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This volume of collected articles is the first to focus exclusively on the history of homosexuality in the Portuguese-speaking world. Of the thirteen studies included, nine make available for the first time in English the work of eminent Luso-Brazilian historians, including no less than three by the preeminent researcher in the field, Professor Luiz Mott of the Federal University of Bahia. Two others analyze in detail the first novels, The Baron of Lavos in Portugal and Bom-Crioulo in Brazil--both written in the 1890s--that portray a homosexual relationship in a frankly realistic way. The collection should serve as essential reading for courses in Portuguese and Brazilian social history.
Forbidden Desire is a pioneering study of the history of male-male sex in the whole of Early Modern Europe, including the European colonies and the Ottoman world.
The Southern Low Countries were among Europe’s core regions for the repression of sodomy during the late medieval period. As the first comprehensive study on sodomy in the Southern Low Countries, this book charts the prosecution of sodomy in some of the region’s leading cities, such as Bruges, Ghent and Antwerp, from 1400 to 1700 and explains the reasons behind local differences and variations in the intensity of prosecution over time. Through a critical examination of a range of sources, this study also considers how the urban fabric perceived sodomy and provides a broader interpretive framework for its meaning within the local culture.
Looking at the experiences of women in early modern Portugal in the context of crime and forgiveness, this study demonstrates the extent to which judicial and quasi-judicial records can be used to examine the implications of crime in women’s lives, whether as victims or culprits. The foundational basis for this study is two sets of manuscript sources that highlight two distinct yet connected experiences of women as participants in the criminal process. One consists of a collection of archival documents from the first half of the seventeenth century, a corpus called 'querelas,' in which formal accusations of criminal acts were registered. This is a rich source of information not only about the types of crimes reported, but also the process that plaintiffs had to follow to deal with their cases. The second primary source consists of a sampling of documents known as the ’perdão de parte.’ The term refers to the victim’s pardon, unique to the Iberian Peninsula, which allowed individuals implicated in serious conflicts to have a voice in the judicial process. By looking at a sample of these pardons, found in notary collections from the sixteenth and seventeenth centuries, Abreu-Ferreira is able to show the extent to which women exercised their agency in a legal process that was otherwise male-dominated.
On February 20, 1665, the Inquisition of Lisbon arrested Maria de Macedo, the wife of a midlevel official of the Portuguese Treasury, after she revealed during a deposition that, since she was ten years old, an enchanted Moor had frequently "taken" her to a magical castle in the legendary land of wonders known as the Hidden Isle. The island paradise was also the home of Sebastian, the former king of Portugal (1557--1578), who had died in battle in Morocco while on crusade in 1578. His body remained undiscovered, however, and many people in seventeenth-century Portugal -- including Maria -- eagerly awaited his return in glory. In Judging Maria de Macedo, Bryan Givens offers a microhistorical examination of Maria's trial before the Inquisition in Lisbon in 1665--1666, providing an intriguing glimpse into Portuguese culture at the time. Maria's trial record includes a unique piece of evidence: a pamphlet she dictated to her husband fifteen years before her arrest. In the pamphlet, reproduced in its entirety in the book, Maria recounts in considerable detail her "journeys" to the Hidden Isle and her discussions with the people there, King Sebastian in particular. Not all of the components of Maria's vision were messianic in nature or even Christian in origin; her beliefs therefore represent a unique synthesis of disparate cultural elements in play in seventeenth-century Portugal. Because the pamphlet antedates the Inquisition's involvement in Maria's case, it offers a rare example of a non-elite voice preserved without any mediation from an elite institution such as the Inquisition, as is the case with most early modern judicial records. In addition to analyzing Maria de Macedo's vision, Givens also uses the trial record to gain insight into the values, concerns, and motives of the Inquisitors in their judgment of her unusual case. He thus not only examines separately two important subcultures in early modern Portugal, but also analyzes how they interacted with each other. Introducing a unique feminine voice from the early modern period, Judging Maria de Macedo opens a singular window onto seventeenth-century Portuguese culture.
On August 4, 1578, in an ill-conceived attempt to wrest Morocco back from the hands of the infidel Moors, King Sebastian of Portugal led his troops to slaughter and was himself slain. Sixteen years later, King Sebastian rose again. In one of the most famous of European impostures, Gabriel de Espinosa, an ex-soldier and baker by trade—and most likely under the guidance of a distinguished Portuguese friar—appeared in a Spanish convent town passing himself off as the lost monarch. The principals, along with a large cast of nuns, monks, and servants, were confined and questioned for nearly a year as a crew of judges tried to unravel the story, but the culprits went to their deaths with many questions left unanswered. Ruth MacKay recalls this conspiracy, marked both by scheming and absurdity, and the legal inquest that followed, to show how stories of this kind are conceived, told, circulated, and believed. She reveals how the story of Sebastian, supposedly in hiding and planning to return to claim his crown, was lodged among other familiar stories: prophecies of returned leaders, nuns kept against their will, kidnappings by Moors, miraculous escapes, and monarchs who die for their country. As MacKay demonstrates, the conspiracy could not have succeeded without the circulation of news, the retellings of the fatal battle in well-read chronicles, and the networks of rumors and correspondents, all sharing the hope or belief that Sebastian had survived and would one day return. With its royal intrigues, ambitious artisans, dissatisfied religious women, and corrupt clergy, The Baker Who Pretended to Be King of Portugal will undoubtedly captivate readers as it sheds new light on the intricate political and cultural relations between Spain and Portugal in the early modern period and the often elusive nature of historical truth.
From the sixteenth to the eighteenth centuries, the Spanish and Portuguese Inquisitions conducted a number of trials against individuals accused by members of their communities of being of the other gender – men accused of being women and women accused of being men – or even hermaphrodites. Using new inquisitorial sources, this study examines the complexities revolving around transgenderism and the construction of gender identity in the early modern Iberian World. It throws light upon the manner in which the Inquisition, medical practitioners and the wider society in Spain and Portugal responded to transgenderism and on the self-perception of individuals whose behaviour, whether consciously or unconsciously, flouted these social and sexual conventions.
Explores the strategies that displaced scholars cultivated to navigate the murky waters of Late Renaissance politics.
Connexions investigates the ways in which race and sex intersect, overlap, and inform each other in United States history. An expert team of editors curates thought-provoking articles that explore how to view the American past through the lens of race and sexuality studies. Chapters range from the prerevolutionary era to today to grapple with an array of captivating issues: how descriptions of bodies shaped colonial Americans' understandings of race and sex; same-sex sexual desire and violence within slavery; whiteness in gay and lesbian history; college women's agitation against heterosexual norms in the 1940s and 1950s; the ways society used sexualized bodies to sculpt ideas of race and racial beauty; how Mexican silent film icon Ramon Navarro masked his homosexuality with his racial identity; and sexual representation in mid-twentieth-century black print pop culture. The result is both an enlightening foray into ignored areas and an elucidation of new perspectives that challenge us to reevaluate what we "know" of our own history. Contributors: Sharon Block, Susan K. Cahn, Stephanie M. H. Camp, J. B. Carter, Ernesto Chávez, Brian Connolly, Jim Downs, Marisa J. Fuentes, Leisa D. Meyer, Wanda S. Pillow, Marc Stein, and Deborah Gray White.
Judging Faith, Punishing Sin breaks new ground by offering the first comparative treatment of Catholic inquisitions and Calvinist consistories, offering scholars a new framework for analysing religious reform and social discipline in the great Christian age of reformation. Global in scope, both institutions played critical roles in prosecuting deviance, implementing religious uniformity, and promoting moral discipline in the social upheaval of the Reformation. Rooted in local archives and addressing specific themes, the essays survey the state of scholarship and chart directions for future inquiry and, taken as a whole, demonstrate the unique convergence of penitential practice, legal innovation, church authority, and state power, and how these forces transformed Christianity. Bringing together leading scholars across four continents, this volume is an invaluable contribution to our understanding of religion in the early modern world. University students and scholars alike will appreciate its clear introduction to scholarly debates and cutting edge scholarship.