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Napoleonic armies went into battle dressed in resplendent, brilliant uniforms. None were grander than those worn by Napoleon's own soldiers and the troops of imperial France dazzled Europe with their elegant and colorful turnout. In 1812 Napoleon was at the height of his powers and the uniform regulations issued in that year reflect the empire's power and prestige. Carle Vernet, a leading French military artist, was commissioned to paint the regulations so they could be published and circulated to military tailors. His paintings both reflect the brilliant elegance of the time and show the uniforms that were to be adopted in detail. Uniforms of Napoleon's Army has selected the best of Vernet's elegant images and covers the full range of French Army units: heavy cavalry, light cavalry, line infantry, light infantry, artillery, engineers and support troops. An Introduction charts the evolution of French military uniforms, examines the 1812 regulations in detail and places the images in context. Published for the first time in an accessible format, these brilliant images offer a unique insight into the art of the military tailor during the Napoleonic period.
The author of Waterloo: The Truth at Last “sheds new light on the campaign of 1815 and surely will satisfy all with an interest in the Napoleonic Era” (The Napoleonic Historical Society Newsletter). When Napoleon returned to Paris after exile on the Island of Elba, he appealed to the European heads of state to be allowed to rule France in peace. His appeal was rejected and the Emperor of the French knew he would have to fight to keep his throne. In just eight weeks, Napoleon assembled 128,000 soldiers in the French Army of the North and on 15 June moved into Belgium (then a part of the kingdom of the Netherlands). Before the large Russian and Austrian armies could invade France, Napoleon hoped to defeat two coalition armies, an Anglo-Dutch-Belgian-German force under the Duke of Wellington, and a Prussian army led by Prince von Blücher. He nearly succeeded. Paul Dawson’s examination of the troops who fought at Ligny, Quatre-Bras and Waterloo, is based on thousands of pages of French archival documents and translations. With hundreds of photographs of original artifacts, supplemented with scores of lavish color illustrations, and dozens of paintings by the renowned military artist Keith Rocco, Napoleon’s Waterloo Army is the most comprehensive, and extensive, study ever made of the French field army of 1815, and its uniforms, arms and equipment. “Contains many rare and previously unpublished images in the form of full color drawings and photographs of surviving relics. As with the earlier volumes, this book will appeal to and be enjoyed by a wide readership with special interest for historians, military history enthusiasts, Napoleonic War enthusiasts and re-enactors.” —Firetrench
The mounted troops of the Hapsburg Empire comprised one of the most powerful forces of the Napoleonic Wars. However, from the outset the cavalry's higher command was less capable than its infantry counterpart: appointments were influenced by nepotism and politics, which resulted in commands often being given to those who lacked experience. The cavalry underwent many re-organisations and expansions in the course of the wars that attempted to redress these matters, and to modernise the force as a whole. This title examines these processes and documents in detail the tactics, uniforms and equipment of the Austrian cavalry, covering Cuirassiers, Dragoons, Chevauxlegers, Hussars, Uhlan (lancer) and auxiliary units.
In 1993 The Macmillan Publishing Company set the Napoleonic enthusiast community alight when it produced the major two volume work, Napoleonic Uniforms by John R. Elting, featuring the superb works of the famous illustrator Herbert Knötel. Now, in an unprecedented transatlantic co-operation, Greenhill Books in London and Casemate Publishing in the USA are together bringing these books back into print after some 14 years. This new edition, as before, is sold as a two volume set. In addition, the new edition is presented in a cloth bound slipcase. Pagination and an index have been added, significantly enhancing its reference value. Napoleonic Uniforms is the only reference work of its kind to depict accurately the entire Grande Armée in detail. It portrays the French armies as seen by their contemporaries, and combines authoritative text with lavish illustrations, enabling the reader to experience the spectacle first hand. Napoleonic Uniforms also depicts the various types of soldiers within the various regiments of the Grande Armée - officers, sergeants, color-bearers, bandsmen, drummers and trumpeters, privates and surgeons. In addition the volumes contain material on lesser-known formations such as the Army of Egypt (1798 - 1801), the pre-Revolutionary French Army, and Napoleon's police and internal security organizations. Nine hundred and eighteen original watercolors by Herbert Knötel, an internationally acclaimed authority on military uniforms, with a special talent for depicting men and horses in action, bring the nineteenth-century French soldier to life. Together with the late Colonel John R. Elting's definitive captions, they preserve a significant aspect of this famous era for historians, researchers, teachers, students, model makers, "uniformologists", and the general reader interested in this historical period.
The Napoleonic Wars saw almost two decades of brutal fighting, from the frozen wastelands of Russia to the wilderness of the Peninsula, and from Egypt to the bloody battlefield of Waterloo. Fighting took place on an unprecedented scale across Europe, and over the entire period of the wars Napoleon led his Grand Armée and his allies against almost every European nation, and against varying coalitions. This book provides a comprehensive guide to all the major armies of the Napoleonic Wars, of France, Britain, Austria, Prussia, Russia, Spain and Portugal. Covering the changes experienced by the armies over the period, the author details the organization, infantry, cavalry, and artillery of each. With stunning original artwork of the often glorious uniforms worn into battle, period illustrations of the equipment used, and photographs, this is a beautiful and in-depth study of the armies that fought in the Napoleonic campaigns.
A detailed analysis of the organization, uniforms and weapons of the French Imperial Guard created by Napoleon I. The author describes how this large military body evolved from the Consular Guard created by Bonaparte as early as 1799 and how this came to include dozens of different military units belonging to each branch of service (infantry, cavalry, artillery, specialist corps). The Imperial Guard was a 'miniature army' made up of veteran soldiers, who were dressed with the most spectacular and elegant uniforms ever seen on the battlefields of Europe. The Guard also included several 'exotic' non-French units that are also covered in the text: Egyptian Mamelukes, Polish and Lithuanian lancers, Tatar scouts, Dutch grenadiers and lancers. The way in which Napoleon employed the Guard in battle is discussed and also how it differed from the rest of the French Army in terms of military dress and weaponry.
Here you will find most of the uniforms used during the Napoleonic Wars, between 1789 to1815.My goal was to gather a catalog that can serve as reference material for illustrators, writers, historians or for all those who, like me, are simply interested in World History.