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This is a true story about love at first sight, it happened to a middle aged couple who fell in love and became an inspirational partnership which lead to a loving marriage. In their small little exhibition stand and graphic design studio, working hard together, having normal ups and downs like all businesses go through. When down, together their love, comfort and being always together got them over these problems. On the ups, they enjoyed themselves in the fast lane, like a couple of young lovers, kissing cuddling and dancing the night away, never ever parted, their world was wonderful, such happiness, such togetherness, such love. But in November 2008 their whole world changed and became hell.
This work catalogs commercially produced recordings of Negro spirituals composed for solo concert vocalists. More than 5,000 tracks are listed, with entries sourced from a variety of recording formats. The featured recordings enhance the study of concert spiritual performance in studio, concert, worship service or competition settings. Arranged alphabetically, entries variously identify the accompaniment--including chorus, piano, orchestra, guitar, flute, and violin--in concert spiritual recordings. The voice types of soloists are included, as is the level of dialect used by various performers. The composers, publishers and format information are also listed when available. While structured like a discography, this guide extends beyond solely providing historical context and encourages the use of the recordings themselves.
The memoirs and life of Lorraine Halse Vines, 1918 to 2007, including childhood and school days, pre-war England, Germany and America, university and hospital study, the RAAF and Jervis Bay, civilian life, family and career, adventures with husband Bob, final notes by daughter Kathi and funeral service.
THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December,1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 07-12-1933 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 53 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 17-53 VOLUME NUMBER: Vol. VII, No. 24 Document ID: IRT-1933 (J-D)-Vol-02-12
Seán O'Connor was born in Francis Street, in the Liberties of Dublin, a neighbourhood famous over the centuries for the sturdy independence of its people. Now, in this evocative and affectionate book, he recollects the unique and colourful district of his childhood: the neighbours who lived there, their traditions, talk and lore, the music and poetry of the laneways and markets. Remembrances of the 1940s classroom, of bird-watching in Phoenix Park, of roaming towards adolescence in the streets of his ancestors are mingled with tales of ancient ghosts and the coming of change to the Liberties. O'Connor, father of the novelist Joseph, tells his story with honesty, warmth and style, and the often wry wit of his home-place. This tenderly written testament of one Liberties boy builds into a vivid and heart-warming picture of his own extended family as part of a proud community and its all-but-vanished way of life.
A Mistletoe Bride is murdered on Christmas Eve, 1893. Her ghost haunts the family stately home, Willow Manor, until her remains are discovered and the truth revealed. Set in the present day and Victorian England, the tragic young bride can at last share her story and put right the terrible injustice that destroyed her family and those she loved. The city of Oxford’s Randolph Hotel, and the village of Minster Lovell, the site of the stately home, are the locations for this heartwrenching story of deceit, love and betrayal. The Mistletoe Bride, a local legend, was popularised in a poem by Thomas Haynes Bailey in 1884, and then set to music to become the popular song: The Mistletoe Bough!