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Intermediate-level alto sax players will enjoy these 17 pieces by Bach, Beethoven, Grieg, Handel, Haydn and others. Piano accompaniment included with a pull-out solo part
Intermediate-level alto sax players will enjoy these 17 pieces by Bach, Beethoven, Grieg, Handel, Haydn and others. Piano accompaniment included with a pull-out solo part.
Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playing and send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds. The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into. The main areas of study in this method are: 1. Sound Concepts 2. Scales & Arpeggios 3. Working with a Metronome 4. How to Structure Your Time A good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up time with the care and precision that a brass player or drummer does, and turn a repetitive routine into a new one which challenges you every day. Contained Inside: Sound Concepts • Articulation Patterns • Full Range Major and Harmonic Minor Scales • Full Range Major and Harmonic Minor Thirds • Full Range Major and Minor Arpeggios • Staggered Major and Minor Arpeggios • Major and Minor Seconds • Full Range Chromatic Scale Exercises • Combining Keys with Both Scales and Arpeggios • Full Range Major and Harmonic Minor Fourths and Wider Intervals
A collection of music from some of the greatest composers transcribed for the E-flat alto saxophone with piano accompaniment. Ranging in difficulty from intermediate to advanced, the pieces are appropriate for recitals and contests. Selections include pieces by Handel, Telemann, J. S. Bach, Corelli, Evaristo Dall'abaco, Johann Ernst Galliard and others, for a total of 11 pieces. Includes piano accompaniment and solo part.
A trusted training method for aspiring and serious players, "The Saxophone Bible" covers tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more.
Easy Classics for Clarinet is part of the Easy Classics series, written to provide beginning to intermediate students with an enjoyable introduction to some of the greatest classical melodies. This book features 16 pieces in clarinet-friendly keys, with piano accompaniment, and a 32-page pull-out part for the flute.All the pieces may be played either as solos or as clarinet duets, with or without piano accompaniment. This book can also be played in ensemble or as duets with the following companion book in this series: Easy Classics for Alto Saxophone, Easy Classics for Tenor Saxophone, Easy Classics for Flute, and Easy Classics for Trumpet.Includes access to online audio tracks of all the piano accompaniments, played both at slower practice tempo and at performance tempo.
Shortlisted for the EuroSEAS Humanities Book Prize 2022 Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz. Minh’s endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.