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Kenny Gabriel is three years away from turning sixty, has forty-three quid in the bank and is occasionally employed to find people who would rather not be found. Broke, clientless and depressed, he knows things can't get much worse. Then he's summoned to the office of London media magnate Frank Parr, whose daughter, Harry, is missing--and there's ten grand on the table to get her back. It's a lot of money, and God knows Kenny needs the cash. But he and Frank have a history he'd rather not revisit. Kenny worked for him in the seventies, when Frank was the head of a Soho magazine empire and owner of an infamous nightclub. And Kenny might still be working for Frank now--if he hadn't witnessed his boss brutally torturing another employee. Kenny suspects taking this job is a mistake, and he's probably right. Because while he may be done with the past, the past is far from done with him.
It's the Roaring Twenties. London's bright young things are partying, Soho's nightlife is buzzing and Augusta Peel is hiding in her basement. She has a reason to hide there: it's home to her Bloomsbury workshop where she repairs old, neglected books. After a busy time during the war, all Augusta wants is peace and quiet - even if it is routinely disturbed by the tube trains beneath her feet. But events take a turn when Augusta agrees to chaperone 19-year-old Harriet Jones on a date. Failing to get her home on time, she ends up in a riotous nightclub. She can't imagine the evening getting much worse when the police raid it. But then the murder happens. Who shot Jean Taylor? An old acquaintance at Scotland Yard learns Augusta was near the murder scene and persuades her to help with his investigation. But how can a humble book repairer navigate Soho's world of actresses, gangsters and theatre impresarios to discover the truth?
With his single mother in jail, Sequoyah, a 15-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his unstable upbringing, Sequoyah has spent years mostly keeping to himself, living with his emotions pressed deep below the surface - that is, until he meets 17-year-old Rosemary, another youth staying with the Troutts. Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah's feelings towards Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.
From bestselling author David Downing, master of historical espionage, comes a heart-wrenching depiction of Germany in the days leading up to World War II and the difficult choices of one man of conviction. In April 1938, a man calling himself Josef Hofmann arrives at a boarding house in Hamm, Germany, and lets a room from the widow who owns it. Fifty years later, Walter Gersdorff, the widow’s son, who was eleven years old in the spring of 1938, discovers the carefully hidden diary the boarder had kept during his stay, even though he never should have written any of its contents down. What Walter finds is a chronicle of one the most tumultuous years in German history, narrated by a secret agent on a deadly mission. Josef Hofmann was not the returned Argentinian immigrant he’d said he was—he was a communist spy under Moscow’s command trying to reconnect with remaining members of Germany’s suppressed communist party. Hofmann’s bosses believe the common workers are the only way to stop the German war machine from within. Posing as a railroad man, Hofmann sets out on his game of “Russian roulette,” approaching Hamm’s ex-party members one at a time and delicately feeling out their allegiances. He always knew his mission would most likely end in his death, and he was satisfied to make that sacrifice for the revolution if it could help stop Hitler and his abominable ideology. But as he grows close to the Gersdorffs, accidentally stepping into the role of the father Walter never had, Hofmann begins to wish for another kind of hope in his life.
Gilbert Is Dead is a Victorian scientific mystery play: a clever, funny and moving portrait of grief, faith and science. The plot follows Lucius Trickett, London's most celebrated taxidermist, who finds himself in cahoots with Queen Victoria and our hero Gilbert Shirley, to disprove Darwin's theory of evolution with a stuffed specimen of the mysterious ghost loris. But what happens when the missing link goes missing? Robin French's distinctive, often surrealist voice characterised by historically intelligent, meticulously researched subjects and a precise, quirky sense of irony. Very clever, his writing presents an academic, yet accessible, labyrinth, toying with history, scientific theories and popular beliefs. He manages to experiment with form, style and theatrical metaphor whilst also staying firmly rooted in narratives which are engaging, affecting and provide astute social and human comment. The publication of this programme text edition was published to coincide with the world premiere at Hoxton Music Hall (4-29 December 2009), produced by the theatre company Shining Man.
DigiCat Publishing presents to you this special edition of "A Scream in Soho" by John G. Brandon. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
“The richest mystery here, however, is Florence itself, whose intricate politics and class structure Nabb parses with precision and wit." —Washington Post Book World Summoned by an aged woman to investigate mysterious noises in the vacant flat next to hers, Marshal Guarnaccia discovers a dying Dutch jeweler. The old lady had known him when he was a boy growing up in Florence. Could he have returned to the family home just to commit suicide? Or could the man be the victim of a cunning murderer?
'Entertaining, shocking, uproarious, hilarious . . . like eavesdropping on a wake, as the mourners get gradually more drunk and tell ever more outrageous stories' Sunday Times This is the definitive history of London's most notorious drinking den, the Colony Room Club in Soho. It’s a hair-raising romp through the underbelly of the post-war scene: during its sixty-year history, more romances, more deaths, more horrors and more sex scandals took place in the Colony than anywhere else. Tales from the Colony Room is an oral biography, consisting of previously unpublished and long-lost interviews with the characters who were central to the scene, giving the reader a flavour of what it was like to frequent the Club. With a glass in hand you’ll move through the decades listening to personal reminiscences, opinions and vitriol, from the authentic voices of those who were actually there. On your voyage through Soho’s lost bohemia, you’ll be served a drink by James Bond, sip champagne with Francis Bacon, queue for the loo with Christine Keeler, go racing with Jeffrey Bernard, get laid with Lucian Freud, kill time with Doctor Who, pick a fight with Frank Norman and pass out with Peter Langan. All with a stellar supporting cast including Peter O’Toole, George Melly, Suggs, Lisa Stansfield, Dylan Thomas, Jay Landesman, Sarah Lucas, Damien Hirst and many, many more.
The CWA Gold Dagger Award-winning British espionage novel about disgraced MI5 agents who inadvertently uncover a deadly Cold War-era legacy of sleeper cells and mythic super spies. The disgruntled agents of Slough House, the MI5 branch where washed-up spies are sent to finish their failed careers on desk duty, are called into action to protect a visiting Russian oligarch whom MI5 hopes to recruit to British intelligence. While two agents are dispatched on that babysitting job, though, an old Cold War-era spy named Dickie Bow is found dead, ostensibly of a heart attack, on a bus outside of Oxford, far from his usual haunts. But the head of Slough House, the irascible Jackson Lamb, is convinced Dickie Bow was murdered. As the agents dig into their fallen comrade's circumstances, they uncover a shadowy tangle of ancient Cold War secrets that seem to lead back to a man named Alexander Popov, who is either a Soviet bogeyman or the most dangerous man in the world. How many more people will have to die to keep those secrets buried?
London: City of the Dead is a groundbreaking account of London's dealing with death, covering the afterlife, execution, bodysnatching, murder, fatal disease, spiritualism, bizarre deaths and cemeteries. Taking the reader from Roman London to the 'glorious dead' of the First World War, this is the first systematic look at London's culture of death, with analysis of its customs and superstitions, rituals and representations. The authors of the celebrated London: The Executioner's City (Sutton, 2006) weave their way through the streets of London once again, this time combining some of the capital's most curious features, such as London's Necropolis Railway and Brookwood Cemetery, with the culture of death exposed in the works of great writers such as Dickens. The book captures for the first time a side of the city that has always been every bit as fascinating and colourful as other better known aspects of the metropolis. It shows London in all its moods - serious, comic, tragic and heroic-and celebrates its robust acceptance of the only certainty in life.