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The official catalogue for the 2021 New Museum Triennial, a global survey of today's up-and-coming artists. The New Museum's Triennial, curated by Jamilla James and Margot Norton, is a signature survey of emerging artists from around the world. In this moment of profound change, where structures once thought to be stable have been revealed to be precarious, the 2021 Triennial showcases 40 artists and collectives reimagining traditional models, materials, and techniques beyond established institutional paradigms. Their works explore states of transformation, calling attention to the malleability of structures and the fluid and adaptable potential of both technological and organic media.00Exhibition: New Museum, New York, USA (10.07.2021 - 01.23.2022).
Jonathan Schofer offers the first theoretically framed examination of rabbinic ethics in several decades. Centering on one large and influential anthology, The Fathers According to Rabbi Nathan, Jonathan Schofer situates that text within a broader spectrum of rabbinic thought, while at the same time bringing rabbinic thought into dialogue with current scholarship on the self, ethics, theology, and the history of religions. Notable Selection, Jordan Schnitzer Book Award for Philosophy and Jewish Thought, Association for Jewish Studies
Architecture is an inward looking discipline. Its history conveys the norms of the discipline to an audience composed mostly of architects, who are familiar with the work of their predecessors-from whom they learnt, or for whom they worked. As such, architecture singularises the multiple processes through which space is produced, excluding difference in the pursuit of coherent narratives to sustain its authority, and does so mainly through the figure of the architect. For a long time now, critics have shown how that figure is principally male. However, little has been said about the fact that the figure of the architect is also white; a racial classification that refers not only to epidermal characteristics, but to their national origin, education, and in most cases their class affiliation.
Milton Avery chronicles the work of an artist who, although he did not become a serious, full-time painter until after he moved to New York at the age of 40, managed to carve out a unique position for himself in the art world over the next thirty-five years. A friend and colleague of the Abstract Expressionists who nevertheless maintained his commitment to representation, Avery was enormously important to several succeeding generations of artists and produced some of the most resonant and beloved images in American art history. Avery's work reflects the concerns he shared with the pioneer French modernists including Matisse, Dufy, and Picasso: saturated colour in distinctly new combinations and an interest in retaining the two-dimensional character of the canvas. The combination allowed him to create a distinctly American brand of modernism. AUTHOR: Robert Hobbs is an art historian who has taught at Yale and Cornell Universities. He is also the author of monographs on Robert Smithson and Edward Hopper. Hilton Kramer is a former critic of The New York Observer and former chief art critic of The New York Times. SELLING POINTS: The highly anticipated reprint of the artist's monograph that is still is considered the most comprehensive presentation of Avery's work Included are many unfamiliar pieces, in oversize colour plates that range in date from the early 1920s to 1963 A detailed chronology of the artist's life is included and rounding out the volume are essays that explore Avery's career in detail, from the importance of Avery's wife Sally Michel, to the interaction--personal, artistic, and political--between him and his Abstract Expressionist colleagues 120 colour & 38 b/w illustrations