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Somalis are one of the most chastised Muslim communities in Europe. Depicted in the news as victims of female genital mutilation, perpetrators of gang violence, or more recently, as radical Islamists, Somalis have been cast as a threat to social cohesion, national identity, and security in Britain and beyond. Somali, Muslim, British shifts attention away from these public representations to provide a detailed ethnographic study of Somali Muslim women’s engagements with religion, political discourses, and public culture in the United Kingdom. The book chronicles the aspirations of different generations of Somali women as they respond to publicly charged questions of what it means to be Muslim, Somali, and British. By challenging and reconfiguring the dominant political frameworks in which they are immersed, these women imagine new ways of being in securitized Britain. Giulia Liberatore provides a nuanced account of Islamic piety, arguing that it needs to be understood as one among many forms of striving that individuals pursue throughout their lives. Bringing new perspectives to debates about Islam and multiculturalism in Europe, this book makes an important contribution to the anthropology of religion, subjectivity, and gender.
This volume focuses on a longing projected mostly toward the past (mal d’Afrique) alongside a longing toward the future (afro-optimism), and the different manifestations, shifting meanings, and potential points of contact of these two stances. The volume introduces a new perspective into the discussion of Somalia in Italian Studies. This is an intersectional work of Italian Studies scholarship, whose contributors help re-imagine the field and its relationship to Somalia with their diverse backgrounds, unique insights, and global breadth. The book integrates the current scholarship on Somalia with the most recent theoretical studies on nostalgia, visionary affect, colonial ruins, silenced archives, melancholy, ecology, food and diaspora, classical studies and performativity, storytelling, afro-fabulation and queer literature, media and humanitarianism, and afro optimism. The book will serve as an invaluable reference in multidisciplinary programs such as Global History, Africana Studies, Diaspora Studies, Migration Studies, Peace and Conflict Studies, Integrity and Global Studies, as well as Italian Studies and various core courses. Because of its interdisciplinary discussion of Somalia, the volume will draw the interest of a large readership among scholars, and non-scholars, from different disciplines and geographic affiliation.
The first study of Anglophone and Italian novels by Somali diasporic authors, offering a new critical framework for multilingual and transnational analysis of Somali literature. Building on the latest scholarship about multilingual contexts, diaspora studies and the rapidly expanding field of Italian postcolonial studies, Marco Medugno examines Somali diasporic literature with a comparative perspective. Considering works written in English and Italian, he argues that Somali diasporic authors share similar themes and aesthetics, thus creating an interliterary community within the diaspora space. By using multilingualism as a starting point, Medugno provides significant insights into how Somali national and individual identities are constructed in diasporic, global contexts through geography, style, form, language and the re-writing of national histories emerging out of colonization and independence. Analysing acclaimed Somali novels such as Nuruddin Farah's Links and Crossbones, Igiaba Scego's Adua and Cristina Ali Farah's Little Mother, he questions any definition of 'local' as 'provincial', instead considering it a site for interrogating global concerns. Literature of the Somali Diaspora is organized around three themes: spatiality, language and resistance help to contextualize authors, forced by the decades-long Somali Civil War, to write outside Somalia and in different languages – including Somali, Italian, English, German, Dutch and Arabic – within global literary circuits. Their work thus creates a literature not confined within national borders but an interliterary global community, a transnational and multilingual space in which they share world aesthetic ideologies, challenge and engage with literary traditions in different languages and show an interplay between diverse cultures.
In 2009, the United States was hit broadside by Somali pirates who attempted to capture the U.S. flag ship Maersk Alabama. Suddenly, the pirates were no longer a distant menace. They had thrust themselves onto the American stage. Are the Somali pirates a legion of desperate fisherman attacking cargo ships and ocean cruisers to reclaim their waters? Or is piracy connected to crime networks and the madness that grips Somalia? What threats do pirates pose to international security? To answer these questions, Peter Eichstaedt crisscrosses East Africa, meeting with pirates both in and out of prisons, talking with them about their lives, tactics, and motives. Ultimately, he comes face-to-face with a former fighter with Somalia's brutal Islamic al-Shabaab militia. He discovers that piracy is a symptom of a much deeper problem: Somalia itself. Pirate State explores the links between the pirates, global financiers, and extremists who control southern Somalia and whose influence extends across the Gulf of Aden into Yemen and connects to extremists in Pakistan and Afghanistan. The Somali pirates are desperate and dangerous men who will do just about anything for money, and Pirate State argues that turning a blind eye to piracy and the problems of Somalia is inviting a disaster of horrific proportions.
Critical Realism, Somalia and the Diaspora Community equips new researchers with a simplified knowledge of critical realism suitable to the degree of their comprehension. Moreover, it offers a step by step example of research using all levels of critical realism. This book resulted from the endeavour of a researcher, new to critical realism who, however, sought to apply all parts and phases of critical realism to his subject matter. The book is divided into three parts: Part 1 provides an outline of the three phases of critical realism: original/basic critical realism, dialectical critical realism and the philosophy of metaReality. Part 2 presents a case study that applied critical realism as a research-theory framework. The case study explores the formation of the Somali Community Organisations in the UK and develops a retroductive model that outlines their role in engaging the Somali Diaspora Community with the issue of sustainability. Part 3 presents reflections towards the geo-historical study of Somalia and explains the origins of the civil war and the dispersal that resulted in the formation of Somali Diaspora Communities in different parts of the world. This book will be of interest to Critical Realists, researchers on and in Africa, agencies interested in Somali affairs, researchers on diaspora and refugees, Somali Community Co-ordinators and local council authorities in the UK and Europe.
This collection of essays demonstrates how chronic state failure and the inability of the international community to provide a solution to the conflict in Somalia has had transnational repercussions. Following the failed humanitarian mission in 1992-93, most countries refrained from any direct involvement in Somalia, but this changed in the 2000s with the growth of piracy and links to international terrorist organizations. The deterritorialization of the conflict quickly became apparent as it became transnational in nature. In part because of it lacked a government and was unable to work with the international community, Somalia came to be seen as a "testing-ground" by many international actors. Globalizing Somalia demonstrates how China, Japan, and the EU, among others, have all used the conflict in Somalia to project power, test the bounds of the national constitution, and test their own military capabilities. Contributed by international scholars and experts, the work examines the impact of globalization on the internal and external dynamics of the conflict, arguing that it is no longer geographically contained. By bringing together the many actors and issues involved, the book fills a gap in the literature as one of the most complete works on the conflict in Somalia to date. It will be an essential text to any student interested in Somalia and the horn of Africa, as well as in terrorism, and conflict processes.
An explosive action-packed war drama: four British soldiers are cut off behind enemy lines in British Somaliland and when they decide to utilise a secret arms dump and fight a rearguard action, an unlikely alliance is sought between two local warring tribes. What follows is an amazing mission.
How is it possible for six men to take a Liberian-flagged oil tanker hostage and negotiate a huge pay out for the return of its crew and 2.2 million barrels of crude oil? In his gripping new book, Jatin Dua answers this question by exploring the unprecedented upsurge in maritime piracy off the coast of Somalia in the twenty-first century. Taking the reader inside pirate communities in Somalia, onboard multinational container ships, and within insurance offices in London, Dua connects modern day pirates to longer histories of trade and disputes over protection. In our increasingly technological world, maritime piracy represents not only an interruption, but an attempt to insert oneself within the world of oceanic trade. Captured at Sea moves beyond the binaries of legal and illegal to illustrate how the seas continue to be key sites of global regulation, connectivity, and commerce today.
This suspenseful short story by Abdul Adan (Somalia) explores the lengths one young man will go to prove his worth for the woman he loves. Alongside an interview with the author, this story originally appeared in the anthology "Gambit: Newer African Writing" (The Mantle, 2014).