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Describes the steps musicians take to form a band, including selecting band members, a group name, the music style, and appearance.
The New York Times–bestselling author of The Eagle Has Landed delivers a pulse-pounding story of a father out for revenge against a master assassin. John Mikali is known throughout the world as a brilliant concert pianist and playboy. But his true vocation is far more interesting and lucrative: He is a peerless international assassin. His music and fame give him entrée to complete his assignments all over the world without fail. He believes himself truly untouchable—until he makes one fatal mistake. Col. Asa Morgan is a military man to the bone. A veteran of wars both declared and undeclared, he’s one of the most respected and lethal members of the British SAS, and utterly devoted to his country. But when his daughter is run down and killed by an unknown assassin making his escape, his sworn duty no longer matters. Now, his only mission is to find the killer before the authorities do—and make him suffer as long as possible before death. Morgan and Mikali will stalk each other across continents, from bloody back alleys to gilded halls in a deadly game in which each man is both the hunter and the hunted. And only the winner walks away. Recognized as one of the finest thriller writers of our time, the international bestselling author of the Sean Dillon and Liam Devlin series delivers “unadulterated macho adventure (and) suspense” (Houston Post).
This volume examines the ontology of music groups. It connects two fascinating areas of philosophical research: the ontology of social groups and the philosophy of music. Interest in questions about the nature of music groups is growing. Since people are widely familiar with music groups, the topic is particularly well-suited for introducing issues in social ontology. Being comparably small-scale and temporary, music groups also provide an excellent case study for those who think that social groups are analyzed best by considering small groups. The present volume provides a comprehensive overview of the topic and seeks to establish the ontology of music groups as a distinct field of philosophical research. The chapters, written by leading scholars working on social ontology, revolve around four core themes: The identity of music groups Variations between different kinds of music groups The persistence and longevity of (different kinds of) music groups Various characteristics of music groups, including their rational and emotional aspects, as well as their creative abilities The contributors consider these themes across a wide range of music groups, including popular music groups, rock bands, alternative acts, hip hop crews, choirs and classical orchestras. The Ontology of Music Groups will appeal to scholars and advanced students working in social ontology, metaphysics, and the philosophy of music.
This timely and topical book presents a unique critical exploration of the sociology of single travel and theory of consumption in relation to loneliness and tourism. Logically structured and interdisciplinary in scope, this book introduces disrupting questions around the convergence of the post-modern self in relation to solo travel post-pandemic, with chapters exploring topics such as romantic loneliness, the benefits and drawbacks of single travel in a globalized world, the influence of technology on solo travel and the impact of sex tourism. International case studies and examples are given throughout and the book is richly illustrated and data-led. The volume looks to the future, exploring relevant trends and the development of new products and services in the next few years. This volume is a pivotal resource for students, scholars and academics with an interest in tourism and mobility studies, international relations, development economics, crisis management, sociology and public policy. The book may also be of professional interest to practitioners and policymakers dedicated to tourism sociology and sociology of tourism consumption.
Originally published in 1985, this, at the time, controversial book explores the fundamental changes in personal relationships that had taken place over the previous decade, focusing on women who had deliberately chosen to have children outside a permanent relationship. After travelling widely throughout Britain, the United States and Holland meeting those personally involved, Jean Renvoize discusses why a growing number of women were deciding to become single mothers. She discovers the implications of this for the future of the family and for old-style love and commitment between the sexes. She analyses the position both of the children of these single families and of their mothers. She looks at men’s feelings about being used a ‘stud’ and uncovers the desire of some men to have a family without being financially and emotionally involved with a long-term partner. Importantly, Jean Renvoize places the new style of personal relationship in the context of the advance of the women’s movement. It is clear that ordinary and non-political women’s and men’s lives have been more fundamentally changed by feminism than they may realise. But few of the mothers interviewed by the author are actively feminist: lesbians apart, they all have in common past relationships with men, and would happily settle with the right man could their high expectations be met. Without exception, all those who made the deliberate choice to ‘go solo’ have loving, joyful and rewarding experiences of motherhood. Having a child alone has been fraught with problems for all, but those who have met the challenge have found such great fulfilment that one is faced with an inevitable question: are a woman and her child better off without a man? When so many marriages end in divorce, is a stable unit of two better than a broken unit of three? But also, might those without the motivation of successful ‘solo mothers’ rush thoughtlessly into motherhood – and find themselves exhausted, broke and very unhappy? Presenting in their own words the experiences of those directly involved, this was above all a practical book. It provided welcome and necessary insights into the changing pattern of relationships at the time – for the married and unmarried; for parents and non-parents. Today it can be read and enjoyed in its historical context.
Plant Like Jesus provides spiritual nourishment for planting leaders, innovating pastors, seminary students, and anyone seeking to root their mission work in the practices of Jesus. Author Ben Ingebretson's extensive experience in church planting brings hands-on credibility to this topic. He uses accessible language and real-life examples to encourage and equip those who are called to reach new people for Christ. With each of the 60 devotional readings, Ingebretson proclaims that by looking to the past, leaders can better tend the future. Sourced from the best practices of Jesus and the early Christian movement, Plant Like Jesus addresses missional engagement, ministry development, and effective leadership. Entries include scripture, theological reflection, meditation, and prayer. Questions for reflection invite readers to dig deeper. "Jesus and the way the early church followed his example gives us a pathway to follow," writes Ingebretson. "He is not only the Lord of the church; he is also the Lord of church planting."
Main headings: Part 1. Conceptual issues in the empirical study of mysticism. - Part 2. The measurement of mysticism. - Part 3. The quasi-experimental elicitation of mystical experience. - Part 4. Mysticism, religious orientation, eroticism and death. - Part 5. Triggers and evaluation of mystical experience. - Part 6. The veridical nature of mystical experience. - Epilogue.
While there are many similarities between solo and choral singing, they are not the same discipline, and it is important to realize the different approaches necessary for each. In The Solo Singer in the Choral Setting: A Handbook for Achieving Vocal Health, Olson presents the unique perspective of choral singing from a soloist's viewpoint, providing a clear outline of several issues facing the solo singer in the choral setting. She discusses concepts as diverse as body position in rehearsal and acoustic sound production, and she offers practical ideas for solving these challenges. Teaching examples and case studies help illustrate the problems and offer potential solutions for handling the challenges of the choral environment. After a general overview of vocal technique, the chapters address the physiological, psychological, pedagogical, acoustic, and interpretive issues facing the solo singer in the choral setting. Concepts, such as phonation; resonation and timbre; approaches to diction; voice classification; choral blend; interpreting emotion; relationships among choral conductor, singer, and teacher of singing; and the use of vibrato are examined in detail. Concluding with a conversation with two choral conductors, as well as a glossary, bibliography, and index, this volume is beneficial to singers, teachers, and conductors alike.
This executive report takes you step-by-step through the process of developing integrated delivery systems. You'll learn eleven fundamental building blocks for integration and how to apply these methods to redesign and improve your existing processes and systems.
Til Death explores the conflict that male and females experience in relationships, especially marriage. Part one examines the theological and moral aspects of male/female relationships. Part two is a love story where differing moral values clash and its consequences.