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Americans today have a love/hate relationship with France, but in How the French Saved America Tom Shachtman shows that without France, there might not be a United States of America. To the rebelling colonies, French assistance made the difference between looming defeat and eventual triumph. Even before the Declaration of Independence was issued, King Louis XVI and French foreign minister Vergennes were aiding the rebels. After the Declaration, that assistance broadened to include wages for our troops; guns, cannon, and ammunition; engineering expertise that enabled victories and prevented defeats; diplomatic recognition; safe havens for privateers; battlefield leadership by veteran officers; and the army and fleet that made possible the Franco-American victory at Yorktown. Nearly ten percent of those who fought and died for the American cause were French. Those who fought and survived, in addition to the well-known Lafayette and Rochambeau, include François de Fleury, who won a Congressional Medal for valor, Louis Duportail, who founded the Army Corps of Engineers, and Admiral de Grasse, whose sea victory sealed the fate of Yorktown. This illuminating narrative history vividly captures the outsize characters of our European brothers, their battlefield and diplomatic bonds and clashes with Americans, and the monumental role they played in America’s fight for independence and democracy.
Prior to this book’s original publication in 1959 little had been done to dispel confusion regarding what really happened to the French Navy during World War II. Few people realized the tragic situation of a country forced to capitulate to a traditional enemy. After this humiliating experience, the Navy, in its attempts to preserve France’s foreign possessions, and to supply the mother country, found itself torn between the conflicting interests of involved internal and international politics. Forced to scuttle part of the fleet at Toulon, the remainder found themselves viewed with wary suspicion by both the Germans and the Allies. That the French Navy was able to survive at all is a minor miracle. That it so well preserved its unanimity as to return to the fight and participate in the final victory is in itself a tribute to the moral, discipline, and traditions that date back to the crusades. The French Navy in World War II is now available in paperback.
Pulitzer Prize Finalist in History Winner of the Journal of the American Revolution 2016 Book of the Year Award At the time the first shots were fired at Lexington and Concord the American colonists had little chance, if any, of militarily defeating the British. The nascent American nation had no navy, little in the way of artillery, and a militia bereft even of gunpowder. In his detailed accounts Larrie Ferreiro shows that without the extensive military and financial support of the French and Spanish, the American cause would never have succeeded. Ferreiro adds to the historical records the names of French and Spanish diplomats, merchants, soldiers, and sailors whose contribution is at last given recognition. Instead of viewing the American Revolution in isolation, Brothers at Arms reveals the birth of the American nation as the centerpiece of an international coalition fighting against a common enemy.
This book gives the reader a straightforward and continuous survey of the history of the French Foreign Legion. By outlining the Legion's vicissitudes, victorious campaigns, epic marches, heroic and sometimes hopeless stands, dirtiest combats and dramatic defeats, but also by briefly placing the Legion back in the historical background of France, and by describing its development, organization, uniforms, equipments and weapons, the author hopes to dispel myths, and try to give a true and accurate picture of what the French Foreign Legion has been from 1831 until today. There are well-researched, detailed line drawings throughout.
A ground-breaking account of the first 24 hours of the D-Day invasion told by a symphony of incredible accounts of unknown and unheralded members of the Allied – and Axis – forces. An epic battle that involved 156,000 men, 7,000 ships and 20,000 armoured vehicles, D-Day was, above all, a tale of individual heroics – of men who were driven to keep fighting until the German defences were smashed and the precarious beachheads secured. This authentic human story – Allied, German, French – has never fully been told. Giles Milton’s bold new history narrates the events of June 6th, 1944 through the tales of survivors from all sides: the teenage Allied conscript, the crack German defender, the French resistance fighter. From the military architects at Supreme Headquarters to the young schoolboy in the Wehrmacht’s bunkers, Soldier, Sailor, Frogman, Spy, Airman, Gangster, Kill or Die lays bare the absolute terror of those trapped in the front line of Operation Overlord. It also gives voice to those who have hitherto remained unheard – the French butcher’s daughter, the Panzer Commander’s wife, the chauffeur to the General Staff. This vast canvas of human bravado reveals “the longest day” as never before – less as a masterpiece of strategic planning than a day on which thousands of scared young men found themselves staring death in the face. It is drawn in its entirety from the raw, unvarnished experiences of those who were there.
The Revolutionary War historian provides “a comprehensive and accessible guide” to the vital influence France had on America’s path to independence (Publishers Weekly). French support for United States independence was both vital and varied, ranging from ideological inspiration to financial and military support. In this study, historian Norman Desmarais offers an in-depth analysis of this crucial relationship, exploring whether America could have won its independence without its first ally. Demarais begins with the contributions of French Enlightenment thinkers who provided the intellectual frameworks for the American and French revolutions. He then covers the many forms of aid provided by France during the Revolutionary War, including the contributions of individual French officers and troops, as well as covert aid provided before the war began. France also provided naval assistance, particularly to the American privateers who harassed British shipping. Detailed accounts drawn from ships’ logs, court and auction records, newspapers, letters, diaries, journals, and pension applications. In a more sweeping analysis, Desmarais explores the international nature of a war which some consider the first world war. When France and Spain entered the conflict, they fought the Crown forces in their respective areas of economic interest. In addition to the engagements in the Atlantic Ocean, along the American and European coasts and in the West Indies, there are accounts of action in India and the East Indies, South America and Africa.
Jim French (b. 1932) first began drawing and then photographing male erotica in the 1960s. Originally a successful fashion illustrator, French and an old army buddy partnered to open a mail order company in New York City they called Luger. French contributed homoerotic drawings of hyper-masculine types such as soldiers, cowboys, and bikers. Eventually he bought out his business partner, and by 1967, under the pseudonym Rip Colt, he founded the now infamous Colt Studio. Producing highly detailed drawings for various Colt Studio books, magazines, and calendars, French turned to the new Polaroid camera to shoot photographs of male models that eventually would serve as research studies. However, despite his great talent with the pencil, as time went on, French ultimately built a formidable reputation for himself as one of the most important photographers of the male form. ClampArt's exhibition features the vintage Polaroid studio 'studies' French shot in the late 1960s. Models can be expensive, and photographing them in many poses during a single studio session proved convenient and more economical to French. But then, before the 1970s there were challenges getting erotic subject matter that was shot on film processed. Going to a public lab, one would face arrest, so artists had to rely on private connections, but the quality could often be poor. Polaroid offered photographers the ability to bypass the lab altogether with pictures ready in just a matter of minutes. To quote Christopher Harrity writing about French's work for The Advocate: 'The Polaroid camera was a boon to the amateur and professional. Polaroid knew that well when it created a sexy white camera called 'the Swinger.'"