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Since pre-Columbian times, soldiering has been a traditional life experience for innumerable women in Mexico. Yet the many names given these women warriors—heroines, camp followers, Amazons, coronelas, soldadas, soldaderas, and Adelitas—indicate their ambivalent position within Mexican society. In this original study, Elizabeth Salas explores the changing role of the soldadera, both in reality and as a cultural symbol, from pre-Columbian times up to the present day. Drawing on military archival data, anthropological studies, and oral history interviews, Salas first explores the real roles played by Mexican women in armed conflicts. She finds that most of the functions performed by women easily equate to those performed by revolutionaries and male soldiers in the quartermaster corps and regular ranks. She then turns her attention to the soldadera as a continuing symbol in Mexican and Chicano culture, examining the image of the soldadera in literature, corridos, art, music, and film. Challenging many traditional stereotypes, Salas finds that the fundamental realities of war link all Mexican women, regardless of time period, social class, or nom de guerre.
Abstract: This paper primarily compares and contrasts the experiences of two groups of women that emerged in the national consciousness of Mexico during and after the 1910 Mexican Revolution: the feminists who had begun their work under the dictatorship of Porfirio Diaz, and the soldaderas who acted as camp followers to the revolutionary troops. The soldaderas were an indispensable feature of the military by acting as the unofficial quartermasters for the soldiers, yet they received only the hardships of traveling and sometimes fighting with the military as well as the intense criticism of their role by higher-ranking officers. The fact that they were almost always women of the lower classes intensified derision towards them, due to the atmosphere of class-consciousness that remained in Mexico even after the revolution. The feminists encouraged the revolution in order to forge a place for themselves in the new society, yet condescended to the lower-classes and did not ally with the women that had been soldaderas. Yet the feminists of the postrevolutionary period suffered divisions between them that, along with the intense social criticism they endured, acted as impediments to the progression of their movement up until the end of the 1920's. Because both groups contrasted so strongly, this paper's examination of both the variables that separated the soldaderas and the feminists, and the similarities that mark their experiences as transgressing sexual boundaries, provides a clearer picture of the wide range of female experiences and influences during and after the Mexican Revolution.
Archival photos and Elena Poniatowska tell the story of women soldiers during the Mexican Revolution.
Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico, which celebrates the women of early Texas and Mexico who refused to walk a traditional path. The anthology embraces an expansive definition of the word revolutionary by looking at female role models from decades ago and subversives who continue to stand up for their visions and ideals. Eighteen portraits introduce readers to these rebels by providing glimpses into their lives and places in history. At the heart of the portraits are the women of the Mexican Revolution (1910–1920)⁠—women like the soldaderas who shadowed the Mexican armies, tasked with caring for and treating the wounded troops. Filling in the gaps are iconic godmothers⁠ like the Virgin of Guadalupe and La Malinche whose stories are seamlessly woven into the collective history of Texas and Mexico. Portraits of artists Frida Kahlo and Nahui Olin and activists Emma Tenayuca and Genoveva Morales take readers from postrevolutionary Mexico into the present. Portraits include a biography, an original pen-and-ink illustration, and a historical or literary piece by a contemporary writer who was inspired by their subject’s legacy. Sandra Cisneros, Laura Esquivel, Elena Poniatowska, Carmen Tafolla, and other contributors bring their experience to bear in their pieces, and historian Jennifer Speed’s introduction contextualizes each woman in her cultural-historical moment. A foreword by civil rights activist Dolores Huerta and an afterword by scholar Norma Elia Cantú bookend this powerful celebration of women who revolutionized their worlds.
This study explores the evolving role of women soldiers in Mexico—as both fighters and cultural symbols—from the pre-Columbian era to the present. Since pre-Columbian times, soldiering has been a traditional life experience for innumerable women in Mexico. Yet the many names given these women warriors—heroines, camp followers, Amazons, coronelas, soldadas, soldaderas, and Adelitas—indicate their ambivalent position within Mexican society. In this original study, Elizabeth Salas challenges many traditional stereotypes, shedding new light on the significance of these women. Drawing on military archival data, anthropological studies, and oral history interviews, Salas first explores the real roles played by Mexican women in armed conflicts. She finds that most of the functions performed by women easily equate to those performed by revolutionaries and male soldiers in the quartermaster corps and regular ranks. She then turns her attention to the soldadera as a continuing symbol, examining the image of the soldadera in literature, corridos, art, music, and film. Salas finds that the fundamental realities of war link all Mexican women, regardless of time period, social class, or nom de guerre.
In Patriots, Prostitutes, and Spies, John M. Belohlavek tells the story of women on both sides of the Mexican-American War (1846-48) as they were propelled by the bloody conflict to adopt new roles and expand traditional ones. American women "back home" functioned as anti-war activists, pro-war supporters, and pioneering female journalists. Others moved west and established their own reputations for courage and determination in dusty border towns or bordellos. Women formed a critical component of the popular culture of the period, as trendy theatrical and musical performances drew audiences eager to witness tales of derring-do, while contemporary novels, in tales resplendent with heroism and the promise of love fulfilled, painted a romanticized picture of encounters between Yankee soldiers and fair Mexican senoritas. Belohlavek juxtaposes these romantic dreams with the reality in Mexico, which included sexual assault, women soldaderas marching with men to provide critical supportive services, and the challenges and courage of working women off the battlefield. In all, Belohlavek shows the critical roles played by women, real and imagined, on both sides of this controversial war of American imperial expansion.
"In the pursuit of the modern, the armed forces served as instrument, model, and metaphor for national progress. I examine in this book how the military experience, as representative of the process, failed or fulfilled aspects of the broad national transition towards hegemony and sovereignty. This is the first work combining personnel records and military literature with cultural sources to address the setting of military life for soldiers and their families rather than politics or officers. In connection with nation formation and identity, this book moves away from studies of the army as an institution to broaden understandings of inculcations and the limits and fault lines of building Mexico as a nation. More social and cultural in historical outlook, I examine the creation of political cultures rooted in or derived from the personal experiences of the lower ranks. In doing so, the book removes some of the privileged view that official narratives emphasize in order to explain the making of a bureaucratic institution from the bottom up, and to more clearly describe how this process both encouraged the development of nationalism and limited it in important ways. In this fashion I build on the works of scholars whose focus has centered more on officers, education, and political conflicts"--Introduction.