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One of our most enduring national myths surrounds the men and women who fought in the so-called "Good War." The Greatest Generation, we're told by Tom Brokaw and others, fought heroically, then returned to America happy, healthy and well-adjusted. They quickly and cheerfully went on with the business of rebuilding their lives. In this shocking and hauntingly beautiful book, historian Thomas Childers shatters that myth. He interweaves the intimate story of three families--including his own--with a decades' worth of research to paint an entirely new picture of the war's aftermath. Drawing on government documents, interviews, oral histories and diaries, he reveals that 10,000 veterans a month were being diagnosed with psycho-neurotic disorder (now known as PTSD). Alcoholism, homelessness, and unemployment were rampant, leading to a skyrocketing divorce rate. Many veterans bounced back, but their struggle has been lost in a wave of nostalgia that threatens to undermine a new generation of returning soldiers. Novelistic in its telling and impeccably researched, Childers's book is a stark reminder that the price of war is unimaginably high. The consequences are human, not just political, and the toll can stretch across generations.
Soldier from the Wars Returning is one of the truest, most profound and readable personal accounts of the Great War. The author waited nearly fifty years before writing it, and the perspective of history enhances its value. He writes only of the battles in which he participated (including the Somme and Passchendaele), though his comments on affairs beyond his knowledge at the time, through later study and reflection, are pungent and stimulating. Among other topics, he describes the politicians, the generals, Kitchener's Army, Hore-Belisha, German gas attacks, Picardy, dug-outs, tanks, the sex-life of the soldier, scrounging. trench kits and the censoring of letters. The author saw the First World War from below, as a fighting soldier in a line regiment. In the Second World War he served as a staff officer liaising between the Army and the RAF; serving two tours at RAF Bomber Command HQ at High Wycombe. This equipped him to draw forthright comparisons between the conduct of the two wars.
Scarred by memories of World War II, soldier Sam Richardson returns home in 1946 and strives to manage changes in his family, which includes a young son who barely remembers him and a wife with a new sense of independence from her wartime job.
"In Collie in 1929, a murder-suicide took place. The killer was identified as Andrew Straw. Dressed in war uniform and a slouch hat, a hauntingly familiar face stared out at me from the front page of Truth. Andrew Straw bore a striking resemblance to my husband. I had unearthed an unexpected family story." Of the 330,000 Australian men who enlisted and served in World War I, close to 60,000 never returned home. As much as it is important to commemorate the war dead, it is also imperative that we remember the survivors as they moved into peacetime. Of the 32,000 Western Australian men who enlisted, 23,700 returned from the war. These men tried to create a semblance of a civilian life following the traumas of war. War receded from immediate view as these men readjusted to civilian life, but its impacts endured. Many returned with disabilities, mental health problems and a lowered sense of self-worth that led some to take their own lives. This book charts the emergence of Post Traumatic Stress Disorder (PTSD) as a diagnosable condition in an Australian context. In this deeply personal account, historian and writer Leigh Straw seeks a better understanding of what soldiers experienced once the fighting stopped. After the War uses the personal struggles of soldiers and their families to increase public understanding of the legacies of World War I in Western Australia and across the nation. The scars of war-mental and physical-can be lifelong for soldiers who serve their country. This is a story of surviving life after war. [Subject: Military History, History, PTSD, Psychology, WWI, Australian Studies]
Vietnam veterans recount what happened to them upon their return to the U.S.
The Stuff of Soldiers uses everyday objects to tell the story of the Great Patriotic War as never before. Brandon M. Schechter attends to a diverse array of things—from spoons to tanks—to show how a wide array of citizens became soldiers, and how the provisioning of material goods separated soldiers from civilians. Through a fascinating examination of leaflets, proclamations, newspapers, manuals, letters to and from the front, diaries, and interviews, The Stuff of Soldiers reveals how the use of everyday items made it possible to wage war. The dazzling range of documents showcases ethnic diversity, women's particular problems at the front, and vivid descriptions of violence and looting. Each chapter features a series of related objects: weapons, uniforms, rations, and even the knick-knacks in a soldier's rucksack. These objects narrate the experience of people at war, illuminating the changes taking place in Soviet society over the course of the most destructive conflict in recorded history. Schechter argues that spoons, shovels, belts, and watches held as much meaning to the waging of war as guns and tanks. In The Stuff of Soldiers, he describes the transformative potential of material things to create a modern culture, citizen, and soldier during World War II.
Now a Major Motion Picture Directed by American Sniper Writer Jason Hall and Starring Miles Teller No journalist has reckoned with the psychology of war as intimately as David Finkel. In The Good Soldiers, his bestselling account from the front lines of Baghdad, Finkel embedded with the men of the 2-16 Infantry Battalion as they carried out the infamous “surge”. Now, in Thank You for Your Service, Finkel tells the true story of those men as they return home from the front-lines of Baghdad and struggle to reintegrate--both into their family lives and into American society at large. Finkel is with these veterans in their most intimate, painful, and hopeful moments as they try to recover, and in doing so, he creates an indelible, essential portrait of what life after war is like--not just for these soldiers, but for their wives, widows, children, and friends, and for the professionals who are truly trying, and to a great degree failing, to undo the damage that has been done. Thank You for Your Service is an act of understanding, and it offers a more complete picture than we have ever had of two essential questions: When we ask young men and women to go to war, what are we asking of them? And when they return, what are we thanking them for? “Finkel sketches a panoramic view of postwar life....A book that every American should read.” —Jake Tapper, Los Angeles Times Finalist for the National Book Critics Circle Award, the Los Angeles Times Book Prize, and the New York Public Library Helen Bernstein Award for Excellence in Journalism. One of Ten Favorite Books of 2013 by Michiko Kakutani (The New York Times), a Washington Post Top Ten Book of the Year, and a New York Times Book Review Notable Book of the Year
William Newby - Or, The Soldier's Return is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Historians have portrayed British participation in World War I as a series of tragic debacles, with lines of men mown down by machine guns, with untried new military technology, and incompetent generals who threw their troops into improvised and unsuccessful attacks. In this book a renowned military historian studies the evolution of British infantry tactics during the war and challenges this interpretation, showing that while the British army's plans and technologies failed persistently during the improvised first half of the war, the army gradually improved its technique, technology, and, eventually, its' self-assurance. By the time of its successful sustained offensive in the fall of 1918, says Paddy Griffith, the British army was demonstrating a battlefield skill and mobility that would rarely be surpassed even during World War II. Evaluating the great gap that exists between theory and practice, between textbook and bullet-swept mudfield, Griffith argues that many battles were carefully planned to exploit advanced tactics and to avoid casualties, but that breakthrough was simply impossible under the conditions of the time. According to Griffith, the British were already masters of "storm troop tactics" by the end of 1916, and in several important respects were further ahead than the Germans would be even in 1918. In fields such as the timing and orchestration of all-arms assaults, predicted artillery fire, "Commando-style" trench raiding, the use of light machine guns, or the barrage fire of heavy machine guns, the British led the world. Although British generals were not military geniuses, says Griffith, they should at least be credited for effectively inventing much of the twentieth-century's art of war.