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When Sociological Impressionism was first published in 1981, it was the first comprehensive study on Simmel’s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel’s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a formal sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.
When "Sociological Impressionism" was first published in 1981, it was the first comprehensive study on Simmel s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a "formal "sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.
Contemporary sociology increasingly seems to be adopting a perspective similar to that on which Georg Simmel's analysis and interpretations rested. To a significant degree, therefore, sociologists continue to turn to Simmel for a basic understanding of the forms and processes of social life. Nicholas Spykman's The Social Theory of Georg Simmel, originally published in 1925, was the first comprehensive account of Simmel's ideas. It remains a most valuable summary of the major elements of his thought.Spykman wrote this study for a specific purpose: to indicate Simmel's conception of the relations between different fields of theoretic inquiry into socio-historical actuality; to make Simmel's contributions to the methodology of the social sciences understood; and to illustrate Simmel's conception of sociology as a science. He shows that Simmel was primarily a social philosopher interested in a functional understanding of socio-historical realities, art and economic values, morals and aesthetics, religion, and the function of money. Spykman identifies three major phases in the development of Simmel's thought: the first is primarily occupied with methodology and the presuppositions of the social sciences; during the second he wrote several essays containing philosophic interpretations of modern civilization; and the third culminated in his metaphysics of culture.The Social Theory of Georg Simmel, graced with a new introduction by David Frisby, one of the foremost contemporary Simmel experts, is an outstandingly organized, coherent presentation of the complex and subtle ideas of one of the intellectual giants of modern sociology.
When Sociological Impressionism was first published in 1981, it was the first comprehensive study on Simmel’s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel’s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a formal sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.
This collection brings together the essential secondary literature on Simmel. Selected and edited by David Frisby - a scholar who has perhaps done more than anyone to rehabilitate Simmel's reputation. Both a consise and comprehensive work.
The authors are proud sponsors of the SAGE Keith Roberts Teaching Innovations Award—enabling graduate students and early career faculty to attend the annual ASA pre-conference teaching and learning workshop. Sociological Theory gives readers a comprehensive overview of the major theorists and schools of sociological thought, from sociology′s 19th century origins through the early 21st century. Written by an author team that includes one of the leading contemporary thinkers, the text integrates key theories with biographical sketches of theorists, placing them in historical and intellectual context. The Eleventh Edition includes examples of premodern sociological theory from Islamic scholar Ibn Khaldun, Harriet Martineau’s feminist writings contextualized within the history of sociological thought, discussions of actor-network theory through Donna Haraway’s work on cyborgs and companion species, illustrations of historical comparative sociology with Saskia Sassen’s concepts of the global city and expulsions, and more ways to help students to understand sociology’s major theories. Included with this title: The password-protected Instructor Resource Site (formally known as SAGE Edge) offers access to all text-specific resources, including a test bank and editable, chapter-specific PowerPoint® slides.
"This book is a first of its kind: an edited collection bringing the finest of Georg Simmel's writing on art and aesthetics together, and bringing many of these essays into English for the first time. Simmel is considered one of the founding fathers of modern sociology but he, like his contemporary Walter Benjamin, wrote about many aspects of life and culture. Simmel's intellectual contributions have long been recognized and he is a keystone in cultural theory of the early 20th century. The essays in this collection are gathered topically and show the wide range of Simmel's thinking even within the arts: aesthetics, landscape, theater, sculpture, literature, and more. Austin Harrington is the brilliant guide behind this substantial volume. He served as editor and translator and also wrote an introduction. Richly informative and thoroughly familiar with Simmel's life and work, Harrington's introduction will itself be an important contribution to the scholarship on Simmel"--