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"Concentrating on the militarised borderlands of eastern France, this book examines the disjuncture between the patriotic expectations of elites and the sentiments expressed in folksongs, folktales and popular imagery, in which issues of sexuality, violence and separation took far greater prominence. Hopkin follows the soldier through his life-cycle, from greenhorn recruit to grizzled veteran, to show how the peasant conscript was separated from his previous life and re-educated in military mores (and the response that this transformation elicited from his family and community)."--BOOK JACKET.
"Revolutionary France bequeathed to the modern world the concept of the 'nation-in-arms', a potent brew of nationalism, militarism and republicanism embodied in the figure of the conscript. But it was not a concept shared by those most affected by conscription, the peasantry." "In the popular culture of rural France the soldier was not considered as the representative of the nation but rather of a different way of life. At best soldiers were 'prodigal sons', who spent their lives in debauchery; at worst they belonged to a separate race which had more in common with the nobility than the laborious peasant. These views originated in the ancien regime, but they still found utterance after the Franco-Prussian war." "Concentrating on the militarised borderlands of eastern France, this book examines the disjuncture between the patriotic expectations of elites and the sentiments expressed in folksongs, folktales and popular imagery, in which issues of sexuality, violence and separation took far greater prominence. Hopkin follows the soldier through his life-cycle, from greenhorn recruit to grizzled veteran, to show how the peasant conscript was separated from his previous life and re-educated in military mores (and the response that this transformation elicited from his family and community)."--BOOK JACKET.
The men who fought in Napoleon’s Grande Armée built a new empire that changed the world. Remarkably, the same men raised arms during the French Revolution for liberté, égalité, and fraternité. In just over a decade, these freedom fighters, who had once struggled to overthrow tyrants, rallied to the side of a man who wanted to dominate Europe. What was behind this drastic change of heart? In this ground-breaking study, Michael J. Hughes shows how Napoleonic military culture shaped the motivation of Napoleon’s soldiers. Relying on extensive archival research and blending cultural and military history, Hughes demonstrates that the Napoleonic regime incorporated elements from both the Old Regime and French Revolutionary military culture to craft a new military culture, characterized by loyalty to both Napoleon and the preservation of French hegemony in Europe. Underscoring this new, hybrid military culture were five sources of motivation: honor, patriotism, a martial and virile masculinity, devotion to Napoleon, and coercion. Forging Napoleon's Grande Armée vividly illustrates how this many-pronged culture gave Napoleon’s soldiers reasons to fight.
How did ideas about crime and criminals change in Europe from around 1750 to 1940? How did European states respond to these changes with the development of police and penal institutions? Clive Emsley addresses these questions using recent research on the history of crime and criminal justice in Europe. Exploring the subject chronologically, he addresses the forms of offending, the changing interpretations and understandings of that offending at both elite and popular levels, and how the emerging nation states of the period responded to criminal activity by the development of police forces and the refinement of forms of punishment. The book focuses on the comparative nature in which different states studied each other and their institutions, and the ways in which different reformers exchanged ideas and investigated policing and penal experiments in other countries. It also explores the theoretical issues underpinning recent research, emphasising that the changes in ideas on crime and criminals were neither linear nor circular, and demonstrating clearly that many ideas hailed as new by contemporary politicians and in current debate on crime and its 'solutions', have a very long and illustrious history.
How did ministers, journalists, academics, artists, and subjects in the German lands imagine war during the nineteenth century? The Napoleonic Wars had been the bloodiest in Europe's history, directly affecting millions of Germans, yet their long-term consequences on individuals and on 'politics' are still poorly understood. This study makes sense of contemporaries' memories and histories of the Revolutionary and Napoleonic campaigns within a much wider context of press reportage of wars elsewhere in Europe and overseas, debates about military service and the reform of Germany's armies, revolution and counter-revolution, and individuals' experiences of violence and death in their everyday lives. For the majority of the populations of the German states, wars during an era of conscription were not merely a matter of history and memory; rather, they concerned subjects' hopes, fears, and expectations of the future. This is the second volume of Mark Hewitson's study of the violence of war in the German lands during the nineteenth and twentieth centuries. It investigates the complex relationship between military conflicts and the violent acts of individual soldiers. In particular, it considers the contradictory impact of 'pacification' in civilian life and exposure to increasingly destructive technologies of killing during war-time. This contradiction reached its nineteenth-century apogee during the 'wars of unification', leaving an ambiguous imprint on post-war discussions of military conflict.
This book offers a new perspective on the cultural politics of the Napoleonic Empire by exploring the issue of language within four pivotal institutions - the school, the army, the courtroom and the church. Based on wide-ranging research in archival and published sources, Stewart McCain demonstrates that the Napoleonic State was in reality fractured by disagreements over how best to govern a population characterized by enormous linguistic diversity. Napoleonic officials were not simply cultural imperialists; many acted as culture-brokers, emphasizing their familiarity with the local language to secure employment with the state, and pointing to linguistic and cultural particularism to justify departures from which what others might have considered desirable practice by the regime. This book will be of interest to scholars of the Napoleonic Empire, and of European state-building and nationalisms.
This volume addresses the changing relationships between women and armed forces from antiquity to the present: eight chapters review the existing literature, an extended picture essay visually documents women’s military work, and eight chapters illustrate more restricted topics.
7. Le Cafard: Brutalization, Alienation, and Despair -- 8. Charlie Chaplin's Little Tramp: From the Art of Survival to the Survival of Art -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z
The second volume shines a light on the cultural and social changes that took place during the epoch of European Restorations, when the death of the Napoleonic empire existed as a crucial moment for contemporaries. Expanding the transnational approach of Volume I, the chapters focus on the transmutation of ordinary experiences of war into folklore and popular culture, the emergence of grassroots radical politics and conspiracies on the Left and Right, and the relationship between literacy and religion, with new cases included from Spain, Norway and Russia. A wide-ranging and impressive work, this book completes a collection on the history of the European Restorations.
In every country across Europe, at some point or other during the last five hundred years, cheap printed materials were the staple diet of ordinary people, providing a rich array of entertainment, education, and information. They came in various forms, but were usually variations on the theme of single sheets or simple booklets, and they were carried far and wide in pedlars’ packs and sold in the streets, at fairs and markets and wherever crowds gathered, as well as in backstreet shops. Their content was as broad as can be imagined: news and scandal, crimes and last-dying confessions of murderers, divinations, instructional works, wonder stories, miracles, folktales and legends, love stories, celebrations of national victories and lamentations for the good old days. They were often couched in the form of poetry or song, and included pictures in the form of woodcuts and engravings to add to their appeal. In every country across Europe, governments and local and religious authorities tried at times to suppress or control these cheap printed materials. Sometimes, too, the authorities would adopt the format of cheap print to spread their own moral and conformist messages. The educated elites almost always treated cheap print with disdain, but the people continued to buy these items in their tens of thousands, and the printers knew exactly what they wanted. Neglected and reviled for centuries, cheap print shines a light on the culture and lives of ordinary people. This is the first volume to take a pan-European perspective, with each chapter detailing the experience of a particular country or region, offering the reader the opportunity to progress from the particular to a continent-wide overview. This combination of the ubiquity of the materials and overarching themes with the variations wrought by local circumstances can be summed up in the phrase always the same, but everywhere different.