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Hedrick examines London's inner life, primarily as it is revealed in his art, to discover the man concealed beneath the public persona. Although London was wealthy, famous, and one of the last great self-made men in America, Hedrick shows that he was always torn by his troubled relationship to his lower-class origins. He lived in painful awareness of the contradictions between the man's world of the lower classes--at the workplace, on the road, and in prison--and the woman's world of the middle class in which he took refuge. Originally published 1982. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Important American periodical dating back to 1850.
Let the battle for souls begin in Dead Man's Reach, the fourth, stand-alone novel in D.B. Jackson's acclaimed Thieftaker series. Boston, 1770: The city is a powder keg as tensions between would-be rebels and loyalist torries approach a breaking point and one man is willing to light the match that sets everything off to ensure that he has his revenge. The presence of the British Regulars has made thieftaking a hard business to be in and the jobs that are available are reserved for Sephira Pryce. Ethan Kaille has to resort to taking on jobs that he would otherwise pass up, namely protecting the shops of Torries from Patriot mobs. But, when one British loyalist takes things too far and accidentally kills a young boy, even Ethan reconsiders his line of work. Even more troubling is that instances of violence in the city are increasing, and Ethan often finds himself at the center of the trouble. Once Ethan realizes why he is at the center of all the violence, he finds out that some enemies don't stay buried and will stop at nothing to ruin Ethan's life. Even if that means costing the lives of everyone in Boston, including the people that Ethan loves most.
"American Writers focuses on the rich diversity of American novelists
Is class outmoded as a basis for understanding labor history? This collection emphatically answers, "No!" These thirteen essays delve into subjects like migrant labor, religion, ethnicity, agricultural history, and gender. Written by former students of preeminent labor figure and historian David Montgomery, the works advance the argument that class remains indispensable to the study of working Americans and their place in the broad drama of our shared national history.
When Jack London died in 1916 at age forty, he was one of the most famous writers of his time. Eighty years later he remains one of the most widely read American authors in the world. The first major critical study of London to appear in a decade, Male Call analyzes the nature of his appeal by closely examining how the struggling young writer sought to promote himself in his early work as a sympathetic, romantic man of letters whose charismatic masculinity could carry more significance than his words themselves. Jonathan Auerbach shows that London's personal identity was not a basis of his literary success, but rather a consequence of it. Unlike previous studies of London that are driven by the author's biography, Male Call examines how London carefully invented a trademark "self" in order to gain access to a rapidly expanding popular magazine and book market that craved authenticity, celebrity, power, and personality. Auerbach demonstrates that only one fact of London's life truly shaped his art: his passionate desire to become a successful author. Whether imagining himself in stories and novels as a white man on trail in the Yukon, a sled dog, a tramp, or a professor; or engaging questions of manhood and mastery in terms of work, race, politics, class, or sexuality, London created a public persona for the purpose of exploiting the conventions of the publishing world and marketplace. Revising critical commonplaces about both Jack London's work and the meaning of "nature" within literary naturalism and turn-of-the-century ideologies of masculinity, Auerbach's analysis intriguingly complicates our view of London and sheds light on our own postmodern preoccupation with celebrity. Male Call will attract readers with an interest in American studies, American literature, gender studies, and cultural studies.