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Se explica que para la salud humana la satisfacción de "Las Hambres Básicas" de Caricias, Tiempo y Reconocimiento es tan importante como la ingesta de alimentos, oxígeno y agua. Comprenderemos qué son las Endorfinas -la droga de salud, la alegría, el bienestar y el bienhacer. Conoceremos variadas formas de producirlas en nuestro organismo, pero ante todo la que nos proporciona las cinco ganancias más codiciadas: envejecer despacio, mantener un sistema inmunológico invencible, disponer de una gran energía, vivir alegremente, y poder superar cualquier dolor físico o corporal. Esta forma única es la práctica de las Virtudes: Prudencia, Justicia, Fortaleza, Templanza, Fe, Esperanza y Caridad. Queda demostrado que para educar a nuestros hijos en la Virtud, la receta no consiste en "hacer que ellos hagan lo que creemos que ellos deben hacer", ni mucho menos en lograr que "ellos hagan lo que los padres queremos", sino algo muy distinto: que dentro de un "Sistema Incondicional" de Caricias, Tiempo y Reconocimiento, les hagamos vivir la fuerza de nuestro Amor, para que "ellos quieran hacer habitualmente lo que conviene al Bien Común y al Bien Integral" de todos los involucrados en el proceso educativo. Para esto hace falta desarrollar un Liderazgo Transformador: sólo quien se siente amado puede ser educado. Se propone el justo medio entre los dos extremos en pugna: ni moralismo rígido, ni naturalismo hedonista o utilitario, sino del equilibrio entre esos dos extremos. Como estrategias auxiliares se plantea lo que es la Reingeniería de Valores y Virtudes, se analizan las Bases Filosóficas para Jerarquizar los Valores Operantes, Reales; y se propone la sana jerarquía de los Nueve Valores Universales, así como el rechazo de los Contravalores. El libro concluye con una explicación apasionante: ¿Quién Soy Yo? A la vez que se exponen los Fundamentos Filosóficos de la Dignidad de la Persona.
Masterful Argentine arranger/composer/pianist Claudio M'ndez presents ten pieces arranged in a real Tango style.The first collection of tango piano arrangements ever published outside of Argentina.This work is particularly intended for pianists who, although they know their instrument well, are not familiar with the genre.With this book M'ndez has crossed a huge divide of language, poetry and culture to make the true sound of the tango come alive for pianists all over the world. It is a unique collection of tangos arranged in a perfect argentine style appropriate for ballroom as well as concerts and personal enjoyment. These carefully arranged pieces represent well-known tango composers and were chosen because of their musical qualities of artistic expression. Each arrangement recreates the real feeling of tango that is difficult to find in the traditional piano scores often written in the early 20th century style that bears little resemblance to the modern sound. Finally you will find the way to sound as a real tango pianist! The book includes compositions by Villoldo, Gardel, Mores and others. A theory chapter describes the different tango secrets . M'ndez takes you on an amazing journey to the tango piano style. Through his clear explanations and arrangements you will learn what you really need to know about tango in this complete book for the intermediate / advanced player.-------------TANGO THEORY:The book presents a detailed section on tango theory followed by ten amazing examples. This chapter makes this book a comprehensive tango course for pianists really easy to understand: rhythmical patterns, melody variations, and many effects as well as a complete description of the three species of the genre: Tango, Milonga and Tango-Waltz. The aim of this book is to help those academic pianists who are interested in learning the rhythmical and melodic structures of Argentine Tangos. ----------- THE ARRANGEMENTS: This collection contains 10 beautiful and clear arrangements with an unquestionable musical value that will help you to play tango in the proper Argentine Style.Each piece is filled with rhythmic devices, chord placement, baselines, and melodic ornamentation and improvisation as used by the most respected pianists of the tango. When you finish this book, you will have all the technical tools and stylistic vision to interpret the multitude of tango piano scores in el estilo justo .The modern tango piano style comes through in these elegant arrangements. The syncopated tango execution, the melody nuances and articulations are clearly written and make them very accessible for the piano player. These arrangements are a fresh approach to the Tango and an incentive to discover the expressive possibilities of this genre. It is a valuable addition to any piano library. All the texts are presented in Spanish and English. ------------------CONTENTS>Tangos: Cambalache, El Choclo, Tomo y Obligo, Melod?¡a de Arrabal, Gricel, El ?Ültimo Caf?'. Milongas: Corralera, Milonga Triste. Tango-Waltzes: Pedacito de Cielo, Tu Vieja Ventana.---------------------------Visit www.myspace.com/claudiomendezpiano and listen to the arrangements played by Claudio M'ndez himself.
INTERNATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE FINALIST • From the award-winning, internationally bestselling Spanish author of A Heart So White comes an immersive, provocative novel propelled by a seemingly random murder. "Sometimes startling, sometimes hilarious, and always intelligent ... Marías [has] a penetrating empathy."—The New York Times Book Review Each day before work María Dolz stops at the same café. There she finds herself drawn to a couple who is also there every morning. Observing their seemingly perfect life helps her escape the listlessness of her own. But when the man is brutally murdered and María approaches the widow to offer her condolences, what began as mere observation turns into an increasingly complicated entanglement. Invited into the widow's home, she meets—and falls in love with—a man who sheds disturbing new light on the crime. As María recounts this story, we are given a murder mystery brilliantly encased in a metaphysical enquiry, a novel that grapples with questions of love and death, chance and coincidence, and above all, with the slippery essence of the truth and how it is told.
"Ask anything in my name, I will do it." (John 14:14) Charles H. Spurgeon supplies daily deposits of God's promises into the reader's personal bank of faith. He urges the reader to view each Bible promise as a check written by God, which can be cashed by personally endorsing it and receiving the gift it represents!
Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.
'I have nothing to declare,' Wilde once told an American customs official, 'except my genius.' A good part of that genius is evident in the essays and poems included in this volume. There is the intellectual genius of The Soul of Man under Socialism, in which he clearly foresaw the dangers of economic bureaucracy and state-worship: for Wilde socialism meant liberation and individuality, not enslavement. Then there is the emotional genius of De Profundis, the long, introspective and often hostile letter he addressed to Lord Alfred Douglas from prison. And there is the poetical genius of The Ballad of Reading Gaol, in which Wilde's generous nature could movingly express for another's misery the sorrow he found it hard to express for his own. This collection contains, too, many examples of that humorous and epigrammic genius which captured the London theatre and which, by suddenly casting light from an unexpected angle, widened the bounds of truth.