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A young aesthete from a privileged Roman family, Alexandro Giuliani, found his charmed existence shattered by the coming of WWI. Highly recommended.
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After the outbreak of the Great War, boys as young as twelve were caught up in a national wave of patriotism and, in huge numbers, volunteered to serve their country. The press, recruiting offices and the Government all contributed to the enlistment of hundreds of thousands of under-age soldiers in both Britain and the Empire. On joining up, these lads falsified their ages, often aided by parents who believed their sons’ obvious youth would make overseas service unlikely. These boys frequently enlisted together, training for a year or more in the same battalions before they were sent abroad. Others joined up but were soon sent to units already fighting overseas and short of men: these lads might undergo as little as eight weeks’ training. Boys served in the bloodiest battles of the war, fighting at Ypres, the Somme and on Gallipoli. Many broke down under the strain and were returned home once parents supplied birth certificates proving their youth. Other lads fought on bravely and were even awarded medals for gallantry: Jack Pouchot won the Distinguished Conduct Medal aged just fifteen. Others became highly efficient officers, such as Acting Captain Philip Lister and Second Lieutenant Reginald Battersby, both of whom were commissioned at fifteen and fought in France. In this, the final update of his ground-breaking book, Richard van Emden reveals new hitherto unknown stories and adds many more unseen images. He also proves that far more boys enlisted in the British Army under-age than originally estimated, providing compelling evidence that as many as 400,000 served.
Death's Men is the classic bestselling story of the First World War as told by the soldiers themselves - reissued for the 2014 Centenary. Millions of British men were involved in the Great War of 1914-1918. But, both during and after the war, the individual voices of the soldiers were lost in the collective picture. Men drew arrows on maps and talked of battles and campaigns, but what it felt like to be in the front line or in a base hospital they did not know. Civilians did not ask and soldiers did not write. Death's Men portrays the humble men who were called on to face the appalling fears and discomforts of the fighting zone. It shows the reality of the First World War through the voices of the men who fought. 'A raw, haunting read that puts you directly into the shoes of the men who rushed to volunteer at the start of the war' Guardian 'An engrossing view of what it was like to live in the trenches, go on leave, get wounded, et cetera, and features voice after voice from the ranks' Telegraph Denis Winter was born in 1940 and read history at Pembroke College, Cambridge. Death's Men was first published in 1978, to critical and popular acclaim. This was followed by his book The First of the Few: Fighter Pilots of the First World War.
This vivid, detailed history of World War I presents the general reader with an accurate and readable account of the campaigns and battles, along with brilliant portraits of the leaders and generals of all countries involved. Scrupulously fair, praising and blaming friend and enemy as circumstances demand, this has become established as the classic account of the first world-wide war.
The first English translation of writings that capture the lives and thoughts of German soldiers fighting in the trenches and on the battlefields of WWI. German Soldiers in the Great War is a vivid selection of firsthand accounts and other wartime documents that shed new light on the experiences of German frontline soldiers during the First World War. It reveals in authentic detail the perceptions and emotions of ordinary soldiers that have been covered up by the smokescreen of official military propaganda about “heroism” and “patriotic sacrifice.” In this essential collection of wartime correspondence, editors Benjamin Ziemann and Bernd Ulrich have gathered more than two hundred mostly archival documents, including letters, military dispatches and orders, extracts from diaries, newspaper articles and booklets, medical reports and photographs. This fascinating primary source material provides the first comprehensive insight into the German frontline experiences of the Great War, available in English for the first time in a translation by Christine Brocks.
How does a democratic government conscript citizens, turn them into soldiers who can fight effectively against a highly trained enemy, and then somehow reward these troops for their service? In Doughboys, the Great War, and the Remaking of America, Jennifer D. Keene argues that the doughboy experience in 1917–18 forged the U.S. Army of the twentieth century and ultimately led to the most sweeping piece of social-welfare legislation in the nation's history—the G.I. Bill. Keene shows how citizen-soldiers established standards of discipline that the army in a sense had to adopt. Even after these troops had returned to civilian life, lessons learned by the army during its first experience with a mass conscripted force continued to influence the military as an institution. The experience of going into uniform and fighting abroad politicized citizen-soldiers, Keene finally argues, in ways she asks us to ponder. She finds that the country and the conscripts—in their view—entered into a certain social compact, one that assured veterans that the federal government owed conscripted soldiers of the twentieth century debts far in excess of the pensions the Grand Army of the Republic had claimed in the late nineteenth century.
In late 2007 and early 2008, world-renowned historians gathered in Kansas City for a series of public forums on World War I. Each of the five events focused on a particular topic and featured spirited dialogue between its prominent participants. In spontaneous exchanges, the eminent scholars probed each other’s arguments, learned from each other, and provided insights not just into history but also into the way scholars think about their subject alongside and at times in conflict with their colleagues. Representing a fourth generation of writers on the Great War and a transnational rather than an international approach, prominent historians Niall Ferguson and Paul Kennedy, Holger Afflerbach and Gary Sheffield, John Horne and Len Smith, John Milton Cooper and Margaret MacMillan, and Jay Winter and Robert Wohl brought to the proceedings an exciting clash of ideas. The forums addressed topics about the Great War that have long fascinated both scholars and the educated public: the origins of the war and the question of who was responsible for the escalation of the July Crisis; the nature of generalship and military command, seen here from the perspectives of a German and a British scholar; the private soldiers’ experiences of combat, revealing their strategies of survival and negotiation; the peace-making process and the overwhelming pressures under which statesmen worked; and the long-term cultural consequences of the war—showing that the Great War was “great” not merely because of its magnitude but also because of its revolutionary effects. These topics continue to reverberate, and in addition to shedding new light on the subjects, these forums constitute a glimpse at how historical writing happens. American society did not suffer the consequences of the Great War that virtually all European countries knew—a lack of perspective that the National World War I Museum seeks to correct. This book celebrates that effort, helping readers feel the excitement and the moral seriousness of historical scholarship in this field and drawing more Americans into considering how their own history is part of this story.
The Great War is a collection of seven original essays and three critical comments by senior scholars dealing with the greatest conflict in modern history to its time - the 1914-18 World War. The Great War is edited by the distinguished historian of the First World War, R.J.Q.Adams.