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Sheds new light on Native Life appearing at a critical historical juncture, and reflects on how to read it in South Africa’s heightened challenges today. First published in 1916, Sol Plaatje's Native Life in South Africa was written by one of the South Africa's most talented early twentieth-century black leaders and journalists. Plaatje's pioneering book arose out of an early African National Congress campaign to protest against the discriminatory 1913 Natives Land Act. Native Life vividly narrates Plaatje's investigative journeying into South Africa's rural heartlands to report on the effects of the Act and his involvement in the deputation to the British imperial government. At the same time it tells the bigger story of the assault on black rights and opportunities in the newly consolidated Union of South Africa - and the resistance to it. Originally published in war-time London, but about South Africa and its place in the world, Native Life travelled far and wide, being distributed in the United States under the auspices of prominent African-American W E B Du Bois. South African editions were to follow only in the late apartheid period and beyond. The aim of this multi-authored volume is to shed new light on how and why Native Life came into being at a critical historical juncture, and to reflect on how it can be read in relation to South Africa's heightened challenges today. Crucial areas that come under the spotlight in this collection include land, race, history, mobility, belonging, war, the press, law, literature, language, gender, politics, and the state.
"Sol Plaatje's Mhudi is the first full-length novel in English to have been written by a black South African and is widely regarded as one of South Africa's most important literary works. Set in the 1830s, it tells the tale of Mhudi and Ra-Thaga, a romantic story set against a violent backdrop of war between Barolong and Matebele, complicated by the intrusions of Boer trekkers with whom the Barolong form an alliance. It is notable, among other things, for the way Plaatje uses the past to explore the roots of the oppression and injustice suffered by his people a century later, when the book was written"--Page 4 of cover
"Originally published in 2018 by Jacana Media, South Africa."
Native Life in South Africa (1916) is a book by Solomon T. Plaatje. Written while Plaatje was serving as General Secretary of the South African Native National Congress, the work shows the influence of American activist and socialist historian W. E. B. Du Bois, whom Plaatje met and befriended. Using historical analysis and firsthand accounts from native South Africans, Plaatje exposes the cruelty of colonialism and analyzes the significance of the 1913 Natives’ Land Act. “Awaking on Friday morning, June 20, 1913, the South African Native found himself, not actually a slave, but a pariah in the land of his birth.” Native Life in South Africa begins with the passage of the 1913 Natives’ Land Act, which made it illegal for Black South Africans to lease and purchase land outside of government designated reserves. The act, which was the first of many segregation laws passed by the Union Parliament, was devastating to millions of poor South African natives, most of whom relied on leasing land from white farmers to survive.Native Life in South Africa is a classic of South African literature reimagined for modern readers.
South African novelist Sol T Plaatje (1876–1932) was a pioneer in the fight against racism in his country. He labored as a political activist to advance governmental reforms and promote civil rights for oppressed blacks. His Mhudi, penned in 1919–20 but published in 1930, represents the first full-length novel in English by a black South African writer. Today regarded as a classic for its skillful utilization of the African oral narrative and its robust validation of the positive qualities of African customs, the story of Mhudi, the harvester, and her romance with birdman Ra-Thaga is set during the country’s cataclysmic wars of possession of the 1830s. Plaatje’s heroine, Mhudi, is an enduring symbol of resilience of spirit and the belief in a new day.
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
This series honours the lives of southern African leaders who helped shape the history of the region. The books include activities for exploration in the classroom.
A comprehensive selection of Sol Plaatje's writings, including letters to the press, newspaper articles and editorials, pamphlets, political speeches evidence to government commissions of enquiry, unpublished autobiographical writings, and personal letters.
The extended special section in the ninth issue of The Shakespearean International Yearbook investigates the uses to which Shakespeare's work was put in South Africa in the twentieth century. The temporal limit emphasizes how the titanic political and ideological struggles that convulsed South Africa also affected how Shakespeare was studied, interpreted, taught and performed. This issue also includes essays on Henry V; garden scenes in Shakespeare; and all-male productions of As you Like It.