Download Free Solos For The Clarinet Player Book in PDF and EPUB Free Download. You can read online Solos For The Clarinet Player and write the review.

Contents: Adagio (Wagner) * Adagio from Concerto, K.622 (Mozart) * Adagio (Spohr) * Adagio (Baermann) * Adagio and Allegro (Handel) * Allegro (Albinoni) * Allegro (Bach) * At the Brook (Starokadomsky) * Etude (Baermann) * Fantasy Piece (Schumann) * First Movement from Flute Concerto in D (Vivaldi) * Gavotte (Lully) * Gavotte and Minuet (Stanley) * Intermezzo (Starokadomsky) * Larghetto from Quintet, K.581 (Mozart) * Romance (Stamitz) * Second Movement from Concerto No. 1 in F Minor (Weber) * Second Movement from Concerto Militaire (Baermann) * Sonata in G Major (Marcello) * Tambourin (Gossec) * Valse Triste (Gliere).
This book is the first of a 3-volume series which presents solos for clarinet and piano, with each volume scored at a specific grade level. This volume is intended to be used by the elementary clarinet player in the first year to eighteen months of study. Some of the solos are scored primarily in the chalumeau register, with only brief extensions in the clarion register. Other solos will be more challenging by having more phrases centered in the clarion register. A few works have changes of register within the phrase which will require some extra attention. Alternate fingerings have been suggested in certain passages using the usual symbols. the music has been composed by master composers who lived in the 18th and 19th centuries, and the music has been adapted here for clarinet performance. the music used represents a variety of musical styles, thus giving the player a wide performance experience. Metronome markings have been suggested for each work to give the player a guideline for tempo.
Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.
Contents: Fantasy Piece (Schumann) * First Sonata (Brahms) * Grand Duo Concertant (Weber) * Second Sonata (Brahms) * Sonata (Mendelssohn) * Variations, Op.33 (Weber).
This book is the second of a 3-volume series which presents solos for clarinet and piano, with each volume scored at a specific grade level. This volume is intended to be used by the intermediate clarinet player after the first year to eighteen months of study. the music has been composed by master composers who lived in the 18th and 19th centuries, and the music has been adapted here for clarinet performance. the music used represents a variety of musical styles, thus giving the player a wide performance experience. Metronome markings have been suggested for each work to give the player a guideline for tempo.
Keith Stein was already a phenomenal clarinetist when he attended the very first session of the National Music Camp at Interlochen, Michigan. Stein was then accepted into the Chicago Symphony, and became one of its youngest members. He earned a master of music degree at the University of Michigan, and his teaching career began at Michigan State University and Interlochen, where he remained for the next 41 years until he retired. Within this book, the author makes the player aware of all the many faulty habits he may have acquired, then offers constructive suggestions for remedying each one.
This book is the first of a 3-volume series which presents solos for clarinet and piano, with each volume scored at a specific grade level. This volume is intended to be used by the elementary clarinet player in the first year to eighteen months of study. Some of the solos are scored primarily in the chalumeau register, with only brief extensions in the clarion register. Other solos will be more challenging by having more phrases centered in the clarion register. A few works have changes of register within the phrase which will require some extra attention. Alternatefingerings have been suggested in certain passages using the usual symbols. The music has been composed by master composers who lived in the 18th and 19th centuries, and the music has been adapted here for clarinet performance. The music used represents a variety of musical styles, thus giving the player a wideperformance experience. Metronome markings have been suggested for each work to give the player a guideline for tempo. The piano accompaniment is included in the book and also available as an online download.
Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Titles: * Allegro (Fiocco) * Baroque Suite (Intrada/Allemande/Sarabande/Gavotte/Gigue) (Corelli) * Nickelodeon Rag (Snell) * Siciliano (Vanhal) * Three Legends of Monument Valley (Dawn on Sentinial Mesa/Brigham's Tomb/The Devil's Winds at Window Rock) (Snell)