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A New York Times Notable Book of 2021 “The kind of book for which the word “rollicking” was invented.”—New York Times Book Review A prim and proper lady thief must save her aunt from a crazed pirate and his dangerously charming henchman in this fantastical historical romance. Cecilia Bassingwaite is the ideal Victorian lady. She's also a thief. Like the other members of the Wisteria Society crime sorority, she flies around England drinking tea, blackmailing friends, and acquiring treasure by interesting means. Sure, she has a dark and traumatic past and an overbearing aunt, but all things considered, it's a pleasant existence. Until the men show up. Ned Lightbourne is a sometimes assassin who is smitten with Cecilia from the moment they meet. Unfortunately, that happens to be while he's under direct orders to kill her. His employer, Captain Morvath, who possesses a gothic abbey bristling with cannons and an unbridled hate for the world, intends to rid England of all its presumptuous women, starting with the Wisteria Society. Ned has plans of his own. But both men have made one grave mistake. Never underestimate a woman. When Morvath imperils the Wisteria Society, Cecilia is forced to team up with her handsome would-be assassin to save the women who raised her--hopefully proving, once and for all, that she's as much of a scoundrel as the rest of them.
Manda Zand Ervin fearlessly records the long history of struggle against clerical domination in which the women of Iran have been engaged for centuries. Rooted in the proud history of ancient Persia, the Ladies' Secret Society is the progenitor of the women of today who are enduring 25-year prison sentences for removing their hijabs in public.
In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.
The cities of Saudi Arabia are among the most gender segregated in the world. In recent years the Saudi government has felt increasing international pressure to offer greater roles for women in society. Implicit in these calls for reform, however, is an assumption that the only "real" society is male society. Little consideration has been given to the rapidly evolving activities within women's spaces. This book joins young urban women in their daily lives—in the workplace, on the female university campus, at the mall—to show how these women are transforming Saudi cities from within and creating their own urban, professional, consumerist lifestyles. As young Saudi women are emerging as an increasingly visible social group, they are shaping new social norms. Their shared urban spaces offer women the opportunity to shed certain constraints and imagine themselves in new roles. But to feel included in this peer group, women must adhere to new constraints: to be sophisticated, fashionable, feminine, and modern. The position of "other" women—poor, rural, or non-Saudi women—is increasingly marginalized. While young urban women may embody the image of a "reformed" Saudi nation, the reform project ultimately remains incomplete, drawing new hierarchies and lines of exclusion among women.
Miss Elizabeth Knight received an unexpected legacy upon her uncle’s death: a collection of occult books. When one of the books begins talking to her, she discovers an entire world of female occultist history opened to her—a legacy the Royal Occult Society had purposely hidden from the world. However, the magic allowing the book to speak to Miss Knight is fading and she must gather a group of female acquaintances of various talents. Together, they’ll need to work to overcome social pressures, ambitious men, and tyrannical parents, all to bring Mrs. Egerton, the book ghost, back.
From the bestselling author of The Ballroom Café and The Judge's Wife comes a new story of friendship, resilience and compassion, and how women support each other through the most difficult times. Connie Carter has lost everyone and everything dear to her. Leaving her home in New York, she moves to a run-down Irish mansion, hoping to heal her shattered heart and in search of answers: how could her husband do the terrible things he did? And why did he plough all their money into the dilapidated Ludlow Hall before he died, without ever telling her? At first Connie tries to avoid the villagers, until she meets local women Eve and Hetty who introduce her to the Ludlow Ladies' Society, a crafts group in need of a permanent home. Connie soon discovers Eve is also struggling with pain and the loss of having her beloved Ludlow Hall repossessed by the bank and sold off. Now, seeing the American Connie living there, the hurt of losing everything is renewed. Can these women ever be friends? Can they ever understand or forgive? As the Ludlow Ladies create memory quilts to remember those they have loved and lost, the secrets of the past finally begin to surface. But can Connie, Eve and Hetty stitch their lives back together? Praise for Ann O'Loughlin: "The Ludlow Ladies' Society brought me to a beautiful place and into a circle of friends that I didn't want to leave. Unputdownable." KATE KERRIGAN "It's a heart-warming story ... but also an addictive page-turner with plenty of unexpected twists and reveals in store." READER'S DIGEST "A moving tale of loss, love and redemption" BELLA MAGAZINE on The Ballroom Café "A richly woven tale of passion, conspiracy, hypocrisy and a chilling secret." SUNDAY INDEPENDENT on The Judge's Wife "An uplifting read, the kind of book you want to gobble up in one sitting." THE SUNDAY TIMES on The Judge's Wife
When Joey Rubin stumbles upon a group of elderly women swimming in a lake one freezing January morning, she thinks they must be mad. But then they dare her to come in... Joey, an overworked New York architect, is in the Cotswolds to oversee the restoration of Stanway House - the stately home that inspired J.M. Barrie to write Peter Pan. It hasn't been easy. The local residents aren't exactly welcoming, and then there's the problem of the brooding caretaker, a man who seems to take every opportunity to undermine her plans. She soon begins to feel that she can't do anything right. Until, that is, she discovers the J.M. Barrie Ladies' Swimming Society and begins to take a daily dip with them in their own private Neverland. For Joey, meeting Aggie, Gala, Lilia and co. is a life-changing experience, the beginning of a friendship that will transform her in the most remarkable of ways...
The Caribbean “market woman” is ingrained in the popular imagination as the archetype of black womanhood in countries throughout the region. Challenging this stereotype and other outdated images of black women, Downtown Ladies offers a more complex picture by documenting the history of independent international traders—known as informal commercial importers, or ICIs—who travel abroad to import and export a vast array of consumer goods sold in the public markets of Kingston, Jamaica. Both by-products of and participants in globalization, ICIs operate on multiple levels and, since their emergence in the 1970s, have made significant contributions to the regional, national, and global economies. Gina Ulysse carefully explores how ICIs, determined to be self-employed, struggle with government regulation and other social tensions to negotiate their autonomy. Informing this story of self-fashioning with reflections on her own experience as a young Haitian anthropologist, Ulysse combines the study of political economy with the study of individual and collective identity to reveal the uneven consequences of disrupting traditional class, color, and gender codes in individual societies and around the world.
"A great novel that is American to its core...so gently memorable, so bursting with life, that those who abandon themselves to its pages will find it claiming a permanent place close to their hearts." --New York Daily News "A warm, evocative, often hilarious picture of society, culture, politics and family life." --Atlanta Constitution "A warmly human story...never flags from first page to last." --Publishers Weekly A groundbreaking bestseller with two and a half million copies in print, "...And Ladies of the Club" centers on the members of a book club and their struggles to understand themselves, each other, and the tumultuous world they live in. A true classic, it is sure to enchant, enthrall, and intrigue readers for years to come. "It is hard to think of a better place to spend the summer than in AHelen Hooven Santmyer's? world." --Cosmopolitan
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.