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Belinda McKeon’s Solace is an extraordinarily accomplished first novel—a story of a father and son thrown together by tragedy; one clinging to the old country and one plunging into the new. Set in an Ireland that catapulted into wealth at the end of the twentieth century and then suffered a swift economic decline, this is a novel about the conflicting values of the old and young generations and the stubborn, heartbreaking habits that mute the language of love. Tom and Mark Casey are a father and son on a collision course, two men who have always struggled to be at ease with each other. Tom is a farmer in the Irish midlands, the descendant of men who have farmed the same land for generations. Mark, his only son, is a doctoral student in Dublin, writing his dissertation on the nineteenth-century novelist Maria Edgeworth, who spent her life on her family’s estate, not far from the Casey farm. To his father, who needs help baling the hay and ploughing the fields, Mark’s academic pursuit is not man’s work at all, the occupation of a schoolboy. Mark’s mother negotiates a fragile peace. Then, at a party in Dublin, Mark meets Joanne Lynch, a lawyer in training whom he finds irresistible. She also happens to be the daughter of a man who once spectacularly wronged Mark’s father, and whose betrayal Tom has remembered every single day for twenty years. After the lightning strike of devastating loss, Tom and Mark are left with grief neither can share or fully acknowledge. Not even the magnitude of their mutual loss can alter the habit of silence. Solace is a beautiful and moving novel by one of the most exciting new writers to emerge from Ireland.
These transcendent, lyrical essays on the West announced Gretel Ehrlich as a major American writer—“Wyoming has found its Whitman” (Annie Dillard). Poet and filmmaker Gretel Ehrlich went to Wyoming in 1975 to make the first in a series of documentaries when her partner died. Ehrlich stayed on and found she couldn’t leave. The Solace of Open Spaces is a chronicle of her first years on “the planet of Wyoming,” a personal journey into a place, a feeling, and a way of life. Ehrlich captures both the otherworldly beauty and cruelty of the natural forces—the harsh wind, bitter cold, and swiftly changing seasons—in the remote reaches of the American West. She brings depth, tenderness, and humor to her portraits of the peculiar souls who also call it home: hermits and ranchers, rodeo cowboys and schoolteachers, dreamers and realists. Together, these essays form an evocative and vibrant tribute to the life Ehrlich chose and the geography she loves. Originally written as journal entries addressed to a friend, The Solace of Open Spaces is raw, meditative, electrifying, and uncommonly wise. In prose “as expansive as a Wyoming vista, as charged as a bolt of prairie lightning,” Ehrlich explores the magical interplay between our interior lives and the world around us (Newsday).
NATIONAL BESTSELLER LONGLISTED FOR THE 2021 BOOKER PRIZE NAMED A BEST BOOK OF THE YEAR BY THE GLOBE AND MAIL, CBC BOOKS AND THE DAILY TELEGRAPH "I've been telling everyone I know about Mary Lawson . . . Each of her novels is just a marvel" —Anne Tyler New York Times bestselling author Mary Lawson, acclaimed for digging into the "wilderness of the human heart", is back after almost a decade with a fresh and timely novel that is different in subject but just as emotional and atmospheric as her beloved earlier work. A Town Called Solace, the brilliant and emotionally radiant new novel from Mary Lawson, her first in nearly a decade, opens on a family in crisis. Sixteen-year-old Rose is missing. Angry and rebellious, she had a row with her mother, stormed out of the house and simply disappeared. Left behind is seven-year-old Clara, Rose’s adoring little sister. Isolated by her parents’ efforts to protect her from the truth, Clara is bewildered and distraught. Her sole comfort is Moses, the cat next door, whom she is looking after for his elderly owner, Mrs. Orchard, who went into hospital weeks ago and has still not returned. Enter Liam Kane, mid-thirties, newly divorced, newly unemployed, newly arrived in this small northern town, who moves into Mrs. Orchard’s house—where, in Clara’s view, he emphatically does not belong. Within a matter of hours he receives a visit from the police. It seems he is suspected of a crime. At the end of her life, Elizabeth Orchard is also thinking about a crime, one committed thirty years previously that had tragic consequences for two families, and in particular for one small child. She desperately wants to make amends before she dies. Told through three distinct, compelling points of view, the novel cuts back and forth among these unforgettable characters to uncover the layers of grief, remorse, and love that connect them. A Town Called Solace is a masterful, suspenseful, darkly funny and deeply humane novel by one of our great storytellers.
Solace is that feeling of calm and comfort, that sense of peace that is all around us when we are open to finding it. Writer and photographer Catherine Drea explores the solace to be found in nature and creativity. She reflects on loss, the cycle of life and the healing power of family and community. She muses on the joy of finding a place to call home, the escape that travel brings and the exhilaration of plunging into our waters – all the while embracing the therapeutic power of observing the ordinary and the everyday. With the passing seasons, her camera captures fleeting moments in nature – the light and lie of the land with its precious wildlife: among them sentinel robins, elusive Irish hares and serene swans. Solace is quite simply a balm for the soul. 'In this beautiful book Catherine Drea explores deeply emotive issues, calms the mind, soothes the soul, and focuses her sensitive lens on the wonders of the natural world.' Alice Taylor, author of To School through the Fields
This book considers the experience of grief, bereavement, and despair from the perspective of our timeless life. While not denying the reality of suffering and anguish in the sphere of mortal life, the book explains why grief and sorrow have no basis for existence in the dimension of the Spirit's light
A contemporary novel with a strong suspense element from Oscar-nominated actress Meg Tilly set on a peaceful island village in the Pacific Northwest. Dumped on the eve of her wedding and looking for a quiet place to lick her emotional wounds, Maggie Harris joins her sister on Solace Island, where she hopes to recover from the stunning betrayal. At first, Maggie resists Eve's impassioned argument about relocating permanently so the sisters can open their own local bakery. What she definitely doesn't need on her road to recovery are Eve's efforts to fix her up with their mysterious and alluring neighbor, Luke Benson--even if he is incredibly handsome and desirable. Just as Maggie starts to get comfortable in her new surroundings, a car tries to run her down in the middle of the street. If it weren't for Luke's extremely quick reflexes, Maggie could have been killed, leading her to wonder just who exactly Luke Benson really is... Luke thought he'd left the violence of the high risk security world behind. But he can't stand by while Maggie's life is threatened. Luke will do anything to keep her safe--even moving Maggie and her sister into his house with its state-of-the-art security features. But with the secrets between them and an unknown threat stalking her heels, Luke will have to think fast to prove to Maggie that she can trust him with her life--and with her heart.
From the acclaimed author of the New York Times bestseller The Mark of the Dragonfly comes another magical and thrilling tale that takes readers on an exciting new adventure. Perfect for fans of Wrinkle in Time! Lina Winterbock lives in the mountain strongholds of Solace. She’s an apprentice to the archivists and should be spending her days with books, but the Iron War has changed everything—it’s too chaotic to study. The strongholds are now a refuge, so instead of learning about how to preserve the objects that mysteriously fall from the sky, she whiles away her time exploring the hidden tunnels and passages of her home. And in one of the forgotten chambers, Lina discovers a secret. Hidden deep in a cavern is a half-buried airship like nothing she has ever seen before. Then she meets Ozben, a mysterious boy who has a secret of his own—a secret that’s so dangerous it could change the course of the Iron War and the world of Solace forever. Praise for Jaleigh Johnson’s The Secrets of Solace ★ “Highly recommended for those who have finished with Harry and are too young for Katniss.” —SLJ, Starred “An engaging world rich in detail, mayhem, and adventure. . . . All aboard for fantasy lovers with a dual penchant for girl power and keeping up with the Indiana Joneses.” —Kirkus Reviews Praise for Jaleigh Johnson’s The Mark of the Dragonfly ★ “This magnetic middle-grade debut . . . [is] a page-turner that defies easy categorization and ought to have broad appeal.” —Publishers Weekly, Starred ★ “Heart, brains, and courage find a home in a steampunk fantasy worthy of a nod from Baum.” —Kirkus Reviews, Starred ★ “A fantastic and original tale of adventure and magic. . . . Piper is a heroine to fall in love with: smart, brave, kind, and mechanically inclined to boot.” —SLJ, Starred
My only goal is to reach Heaven’s shore Where earthly things will bother me no more. I’ll wander those streets paved with gold And meet with prophets from days of old. God will smile and take my hand And lead me through this promised land. Heaven’s the place I want to be, Praising God through all eternity. In a compilation inspired by the word of God and friendship, Elouise Miller Hollenbaugh shares poems intended to comfort or cheer anyone needing to be lifted in their spiritual journey. Within diverse free verse, Hollenbaugh begins by reflecting on the influence of Jesus in Christmas celebrations and exploring Christian beliefs. Included are five-line cinquains and other poems that follow the same inspirational theme while encouraging others to invite the Lord into their lives, shun Satan, practice gratitude with every sunrise, and love everyone despite our differences. Solace is a touching volume of poems inspired by biblical scripture that shares a Christian’s view of the divine and God’s influence on the world around her.
Solace is an individual reflective journal for people who have been experiencing loss. It also can be used as a church small group event. Solace was not designed to move a person through the grief process before they are ready to move to another stage. Rather, Solace was designed for everyone to utilize scripture, reflective journals, and prayers while acknowledging and dealing with their grief. This combination was developed so that each person can design their own spiritual journey and find comfort or consolation in their time of distress or sadness. How deeply each person invests in their personal life story is entirely up to them. Whatever you invest in your journey with grief is what you will receive back.
Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear at first sight to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic, one that unravels at the centre of emotionally challenging works of late twentieth- and twenty-first-century fiction and life-writing. The book understands solace as a generative yet conflicted aspect of style, where microelements of diction, rhythm, and syntax capture consolation's alternating desirability and contestation. With a wide-angle lens on the contemporary scene, David James examines writers who are rarely considered in conversation, including Sonali Deraniyagala, Colson Whitehead, Cormac McCarthy, W.G. Sebald, Doris Lessing, Joan Didion, J. M. Coetzee, Marilynne Robinson, Julian Barnes, Helen Macdonald, Ian McEwan, Colm Tóibín, Kazuo Ishiguro, Denise Riley, and David Grossman. These figures overturn critical suppositions about consolation's kinship with ideological complaisance, superficial mitigation, or dubious distraction, producing unsettling perceptions of solace that shape the formal and political contours of their writing. Through intimate readings of novels and memoirs that explore seemingly indescribable experiences of grief, trauma, remorse, and dread, James demonstrates how they turn consolation into a condition of expressional possibility without ever promising us relief. He also supplies vital traction to current conversations about the stakes of thinking with contemporary writing to scrutinize affirmative structures of feeling, revealing unexpected common ground between the operations of literary consolation and the urgencies of cultural critique. Discrepant Solace makes the close reading of emotion crucial to understanding the work literature does in our precarious present.