral tradition, and ritual in Silko's own work.