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In India: A Sacred Geography, renowned Harvard scholar Diana Eck offers an extraordinary spiritual journey through the pilgrimage places of the world's most religiously vibrant culture and reveals that it is, in fact, through these sacred pilgrimages that India’s very sense of nation has emerged. No matter where one goes in India, one will find a landscape in which mountains, rivers, forests, and villages are elaborately linked to the stories of the gods and heroes of Indian culture. Every place in this vast landscape has its story, and conversely, every story of Hindu myth and legend has its place. Likewise, these places are inextricably tied to one another—not simply in the past, but in the present—through the local, regional, and transregional practices of pilgrimage. India: A Sacred Geography tells the story of the pilgrim’s India. In these pages, Diana Eck takes the reader on an extraordinary spiritual journey through the living landscape of this fascinating country –its mountains, rivers, and seacoasts, its ancient and powerful temples and shrines. Seeking to fully understand the sacred places of pilgrimage from the ground up, with their stories, connections and layers of meaning, she acutely examines Hindu religious ideas and narratives and shows how they have been deeply inscribed in the land itself. Ultimately, Eck shows us that from these networks of pilgrimage places, India’s very sense of region and nation has emerged. This is the astonishing and fascinating picture of a land linked for centuries not by the power of kings and governments, but by the footsteps of pilgrims. India: A Sacred Geography offers a unique perspective on India, both as a complex religious culture and as a nation. Based on her extensive knowledge and her many decades of wide-ranging travel and research, Eck's piercing insights and a sweeping grasp of history ensure that this work will be in demand for many years to come.
As in various other cultures, in the Hindu tradition of the Indian Subcontinent construction rituals accompany the construction of a temple, from the moment of choosing the suitable building site, right to the completion of the entire project. Numerous descriptions in Sanskrit texts on ritual and architecture describe in detail these building consecration ceremonies and reflect the importance attached to these rituals. Surprisingly, this topic has so far not received the attention it deserves given its essential role. Basing herself on both the Sanskrit texts, as well as the archaeological finds, Anna A. Ślączka in this thorough study provides readers with a comprehensive view of the three main temple construction rituals in the Hindu tradition of South and Southeast Asia.
John Cort explores the narratives by which the Jains have explained the presence of icons of Jinas (their enlightened and liberated teachers) that are worshiped and venerated in the hundreds of thousands of Jain temples throughout India. Most of these narratives portray icons favorably, and so justify their existence; but there are also narratives originating among iconoclastic Jain communities that see the existence of temple icons as a sign of decay and corruption. The veneration of Jina icons is one of the most widespread of all Jain ritual practices. Nearly every Jain community in India has one or more elaborate temples, and as the Jains become a global community there are now dozens of temples in North America, Europe, Africa, and East Asia. The cult of temples and icons goes back at least two thousand years, and indeed the largest of the four main subdivisions of the Jains are called Murtipujakas, or "Icon Worshipers." A careful reading of narratives ranging over the past 15 centuries, says Cort, reveals a level of anxiety and defensiveness concerning icons, although overt criticism of the icons only became explicit in the last 500 years. He provides detailed studies of the most important pro- and anti-icon narratives. Some are in the form of histories of the origins and spread of icons. Others take the form of cosmological descriptions, depicting a vast universe filled with eternal Jain icons. Finally, Cort looks at more psychological explanations of the presence of icons, in which icons are defended as necessary spiritual corollaries to the very fact of human embodiedness.
The present book throws new light on the gradual development of the concept of Rudra-Siva in his animal, phallic and human forms, since the days of the Harappa Civilization. It examines how Siva, the composite Aryan-non-Aryan Divinity, was not only admitted but was ultimately crowned with an exalted position in the Brahmanical pantheon; how the bull once identified with the deity, was regulated to the position of a vahana; how phallism was related to Saivism and also how Siva, in his different forms, was represented in early Indian Art and the Art of Further India. The wide range and depth of the author's research fills a vital gap in the subject and his treatment of the entire subject is unique. This methodical study on Siva also contains an exhaustive bibliography.
The book, "The History of Medieval India," aims to provide readers with a methodical and comprehensive understanding of Medieval India, aimed specifically for aspirants of competitive examinations across the nation. The content of this book is twofold: 1. Subjective knowledge on a range of events from ancient India, presented in an accessible and concise manner. 2. Multiple-choice questions (MCQs) crafted to reflect the depth and breadth of each topic, aiding candidates in assessment and preparation. Designed with precision, the book aligns with the most recent UPSC syllabus and caters to the requirements of State PSC, SSC, and UPSC examinations. It provides clarity by presenting events in the sequence they occurred, allowing candidates to discern patterns, evolutions, and interrelations. It ensures discipline, enabling efficient study and revision. In essence, this book seeks to simplify the multifaceted journey of Indian history for its readers. With chronology and discipline as its foundational pillars, it offers a streamlined pathway through the diverse phases of India's past. To the aspirants aiming for excellence in their professional examinations, this book is a tool, a guide, and a companion. We trust it will serve you well in your endeavors. Best wishes.
Building Histories offers innovative accounts of five medieval monuments in Delhi—the Red Fort, Rasul Numa Dargah, Jama Masjid, Purana Qila, and the Qutb complex—tracing their modern lives from the nineteenth century into the twentieth. Mrinalini Rajagopalan argues that the modern construction of the history of these monuments entailed the careful selection, manipulation, and regulation of the past by both the colonial and later postcolonial states. Although framed as objective “archival” truths, these histories were meant to erase or marginalize the powerful and persistent affective appropriations of the monuments by groups who often existed outside the center of power. By analyzing these archival and affective histories together, Rajagopalan works to redefine the historic monument—far from a symbol of a specific past, the monument is shown in Building Histories to be a culturally mutable object with multiple stories to tell.
Pherojeshah Mehta, Tej Bahadur Sapru, C. Rajagopalachari, K.M.Munshi, G.V. Mavalankar, Kakasaheb Gadgil, Jagjivan Ram