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Summary: In this first-person account, Todd Ramón Ochoa explores Palo, a poorly-understood Kongo-inspired 'society of afflication' at the margins of Cuban popular religion. Narrated as an encounter with two teachers of Palo, the book unfolds on the outskirts of Havana.
A girl accepts a mysterious invitation to play a deadly game in this suspense-filled thriller from the author of HEXED--perfect for fans of NERVE by Jeanne Ryan and Lauren Oliver's PANIC. You are cordially invited to participate in a game of thrills and dares. Tell no one. And come alone. Hope is sick of everyone treating her like she’s breakable. Sure, she has cystic fibrosis (basically really bad lungs), but she’s tired of being babied by her mom and her overprotective best friend, Ethan, not to mention worrying about paying for her expensive medication and how she’s going to afford college.And she’s bored with life in her run-down New Orleans suburb. When an invitation arrives from a mysterious group that calls itself the Society, Hope jumps at the chance for some excitement. This could be her ticket out. All she has to do is complete a few dares and she just might win some real money. But the Society isn’t all that it seems . . . and soon Hope finds that playing the game isn’t a choice—it’s a requirement. “Dark, twisty, and thrilling.” —Danielle Paige, New York Times bestselling author of Dorothy Must Die “A delicious and fast-paced read! This one kept me up way past my bedtime!” —Julie Murphy, #1 New York Times bestselling author of Dumplin’ A YALSA Quick Pick for Reluctant Readers
This tale of exploration and adventure is a warm account of the people and places around the waters of Southern Massachusetts.
Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s—and his broader effort to understand Okinawans’ critical and creative struggles—was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps. Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old.
From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.
Newly widowed Pauline Cook was once the toast of the Windy City elite—but now she's practically broke. At least she's in better shape than her dear departed friend Ethan Campbell, whose corpse Pauline has had the misfortune to discover. A writer who chronicled the lives, loves, and ensembles of the Gold Coast's most elegant ladies, Ethan apparently took his own life—while inelegantly clad in old boxers, no less. And since no relatives are coming forward to claim Ethan's remains, it falls to Pauline to settle his final affairs . . . with her own dwindling funds. However, there are things about Ethan's suicide that don't seem to add up: the ratty undergarments he "chose" to die in, for example . . . and the multiple birth certificates the police turn up in his apartment. Before she can truly lay her friend to rest, plucky Pauline's determined to get to the bottom of his increasingly suspicious death.
In The Dead Sociologists Society, Mark Stobbe manages to attend a meeting of the Dead Sociologists Society where he learns that the magical struggle between Harry Potter and Lord Voldemort really happened. The Harry Potter series was implanted in the mind of J.K. Rowling in order to disguise the turbulent events as fiction. What follows is a brilliant imagining of what the ghosts of famous dead sociologists would make of the elaborate magical world. From the perspective of thinkers, such as Max Weber, Karl Marx, Georg Simmel, Pitirim Sorokin, W.E.B. DuBois, and Emile Durkheim, Stobbe examines questions such as: • Were the secret societies of the Order of the Phoenix and the Death Eaters really that different? • Why was Hermione Granger's attempt to free house-elves from slavery so unsuccessful? • How was stigma handled in the magical world? In addition to chapters written from the perspective of one sociologist, the book contains two panel discussions. In the first, Karl Marx and Max Weber debate the reasons for the technological backwardness of the magical world. In the second, six famous dead criminologists give different explanations for why Tom Riddle became the notorious Lord Voldemort. The Dead Sociologists Society is an entertaining compendium of sociological analyses of the Harry Potter series. Perhaps more importantly, this book offers a serious and insightful journey through classical sociological thought. It is an ideal text for high school and university sociology students.
Exchanges are fundamental to human societies. The authors show that the study of exchanges not only serves as a key to understanding particular societies as totalities but also helps to frame a comparative mode of analysis expressed in terms of a hierarchy of values. Starting with a comparative analysis of the different vocabularies used when dealing with exchange, the authors go on to provide a detailed account of how each society's exchanges form a genuine value-oriented system. Their conclusions shed light on important issues in anthropology such as the difference between subject and object; the construction of the person in the matrix of social relations; and the contrast between 'socio-cosmic' systems and other societies which recognize a universal term of reference beyond their community.
The dead of Paris, before the French Revolution, were most often consigned to mass graveyards that contemporaries described as terrible and terrifying, emitting "putrid miasmas" that were a threat to both health and dignity. In a book that is at once wonderfully macabre and exceptionally informative, Erin-Marie Legacey explores how a new burial culture emerged in Paris as a result of both revolutionary fervor and public health concerns, resulting in the construction of park-like cemeteries on the outskirts of the city and a vast underground ossuary. Making Space for the Dead describes how revolutionaries placed the dead at the center of their republican project of radical reinvention of French society and envisioned a future where graveyards would do more than safely contain human remains; they would serve to educate and inspire the living. Legacey unearths the unexpectedly lively process by which burial sites were reimagined, built, and used, focusing on three of the most important of these new spaces: the Paris Catacombs, Père Lachaise cemetery, and the short-lived Museum of French Monuments. By situating discussions of death and memory in the nation's broader cultural and political context, as well as highlighting how ordinary Parisians understood and experienced these sites, she shows how the treatment of the dead became central to the reconstruction of Parisian society after the Revolution.
Todd Anderson and his friends at Welton Academy can hardly believe how different life is since their new English professor, the flamboyant John Keating, has challenged them to "make your lives extraordinary! Inspired by Keating, the boys resurrect the Dead Poets Society--a secret club where, free from the constraints and expectations of school and parents, they let their passions run wild. As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams? But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?